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Mark Twain's humorous account of his six years in Nevada, San Francisco, and the Sandwich Islands is a patchwork of personal anecdotes and tall tales, many of them told in the «vigorous new vernacular» of the West. Selling seventy five thousand copies within a year of its publication in 1872, <I>Roughing It </I>was greeted as a work of «wild, preposterous invention and sublime exaggeration» whose satiric humor made «pretension and false dignity ridiculous.» Meticulously restored from a variety of original sources, the text is the first to adhere to the author's wishes in thousands of details of wording, spelling, and punctuation, and includes all of the 304 first-edition illustrations. With its comprehensive and illuminating notes and supplementary materials, which include detailed maps tracing Mark Twain's western travels, this Mark Twain Library <I>Roughing It </I>must be considered the standard edition for readers and students of Mark Twain.

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A Connecticut Yankee is Mark Twain’s most ambitious work, a tour de force with a science-fiction plot told in the racy slang of a Hartford workingman, sparkling with literary hijinks as well as social and political satire. Mark Twain characterized his novel as «one vast sardonic laugh at the trivialities, the servilities of our poor human race.» The Yankee, suddenly transported from his native nineteenth-century America to the sleepy sixth-century Britain of King Arthur and the Round Table, vows brashly to «boss the whole country inside of three weeks.» And so he does. Emerging as «The Boss,» he embarks on an ambitious plan to modernize Camelot—with unexpected results.

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Interpreting Music is a comprehensive essay on understanding musical meaning and performing music meaningfully—"interpreting music" in both senses of the term. Synthesizing and advancing two decades of highly influential work, Lawrence Kramer fundamentally rethinks the concepts of work, score, performance, performativity, interpretation, and meaning—even the very concept of music—while breaking down conventional wisdom and received ideas. Kramer argues that music, far from being closed to interpretation, is ideally open to it, and that musical interpretation is the paradigm of interpretation in general. The book illustrates the many dimensions of interpreting music through a series of case studies drawn from the classical repertoire, but its methods and principles carry over to other repertoires just as they carry beyond music by working through music to wider philosophical and cultural questions.

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Shorebirds are model organisms for illustrating the principles of ecology and excellent subjects for research. Their mating systems are as diverse as any avian group, their migrations push the limits of endurance, and their foraging is easily studied in the open habitats of estuaries and freshwater wetlands. This comprehensive text explores the ecology, conservation, and management of these fascinating birds. Beginning chapters examine phylogenetic relationships between shorebirds and other birds, and cover shorebird morphology, anatomy, and physiology. A section on breeding biology looks in detail at their reproductive biology. Because shorebirds spend much of their time away from breeding areas, a substantial section on non-breeding biology covers migration, foraging ecology, and social behavior. The text also covers shorebird demography, population size, and management issues related to habitat, predators, and human disturbances. Throughout, it emphasizes applying scientific knowledge to the conservation of shorebird populations, many of which are unfortunately in decline.

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Ancestral Leaves follows one family through six hundred years of Chinese history and brings to life the epic narrative of the nation, from the fourteenth century through the Cultural Revolution. The lives of the Ye family—"Ye" means «leaf» in Chinese—reveal the human side of the large-scale events that shaped modern China: the vast and destructive rebellions of the nineteenth century, the economic growth and social transformation of the republican era, the Japanese invasion during World War II, and the Cultural Revolution under the Chinese Communists. Joseph W. Esherick draws from rare manuscripts and archival and oral history sources to provide an uncommonly personal and intimate glimpse into Chinese family history, illuminating the changing patterns of everyday life during rebellion, war, and revolution.

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Shadow Mothers shines new light on an aspect of contemporary motherhood often hidden from view: the need for paid childcare by women returning to the workforce, and the complex bonds mothers forge with the «shadow mothers» they hire. Cameron Lynne Macdonald illuminates both sides of an unequal and complicated relationship. Based on in-depth interviews with professional women and childcare providers— immigrant and American-born nannies as well as European au pairs— Shadow Mothers locates the roots of individual skirmishes between mothers and their childcare providers in broader cultural and social tensions. Macdonald argues that these conflicts arise from unrealistic ideals about mothering and inflexible career paths and work schedules, as well as from the devaluation of paid care work.

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In this provocative walking meditation, writer and former park ranger William Tweed takes us to California’s spectacular High Sierra to discover a new vision for our national parks as they approach their 100th anniversary. Tweed, who worked among the Sierra Nevada’s big peaks and big trees for more than thirty years, has now hiked more than 200 miles along California’s John Muir Trail in a personal search for answers: How do we address the climate change we are seeing even now—in melting glaciers in Glacier National Park, changing rainy seasons on Mt Rainer, and more fire in the West’s iconic parks. Should we intervene where we can to preserve biodiversity? Should the parks merely become ecosystem museums that exhibit famous landscapes and species? Asking how we can make these magnificent parks relevant for the next generation, Tweed, through his journey, ultimately shows why we must do just that.

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Dacha Idylls is a lively account of dacha life and how Russians experience this deeply rooted tradition of the summer cottage amid the changing cultural, economic, and political landscape of postsocialist Russia. Simultaneously beloved and reviled, dachas wield a power that makes owning and caring for them an essential part of life. In this book, Melissa L. Caldwell captures the dacha’s abiding traditions and demonstrates why Russians insist that these dwellings are key to understanding Russian life. She draws on literary texts as well as observations from dacha dwellers to highlight this enduring fact of Russian culture at a time when so much has changed. Caldwell presents the dacha world in all its richness and complexity—a «good life» that draws inspiration from the natural environment in which it is situated.

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Long a taboo subject among critics, rhythm finally takes center stage in this book's dazzling, wide-ranging examination of diverse black cultures across the New World. Martin Munro’s groundbreaking work traces the central—and contested—role of music in shaping identities, politics, social history, and artistic expression. Starting with enslaved African musicians, Munro takes us to Haiti, Trinidad, the French Caribbean, and to the civil rights era in the United States. Along the way, he highlights such figures as Toussaint Louverture, Jacques Roumain, Jean Price-Mars, The Mighty Sparrow, Aimé Césaire, Edouard Glissant, Joseph Zobel, Daniel Maximin, James Brown, and Amiri Baraka. Bringing to light new connections among black cultures, Munro shows how rhythm has been both a persistent marker of race as well as a dynamic force for change at virtually every major turning point in black New World history.

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In this engrossing cultural history of baseball in Taiwan, Andrew D. Morris traces the game’s social, ethnic, political, and cultural significance since its introduction on the island more than one hundred years ago. Introduced by the Japanese colonial government at the turn of the century, baseball was expected to «civilize» and modernize Taiwan’s Han Chinese and Austronesian Aborigine populations. After World War II, the game was tolerated as a remnant of Japanese culture and then strategically employed by the ruling Chinese Nationalist Party (KMT) Even as it was also enthroned by Taiwanese politicians, cultural producers, and citizens as their national game. In considering baseball’s cultural and historical implications, Morris deftly addresses a number of societal themes crucial to understanding modern Taiwan, the question of Chinese «reunification,» and East Asia as a whole.

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