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These persons shewed themselves enamoured of the reports that had been spread of Agrippa, and desired him before the elector to exhibit something memorable. One intreated him to call up Plautus, and shew him as he appeared in garb and countenance, when he ground corn in the mill. Another before all things desired to see Ovid. But Erasmus earnestly requested to behold Tully in the act of delivering his oration for Roscius. This proposal carried the most votes. And, after marshalling the concourse of spectators, Tully appeared, at the command of Agrippa, and from the rostrum pronounced the oration, precisely in the words in which it has been handed down to us, “with such astonishing animation, so fervent an exaltation of spirit, and such soul-stirring gestures, that all the persons present were ready, like the Romans of old, to pronounce his client innocent of every charge that had been brought against him.” The story adds, that, when sir Thomas More was at the same place, Agrippa shewed him the whole destruction of Troy in a dream. To Thomas Lord Cromwel he exhibited in a perspective glass King Henry VIII and all his lords hunting in his forest at Windsor. To Charles V he shewed David, Solomon, Gideon, and the rest, with the Nine Worthies, in their habits and similitude as they had lived.

      Lord Surrey, in the mean time having gotten into familiarity with Agrippa, requested him by the way side as they travelled, to set before him his mistress, the fair Geraldine, shewing at the same time what she did, and with whom she talked. Agrippa accordingly exhibited his magic glass, in which the noble poet saw this beautiful dame, sick, weeping upon her bed, and inconsolable for the absence of her admirer. — It is now known, that the sole authority for this tale is Thomas Nash, the dramatist, in his Adventures of Jack Wilton, printed in the year 1593.

      But the most extraordinary story of Agrippa is told by Delrio, and is as follows. Agrippa had occasion one time to be absent for a few days from his residence at Louvain. During his absence he intrusted his wife with the key of his Museum, but with an earnest injunction that no one on any account should be allowed to enter. Agrippa happened at that time to have a boarder in his house, a young fellow of insatiable curiosity, who would never give over importuning his hostess, till at length he obtained from her the forbidden key. The first thing in the Museum that attracted his attention, was a book of spells and incantations. He spread this book upon a desk, and, thinking no harm, began to read aloud. He had not long continued this occupation, when a knock was heard at the door of the chamber. The youth took no notice, but continued reading. Presently followed a second knock, which somewhat alarmed the reader. The space of a minute having elapsed, and no answer made, the door was opened, and a demon entered. “For what purpose am I called?” said the stranger sternly. “What is it you demand to have done?” The youth was seized with the greatest alarm, and struck speechless. The demon advanced towards him, seized him by the throat, and strangled him, indignant that his presence should thus be invoked from pure thoughtlessness and presumption.

      Naudé, in his Apology for Great Men accused of Magic, mentions, that Agrippa composed a book of the Rules and Precepts of the Art of Magic, and that, if such a work could entitle a man to the character of a magician, Agrippa indeed well deserved it. But he gives it as his opinion that this was the only ground for fastening the imputation on this illustrious character.

      Without believing however any of the tales of the magic practices of Cornelius Agrippa, and even perhaps without supposing that he seriously pretended to such arts, we are here presented with a striking picture of the temper and credulity of the times in which he lived. We plainly see from the contemporary evidence of Wierus, that such things were believed of him by his neighbours; and at that period it was sufficiently common for any man of deep study, of recluse habits, and a certain sententious and magisterial air to undergo these imputations. It is more than probable that Agrippa was willing by a general silence and mystery to give encouragement to the wonder of the vulgar mind. He was flattered by the terror and awe which his appearance inspired. He did not wish to come down to the ordinary level. And if to this we add his pursuits of alchemy and astrology, with the formidable and various apparatus supposed to be required in these pursuits, we shall no longer wonder at the results which followed. He loved to wander on the brink of danger, and was contented to take his chance of being molested, rather than not possess that ascendancy over the ordinary race of mankind which was evidently gratifying to his vanity.

      Faustus.

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