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Bajo el título de Enotradulengua. Vino, lengua y traducción, se recogen en este libro 18 trabajos elaborados por integrantes del GIRTraduvino y por otros investigadores de España y de fuera, entre los que se encuentran los ya habi-tuales colaboradores, como son Cristinane Nord y Pierre Lerat. La temática de este libro versa sobre la traducción, las ontologías, la historia del conocimiento enológico, la lengua de la vid y el vino, el enoturismo y sobre varios de los géneros más característicos del ámbito: las etiquetas, las notas de cata y el anuncio impreso. También incluye un novedoso trabajo sobre la traducción de las metáforas de las notas de cata a la lengua de signos española. La lengua de la vid y el vino se aborda desde la diacronía, la sincronía y la dialectología.

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This volume is co-edited by the director of the Freiburg graduate school «Factual and Fictional Narration» (GRK 1767, Freiburg/Germany) and the director of the Aarhus Centre for Fictionality Studies (University of Aarhus, DK). The collection of essays re-examines the much discussed fact―fiction distinction in light of the current burgeoning of research on fictionality. It provides a forum for ongoing work on fictionality from France, Germany and Denmark and Sweden. By placing discussions of the notion of fictionality in one volume, the editors hope to initiate exchange between the different traditions represented in the essays und to help the task of translating the available concepts and terminologies so they can travel between different models and theoretical frameworks.

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Die Schriftenreihe Innovatives Wissensmanagement stellt der Wissenschaft sowie der Wirtschaftspraxis aktuelle Forschungsergebnisse, innovative Lösungsansätze sowie Fallstudien in der Schnittmenge der Disziplinen Innovations- und Wissensmanagement zur Verfügung.

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Desde distintas perspectivas críticas este libro analiza aspectos específicos de la traducción poética, así como los elementos interculturales de la traducción y la recepción de la poesía en el siglo XIX. Los exotismos literarios, la influencia del haiku, los problemas traductológicos al chino, la teleología de la traducción poética indígena mexicana, la recepción y traducción de Rosalía de Castro en Italia y las traducciones en prensa de Giosuè Carducci, son, junto con la atención prestada a la labor traductológica de Marcelino Menéndez Pelayo, Teodoro Llorent, Enrique Díez-Canedo y Fernando Fortún, Guillermo Belmonte Müller, José Zorrilla, Juan Valera y la visión traductológica de Longfellow, los exhaustivos trabajos presentados en este libro.

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Ruralism and Literature in Romania proposes a series of academic studies of rural literature and cultural portrayals of peasantry. The topics range from re-readings of canonical works to ideological readings of modern Romanian literature, rural novels of the Romanian socialist realism and post-communist literary trends centred around rural life. The three sections of the volume, «The Novel,» «Literary Criticism and Social Action,» and «Poetry» focus on the intervention of the nineteenth and twentieth-century cultural elites in the discussions of peasantry, on the role of ideology in portraying the peasant during the interwar period and postwar literature, and on off-centre topics such as zoopoetics and artificial intelligence in the rural literature.

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Este volumen, dirigido a docentes, investigadores y estudiantes en el ámbito de la Traducción e Interpretación, es el resultado de las experiencias didácticas, profesionales y de investigación de los autores de los dieciséis capítulos que lo componen. Su objetivo es acercar la teoría a la práctica con una temática muy amplia, que incluye el análisis lingüístico, la autotraducción, la traducción de lenguas de especialidad y la traducción audiovisual. Cuenta también con tres capítulos dedicados a la interpretación que ofrecen una visión panorámica de la misma y que centran su atención en la interpretación como proceso, producto y profesión.

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Her book, written in the mid-20th century, is now published in full for the first time. It draws on her long experience as performer, broadcaster what she learnt from her teachers about Liszt’s interpretation of the piano music of his contemporaries, in particular of his friend Chopin, how he wanted his own piano works performed, and what special techniques facilitated the interpretations he favoured, as well as his own virtuoso performance. This is presented in discussions of many well-known works of the classical piano repertoire, and richly illustrated with extracts from the compositions in question. These musical examples have been played and video-recorded for the DVD accompanying the book. This is a document of considerable historical importance, offering an authoritative account of Liszt's teaching methods as imparted by two of his former students to whom he was particularly close. It contains much valuable information of a kind that is unavailable elsewhere: none of the reminiscences of Liszt published by his students discuss technical matters or interpretation in comparable detail. It records a direct and authentic oral tradition of continental European pianism going back to the nineteenth century.

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How can you learn to pray the scriptures? Praying from the word of God is a powerful way to pray, but how can you learn to do it? This booklet provides some scriptures and prayer suggestions to help you get started, along with some pointers to resources to help you learn more about prayer and communion with God. This pamphlet is useful for individual study, but more so to a prayer group as a starting point to grow in scriptural prayer.

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The essays gathered in Magazines and Modernity in Brazil explore transnational topics such as architecture; cosmopolitanism and universalism; antisemitism, anti-war movements; visual artistic movements; advertising; anti-racism; avant-garde; class; consumer society; design; ethnicity and race; fascism and anti-fascism; intellectual elites; literature; modernity; publishing; translation, as well as book and periodical exchange, which is the main focus of this collection. Together, these essays propose a critique of traditional comparatist approaches, promoting instead the study of contact zones and intersections, highlighting the place of production and reception of cultural products, as well as the role of mediators. What guide these analyses of magazines are concepts such as connected and shared histories, which emphasize transnational interactions. Within the spectrum of global history, this collection is related to a recent body scholarship on cultural transfers, which opened a fertile field for new research based on the analysis of transnational movements not only of ideas but also of networks and magazines. Organized chronologically, the chapters explore a period from the mid-nineteenth century to the aftermath of World War II, always having key magazines as the focus of analysis. The authors deliberately move away from traditional comparative approaches, in which two or more nations are set as a parameter, leading to emphasize their similarities and differences in a rigid framework that does not take into account interactions and cross-pollination of cultures and ideas. Some of the keywords that appear here are transnational models, global, circulation, mediation, hybridity, mestizaje, as well as histories that are shared and connected. These keywords help the authors to analyse the formation and development of the participation of Brazil in the global, modern periodical print culture. However, it should be noted that the purpose of this book is not to suggest a supposed singularity of the Brazilian case. The contribution of this volume of essays is precisely the opposite of this, showing how modernity in Brazil, including what is conventionally called modernism, is a complex expression of transnational movements and cross-cultural exchanges.

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The only thing the writers in this book have in common is that they've exchanged sex for money. They're PhDs and dropouts, soccer moms and jailbirds, $2,500-a-night call girls and $10 crack hos, and everything in between. This anthology lends a voice to an underrepresented population that is simultaneously reviled and worshipped.Hos, Hookers, Call Girls, and Rent Boys is a collection of short memoirs, rants, confessions, nightmares, journalism, and poetry covering life, love, work, family, and yes, sex. The editors gather pieces from the world of industrial sex, including contributions from art-porn priestess Dr. Annie Sprinkle, best-selling memoirist David Henry Sterry (Chicken: Self-Portrait of a Young Man for Rent), sex activist and musical diva Candye Kane, women and men right off the streets, girls participating in the first-ever National Summit of Commercially Sexually Exploited Youth, and Ruth Morgan Thomas, one of the organizers of the European Sex Work, Human Rights, and Migration Conference.Sex is a billion-dollar industry. Meet the real people who are its flesh and blood.

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