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Italian Renaissance. John Addington Symonds
Читать онлайн.Название Italian Renaissance
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isbn 4064066394745
Автор произведения John Addington Symonds
Жанр Документальная литература
Издательство Bookwire
Turning now from the statesman to the man of letters, we find in Guicciardini one of the most consummate historians of any nation or of any age. The work by which he is best known, the Istoria d' Italia, is one that can scarcely be surpassed for masterly control of a very intricate period, for subordination of the parts to the whole, for calmness of judgment and for philosophic depth of thought. Considering that Guicciardini in this great work was writing the annals of his own times, and that he had to disentangle the raveled skein of Italian politics in the sixteenth century, these qualities are most remarkable. The whole movement of the history recalls the pomp and dignity of Livy, while a series of portraits sketched from life with the unerring hand of an anatomist and artist add something of the vivid force of Tacitus. Yet Guicciardini in this work deserves less commendation as a writer than as a thinker. There is a manifest straining to secure style, by manipulation and rehandling, which contrasts unfavorably with the unaffected ease, the pregnant spontaneity, of his unpublished writings. His periods are almost interminable, and his rhetoric is prolix and monotonous. We can trace the effort to emulate the authors of antiquity without the ease which is acquired by practice or the taste that comes with nature.
The transcendent merit of the history is this—that it presents us with a scientific picture of politics and of society during the first half of the sixteenth century. The picture is set forth with a clairvoyance and a candor that are almost terrible. The author never feels enthusiasm for a moment: no character, however great for good or evil, rouses him from the attitude of tranquil disillusioned criticism. He utters but few exclamations of horror or of applause. Faith, religion, conscience, self-subordination to the public good, have no place in his list of human motives; interest, ambition, calculation, envy, are the forces which, according to his experience, move the world. That the strong should trample on the weak, that the wily should circumvent the innocent, that hypocrisy and fraud and dissimulation should triumph, seems to him but natural. His whole theory of humanity is tinged with the sad gray colors of a stolid, cold-eyed, ill-contented, egotistical indifference. He is not angry, desperate, indignant, but phlegmatically prudent, face to face with the ruin of his country. For him the world was a game of intrigue, in which his friends, his enemies, and himself played parts, equally sordid, with grave faces and hearts bent only on the gratification of mean desires. Accordingly, though his mastery of detail, his comprehension of personal motives, and his analysis of craft are alike incomparable, we find him incapable of forming general views with the breadth of philosophic insight or the sagacity of a frank and independent nature. The movements of the eagle and the lion must be unintelligible to the spider or the fox. It was impossible for Guicciardini to feel the real greatness of the century, or to foresee the new forces to which it was giving birth. He could not divine the momentous issues of the Lutheran schism; and though he perceived the immediate effect upon Italian politics of the invasion of the French, he failed to comprehend the revolution marked out for the future in the shock of the modern nations. While criticising the papacy, he discerned the pernicious results of nepotism and secular ambition: but he had no instinct for the necessity of a spiritual and religious regeneration. His judgment of the political situation led him to believe that the several units of the Italian system might be turned to profit and account by the application of superficial remedies—by the development of despotism, for example, or of oligarchy, when in reality the decay of the nation was already past all cure.
Two other masterpieces from Guicciardini's pen, the Dialogo del Reggimento di Firenze and the Storia Fiorentina, have been given to the world during the last twenty years. To have published them immediately after their author's death would have been inexpedient, since they are far too candid and outspoken to have been acceptable to the Medicean dynasty. Yet in these writings we find Guicciardini at his best. Here he has not yet assumed the mantle of the rhetorician, which in the Istoria d' Italia sits upon him somewhat cumbrously. His style is more spontaneous; his utterances are less guarded. Writing for himself alone, he dares to say more plainly what he thinks and feels. At the same time the political sagacity of the statesman is revealed in all its vigor. I have so frequently used both of these treatises that I need not enter into a minute analysis of their contents. It will be enough to indicate some of the passages which display the literary style and the scientific acumen of Guicciardini at their best. The Reggimento di Firenze is an essay upon the form of government for which Florence was best suited. Starting with a discussion of Savonarola's constitution, in which ample justice is done to the sagacity and promptitude by means of which he saved the commonwealth at a critical juncture (pp. 27–30), the interlocutors pass to an examination of the Medicean tyranny (pp. 34–49). This is one of the masterpieces of Guicciardini's analysis. He shows how the administration of justice, the distribution of public honors, and the foreign policy of the republic were perverted by this family. He condemns Cosimo's tyrannical application of fines and imposts (p. 68), Piero the younger's insolence (p. 46), and Lorenzo's appropriation of the public moneys to his private use (p. 43). Yet while setting forth the vices of this tyranny in language which even Sismondi would have been contented to translate and sign, Guicciardini shows no passion. The Medici were only acting as befitted princes eager for power, although they crushed the spirit of the people, discouraged political ardor, extinguished military zeal, and did all that in them lay to enervate the nation they governed. The scientific statist acknowledges no reciprocal rights and duties between the governor and the governed. It is a trial of strength. If the tyrant gets the upper hand, the people must expect to be oppressed. If, on the other side, the people triumph, they must take good care to exterminate the despotic brood: 'The one true remedy would be to destroy and extinguish them so utterly that not a vestige should remain, and to employ for this purpose the poignard or poison, as may be most convenient; otherwise the least surviving spark is certain to cause trouble and annoyance for the future'(p. 215). The same precise criticism lays bare the weakness of democracy. Men, says Guicciardini, always really desire their own power more than the freedom of the state (p. 50), and the motives even of tyrannicides are very rarely pure (pp. 53–54). The governments established by the liberals are full of defects. The Consiglio Grande, for example, of the Florentines is ignorant in its choice of magistrates, unjust in its apportionment of taxes, scarcely less prejudiced against individuals than a tyrant would be, and incapable of diplomatic foreign policy (pp. 58–69). Then follows a discussion of the relative merits of the three chief forms of government—the Governo dell' Uno, the Governo degli Ottimati, and the Governo del Popolo (p. 129). Guicciardini has already criticised the first and the third.[1] He now expresses a strong opinion that the second is the worst which could be applied to the actual conditions of the Florentine Republic (p. 130). His panegyric of the Venetian constitution (pp. 139–41) illustrates his plan for combining the advantages of the three species and obviating their respective evils. In fact he declares for that Utopia of the sixteenth century—the Governo Misto—a political invention which fascinated the imagination of Italian statesmen much in the same way as the theory of perpetual motion attracted scientific minds in the last century.[2] What follows is an elaborate scheme for applying the principles of the Governo Misto to the existing state of things in Florence. This lucid and learned disquisition is wound up (p. 188) with a mournful expression of the doubt which hung like a thick cloud over all the political speculations of both Guicciardini and Machiavelli: 'I hold it very doubtful, and I think it much depends on chance whether this disorganized constitution will ever take new shape or not … and as I said yesterday, I should have more hope if the city were but young; seeing that not only does a state at the commencement take form with greater facility than one that has grown old under evil governments, but things always turn out more prosperously and more easily while fortune is yet fresh and has not run its course,' etc.[3] In reading the Dialogue on the Constitution of Florence it must finally be remembered that Guicciardini has thrown it back into the year 1494, and that he speaks through the mouths of four interlocutors. Therefore we may presume that he intended his readers to regard it as a work of speculative science rather than of practical political philosophy. Yet it is not difficult to gather the drift of his own meaning.