The Learned Lady in England, 1650-1760 - Myra Reynolds

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and she made translations into English from French and Italian, even translating from Latin into Greek. According to Ascham she read more Greek every day than some Prebendaries read Latin in a week, and bestowed more regular hours on learning than six of the best given gentlemen in the court. It was also in accordance with the ideals of the age that the Queen should wish to shine as a poetess. Dyce, in his Specimens of British Poetesses, says that except for the speech of the Chorus in the Hercules Acteus of Seneca (printed in Park's edition of Walpole's Royal and Noble Authors) he gives, and for the first time in collected form, all the poems by this "Flower of Troynovant." It is all occasional verse, such as a sonnet on that lovely "daughter of debate," Mary Queen of Scots, a Rebus, an Epitaph, and a few other stanzas. One little poem beginning

      I grieve but dare not show my discontent,

      with much that is conventional in expression, seems yet to have a genuine note of personal feeling. Taken as a whole the brief sum of the Queen's verse indicates no poetic aptitude. It merely goes to show that verse writing was counted an agreeable accomplishment, and one to be cultivated by a queen.

      Probably the most highly gifted woman during Elizabeth's reign was Jane Weston (1582–1612).[48] And she was of high repute. When Evelyn went to dine with Lord Cornbury at Clarendon House (December 20, 1668) to see the new house "now bravely furnished, especially with the pictures of most of our ancient and modern wits, poets, philosophers, famous and learned Englishmen," he greatly commended his lordship's collection, but suggested additional names of the learned. Among these new names were Lady Jane Grey and Elizabeth Jane Weston. In Numismata Evelyn praised Jane Weston's Latin poem on typography. Farnaby "ranked her with Sir Thomas More and the best Latin poets of the day." She was reputed to speak and write English, Greek, German, Latin, Italian and Czech. John Philips praised her in his Theatrum Poetarum. "Weston's fair daughter," "the tenth muse," "the fourth grace," received, indeed, very high contemporary English recognition, and even more extravagant praise came from foreign critics. Her collected works were published in 1602 by Georg Martin von Baldhoven at his own cost. At the end of the book there was a list of learned women beginning with Deborah and ending with Elizabeth Weston.

      The only woman before 1603 in Aubrey's Lives, besides the Countess of Pembroke, was Elizabeth Danvers. His notes on her are: "A great politician; great witt and spirit, but revengefull. Knew how to manage her estate as well as any man; understood jewells as well as any jeweller." He calls her "an Italian," probably because she understood that language, and he says "she had prodigious parts for a woman." Her learning was certainly unusual, for "she had Chaucer at her fingers' ends." The only date given for her is 1568, the year in which her son, Sir Charles Danvers, was born.[49]

      To show that Scotland was not unrepresented, mention may be made of Elizabeth Melville, supposed to be identical with Elizabeth Colville, Lady Colville of Culross. In 1599 Alexander Hume dedicated to her his Hymns, or Sacred Songs, and he says of her: "I know ye delite in poesie yourselfe; and as I vnfainedly confes, excelles any of your sexe in that art, that ever I heard within this nation. I have seene your compositions so copious, so pregnant, so spirituall, that I doubt not but it is the gift of God in you."[50] The one poem by which she is known, Ane Godlie Dreame compylit in Scottish Meter by M. M. (Mistress Melville) Gentlewoman in Culross, at the request of her freindes, was published in 1603. It appeared again in a volume of Various Poetry in 1644, and in David Laing's Early Metrical Tales in 1826. Dyce gives a few stanzas in his Specimens. The poem is a Bunyan-like narrative in which the horrors of hell are painted with a vigorous brush. In fact hell is made so distinct that even the mitigating and finally saving presence of Christ as guide can hardly soften the pictures of "puir damnit saullis … frying wonder fast in flaming fire."[51]

      But while Lady Pembroke takes undoubtedly a high rank as translator and editor, her fame does not rest chiefly on this work. When Nicholas Breton compared her to the Duchess of Urbino he brought forward her essential claim to distinction, which is that she understood, valued, and befriended the literati of her day. Aubrey says: "In her time Wilton House was like a College, there were so many learned and ingeniose persons. She was the greatest patronesse of witt and learning of any lady in her time." The most extravagant eulogies were addressed to her from girlhood to old age. No such chorus of praise had been accorded any other woman except the queen. But it must be noted that this adulation is mainly for Lady Pembroke as the patroness of letters. Only incidentally are her own scholastic attainments commended. It was as a lover of wit and learning, as a dispenser of favors, that Lady Pembroke, the typical great lady of Elizabethan days, expressed her interest in learning, rather than as herself a scholar; and it was as an intelligent and open-handed patroness that she received highest recognition.

      Wotton, about a century later, gives the following summary of the learning of this period: "It was so very modish, that the fair Sex seemed to believe that Greek and Latin added to their Charms: and Plato and Aristotle untranslated, were frequent ornaments of their Closets. One would think by the Effects, that it was a proper Way of Educating of them, since there are no Accounts in History of so many truly great Women in any one age, as are to be found between the years 15 and 1600."[54]

      MARY SIDNEY, COUNTESS OF PEMBROKE

       From an engraving in Horace Walpole's Royal and Noble Authors, London, 1806

      

      Though Wotton counts the century as one period, a closer study of dates shows that most of the learned women of the century belong in the first half of it, or at least obtained their education in the first half of it. The woman most noted for classical attainments during Elizabeth's reign was Lady Bacon. Her sisters also were of considerable importance intellectually, and they lived well into the reign of Elizabeth. But their education and their establishment as women of exceptional learning belong before the coming of Elizabeth to the throne.

      Miss Weston's learning is unquestioned, but it can hardly be credited to England. She lived much abroad, her works were published in Holland, and the praise accorded her in England was but an echo of the eulogies uttered by foreign critics. In spite of Queen Elizabeth and Lady Mary Sidney, and Lady Bacon and Jane Weston, it becomes apparent by a study of dates and names that there were in Elizabeth's reign fewer eulogies of liberal education for girls and fewer records of women distinguished by learning than in the preceding period. In point of fact, when we speak of the sixteenth century as a century of learned women, the emphasis should be on the first sixty years of the century.

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      With the death of Elizabeth we come practically to the end of the favor accorded learned women.

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