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History of the Colonial Virginia (3 Volumes Edition). Thomas J. Wertenbaker
Читать онлайн.Название History of the Colonial Virginia (3 Volumes Edition)
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isbn 4064066383176
Автор произведения Thomas J. Wertenbaker
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Издательство Bookwire
Nor had this spirit of imitation become less apparent at the period of the Revolution, or even after. Their furniture, their silver ware, their musical instruments, their coaches and even their clothes were still imported from England and were made after the latest English fashions. John Bernard noted with astonishment that their favorite topics of conversation were European. "I found," he says, "men leading secluded lives in the woods of Virginia perfectly au fait as to the literary, dramatic, and personal gossip of London and Paris." The lack of good educational facilities in Virginia led many of the wealthy planters to send their sons to England to enter the excellent schools or universities there. Even after the establishment of William and Mary College, the advantages to be derived from several years' residence in the Old World, induced parents to send their sons to Oxford or Cambridge. The culture, the ideas and habits there acquired by the young Virginia aristocrats exerted a powerful influence upon society in the Old Dominion.
But the peculiar conditions of the new country could not fail to modify profoundly the life of the colonists. Despite the intimacy with England and despite the tenacity with which the people clung to British customs, Virginia society in both the 17th and 18th centuries was different in many respects from that of the mother country. The absence of towns eliminated from colonial life much that was essentially English. There could be no counterpart of the coffee house, the political club, the literary circle. And even rural conditions were different. The lack of communication and the size of the plantations could not fail to produce a social life unlike that of the thickly settled country districts of England.
We note in Virginia a marked contrast between the 17th and 18th centuries in the mode of living of the planters. In the first hundred years of the colony's existence there was a conspicuous lack of that elegance in the houses, the furniture, the vehicles, the table ware, etc., that was so much in evidence at the time of the Revolution. This was due in part to the newness of the country. It was impossible amid the forests of America, where artisans were few and unskillful, to imitate all the luxuries of England, and the planters were as yet too busily employed in reducing the resources of the country to their needs to think of more than the ordinary comforts of life. Moreover, the wealth of the colony was by no means great. Before the end of the century some of the planters had accumulated fortunes of some size, but there were few that could afford to indulge in the costly and elegant surroundings that became so common later. And the owners of newly acquired fortunes were often fully satisfied with the plain and unpretentious life to which they were accustomed and not inclined to spend their money for large houses, fine furniture, or costly silver ware. As time went on, however, the political and social supremacy of the aristocracy, the broader education of its members, and the great increase in wealth conspired to produce in the colony a love of elegance that was second only to that of the French nobility.
During the 17th century the houses even of the wealthiest planters were made of wood. Despite the fact that bricks were manufactured in the colony and could be had at a reasonable price, the abundance of timber on all sides made the use of that material almost universal during the greater part of the colonial period. Shingles were used for the roof, although slate was not unknown. The partitions in the dwellings were first covered with a thick layer of tenacious mud and then whitewashed. Sometimes there were no partitions at all as was the case in a house mentioned by William Fitzhugh. This, however, was not usual and we find that most of the houses of the wealthiest planters contained from four to seven compartments of various sizes. The residence of Governor William Berkeley at Green Spring contained six rooms. Edmund Cobbs, a well-to-do farmer, lived in a house consisting of a hall and kitchen on the lower floor and one room above stairs. In the residence of Nathaniel Bacon, Sr., were five chambers, a hall, a kitchen, a dairy and a storeroom. The apartments in the house of Mathew Hubbard, a wealthy planter of York County, consisted of a parlor and hall, a chamber, a kitchen and buttery. Robert Beverley, who played so important a role in Bacon's Rebellion and in the political struggles following that uprising, resided in a house which contained three chambers, a dairy, a kitchen and the overseer's room. The house of William Fauntleroy, a wealthy land owner, contained three chambers, a hall, a closet and a kitchen.106
The surroundings, of the planters' residences were entirely lacking in ornament. In the immediate vicinity of the house were usually grouped stable, hen house, kitchen, milk house, servants' house and dove-cote. Near at hand also was to be found the garden, which was devoted to both vegetables and flowers. Around it were always placed strong palings to keep out the hogs and cattle which were very numerous and were allowed to wander unrestrained.107
The furniture of the planters was of fairly good quality, as most of it was imported from England. The beds were similar to those used in the mother country, ranging from the little trundle-bed to the great-bed of the main chamber, which was usually surrounded by curtains upheld by a rod. Rugs were quite common, but were of very poor quality, being made frequently of worsted yarn or cotton. Various materials were used in making couches. Some were of hides, some of tanned leather, some of embroidered Russian leather. As a substitute for wardrobes or closets in every bed room were chests, in which were kept the most costly articles of clothing, the linen, trinkets of value and occasionally plate. Chairs of various kinds were used, the most costly being the Russian leather chair and the Turkey-worked chair. In the houses of the wealthiest planters the walls were sometimes hung with tapestry.108
When the families of the planters were large, which was frequently the case, their little houses were exceedingly crowded. Beds are found in every room except in the kitchen. In the parlor or reception room for guests are not only beds, but chests of clothing and linen, while in the hall which was used also as a dining room, are flock-beds, chests, guns, pistols, swords, drums, saddles, and bridles. The chamber contains every variety of article in use in the household. One of the rooms in the house of Thomas Osborn contained a bedstead with feather-bed, bolster, rug, blanket and sheets, two long table cloths, twenty-eight napkins, four towels, one chest, two warming pans, four brass candle-sticks, four guns, a carbine and belt, a silver beaker, three tumblers, twelve spoons, one sock and one dram cup.109
The utensils in use in the dining room and kitchen were usually made of pewter, this material being both cheap and durable. Even upon the tables of the wealthiest planters were found sugar-pots, castors, tumblers, spoons, dishes, ladles, knives and various other articles all of pewter. Silver, however, was not unknown. In the closing years of the 17th century the possession of silver plate and silver table-ware was becoming more and more frequent.110
As the wealth of the leading planters increased they gradually surrounded themselves with elegant homes and sumptuous furnishings. At the period of the Revolution there were dozens of magnificent homes scattered throughout Virginia. Shirley, Brandon, Rosewell, Monticello, Blenheim, Mount Airy, and many more testified to the refined taste and love of elegance of the aristocracy of this time. The most common material used in the construction of these mansions was brick, manufactured by the planter himself, upon his own estate. The usual number of rooms was eight, although not infrequently there were as many as fourteen or sixteen. These apartments were very large, often being twenty-five feet square, and the pitch was invariably great. In close proximity to the mansion were always other houses, some of which contained bed rooms that could be used either by guests or by members of the family. Thus the main house was really but the center of a little group of buildings, that constituted altogether a residence of great size. How spacious they were is shown by the number of guests that were at times housed in them, for at balls and on other festive occasions it was not at all infrequent for forty or fifty persons to remain for several days in the home of their host. At a ball given by Richard Lee, of Lee Hall, Westmoreland County, there were seventy guests, most of whom remained three days.
Nomini Hall, the house of Robert Carter, is an excellent example of the residences of the wealthier planters during the middle of the 18th century. The main building was of brick, which was covered over with a