LITMIR.BIZ

McInerney has won the James Beard MFK Fisher Award for Distinguished Writing for his wine columns and has published three acclaimed books about wine: Bacchus and Me (which sold over 40k copies), A Hedonist in the Cellar , and The Juice: Vinous Veritas . Edited by Jay McInerney, a longtime and highly praised wine columnist (for Town & Country , Wall Street Journal , and House and Garden ), an entertaining and delectably literary anthology of fine wine writing, including fiction and nonfiction selections by Kermit Lynch, A. J. Liebling, Roald Doahl, Jancis Robinson, Terry Theise, Bianca Bosker, Joseph Wechsberg, Martin Walker, and many others—the first anthology of its kind. Wine Reads will have a beautiful, elegant package, and we are publishing in November—making it a perfect Christmas buy. We will expect significant coverage from both the wine/food media and the literary media.

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<P>The Broadway sensation Hamilton has sparked renewed interest in the historical figures of Alexander Hamilton and Aaron Burr. This closely annotated thread of documents provides a riveting account of the lead-up to and aftermath of their disastrous duel. From the summer of 1804, we have the fiery correspondence between Hamilton and Burr, notes and accounts from their seconds-in-command, and other documents that provide an immediate sense of the personalities and times. The introduction and conclusion provide a concise and informative perspective on the parallel lives of Hamilton and Burr and of the duel's lasting impacts on American history. This is the perfect summary of the events that inspired the hit musical—a great resource for teachers and students and the perfect gift for history buffs.</P>

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<P>This collection of essays provides the first in-depth examination of camp as it relates to a wide variety of twentieth and twenty-first century music and musical performances. Located at the convergence of popular and queer musicology, the book provides new research into camp's presence, techniques, discourses, and potential meanings across a broad spectrum of musical genres, including: musical theatre, classical music, film music, opera, instrumental music, the Broadway musical, rock, pop, hip-hop, and Christmas carols. This significant contribution to the field of camp studies investigates why and how music has served as an expressive and political vehicle for both the aesthetic characteristics and the receptive modes that have been associated with camp throughout twentieth and twenty-first-century culture.</P><P><B>Hardcover is un-jacketed.</B></P>

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<P>Music and violence have been linked since antiquity in ritual, myth, and art. Considered together they raise fundamental questions about creativity, discourse, and music's role in society. The essays in this collection investigate a wealth of issues surrounding music and violence—issues that cross political boundaries, time periods, and media—and provide cross-cultural case studies of musical practices ranging from large-scale events to regionally specific histories. Following the editors' substantive introduction, which lays the groundwork for conceptualizing new ways of thinking about music as it relates to violence, three broad themes are followed: the first set of essays examines how music participates in both overt and covert forms of violence; the second section explores violence and reconciliation; and the third addresses healing, post-memorials, and memory. Music, Politics, and Violence affords space to look at music as an active agent rather than as a passive art, and to explore how music and violence are closely—and often uncomfortably—entwined.</P><P>CONTRIBUTORS include Nicholas Attfield, Catherine Baker, Christina Baade, J. Martin Daughtry, James Deaville, David A. McDonald, Kevin C. Miller, Jonathan Ritter, Victor A. Vicente, and Amy Lynn Wlodarski.</P>

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<P>Rethinking the Sylph gathers essays by a premier group of international scholars to illustrate the importance of the romantic ballet within the broad context of western theatrical dancing. The wide variety of perspectives – from social history to feminism, from psychoanalysis to musicology – serves to illuminate the modernity of the Romantic ballet in terms of vocabulary, representation of gender, and iconography. The collection highlights previously unexplored aspects of the Romantic ballet, including its internationalism; its reflection of modern ideas of nationalism through the use and creation of national dance forms; its construction of an exotic-erotic hierarchy, and proto-orientalist «other»; its transformation of social relations from clan to class; and the repercussions of its feminization as an art form. This generously illustrated book offers a wealth of rare archival material, including prints, costume designs, music, and period reviews, some translated into English for the first time.</P>

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<P>Since issuing its first volumes in 1959, the Wesleyan poetry program has challenged the reigning aesthetic of the time and profoundly influenced the development of American poetry. One of the country's oldest programs, its greatest achievement has been the publication of early works by yet undiscovered poetry who have since become major awarded Pulitzer and Bollingen prizes, National Book Awards, and many other honors. At a time when other programs are being phased out, Wesleyan takes this opportunity to celebrate its distinguished history and reaffirm its commitment to poetry with publication of The Wesleyan Tradition.</P><P>Drawing from some 250 volumes, editor Michael Collier documents the wide-ranging impact of these works. In his introduction, he describes the literary and cultural context of American poetics in more recent decades, tracing the evolution of the Deep Image and Confessional movements of the 50s and 60s, and exploring the emergence of the «prose lyric» style. Although the success of the Wesleyan program has inspired its share of imitators, no other program has had such a fundamental impact. Works by the eighty-six poets included her both document and celebrate that contribution.</P>

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<P>CONTRIBUTORS: Jose Limon, Anna Sokolow, Erick Hawkins, Donald McKayle, Alwin Nikolas, Pauline Koner, Paul Taylor.</P>

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<P>A groundbreaking filmmaker dogged by controversy in both his personal life and career, Elia Kazan was one of the most important directors of postwar American cinema. In landmark motion pictures such as A Streetcar Named Desire, On the Waterfront, East of Eden, and Splendor in the Grass, Kazan crafted an emotionally raw form of psychological realism. His reputation has rested on his Academy award-winning work with actors, his provocative portrayal of sexual, moral, and generational conflict, and his unpopular decision to name former colleagues as Communists before the House Un-American Activities Committee in 1952. But much of Kazan's influential cinematic legacy remains unexamined. Arriving in the wake of his centenary, Kazan Revisited engages and moves beyond existing debates regarding Kazan's contributions to film, tackling the social, political, industrial, and aesthetic significance of his work from a range of critical perspectives. Featuring essays by established film critics and scholars such as Richard Schickel (Time), Victor Navasky (The Nation), Mark Harris (Entertainment Weekly), Kent Jones (Film Comment), Jonathan Rosenbaum (Essential Cinema, 2004), Jeanine Basinger (The Star Machine, 2007), and Leo Braudy (On the Waterfront, 2008), this book is a must for diehard cinephiles and those new to Kazan alike.</P><P>Contributors include: JEANINE BASINGER, LEO BRAUDY, LISA DOMBROWSKI, HADEN GUEST, MARK HARRIS, KENT JONES, PATRICK KEATING, SAVANNAH LEE, BRENDA MURPHY, VICTOR NAVASKY, BRIAN NEVE, JONATHAN ROSENBAUM, RICHARD SCHICKEL, ANDREW TRACY, and SAM WASSON.</P>

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"And they lived happily ever after." Only in fairy tales, you say. But there is life after the honeymoon-messy, challenging, happily-married life. That's the great promise of Catholic marriage, and if you're married or considering marriage the joy is there for you, too. Many Catholics today share the culture's unease-fear of divorce, the prevalence of cohabitation, the wounds of past relationships all conspire to make til-death-do-us-part seem like a risky proposition. But the authors of Catholic and Married all agree, marriage is the adventure of a lifetime. In these sometimes funny, tell-it-like-it-is chapters, this diverse group of men and women offer you their insights and advice on:Children – the gift that keeps on givingMarrying young – objections and object lessonsContraception – an honest discussion on a touchy subjectParenting skills – it's not rocket science (it just feels like it sometimes)And much more! These stories will encourage you to lean into love. Hold nothing back. And experience the Catholic marriage God intended for you.

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