LITMIR.BIZ

Скачать книгу

volume; in this, too, he had abundant and faithful experience. An attempt to investigate the principles of jurisprudence, which was carried out more fully by his son, [31] and a short carmen de moribus or essay on conduct, completed the list of his paternal instructions. Why this was styled carmen is not known. Some think it was written in Saturnian verse, others that its concise and oracular formulas suggested the name, since carmen in old Latin is by no means confined to verse. It is from this that the account of the low estimation of poets in the early Republic is taken. Besides these regular treatises we hear of letters, [32] and apophthegmata, or pithy sayings, put together like those of Bacon from divers sources. In after times Cato's own apophthegms were collected for publication, and under the name of Catonis dicta, were much admired in the Middle Ages. We see that Cato's literary labours were encyclopaedic. In this wide and ambitious sphere he was followed by Varro, and still later by Celsus. Literary effort was now becoming general. FULVIUS NOBILIOR, the patron of Ennius and adversary of Cato, published annals after the old plan of a calendar of years. CASSIUS HEMINA and Calpurnius Piso, who were younger contemporaries, continued in the same track, and we hear of other minor historians. Cassius is mentioned more than once as "antiquissimus auctor," a term of compliment as well as chronological reference. [33] Of him Niebuhr says: "He wrote about Alba according to its ancient local chronology, and synchronised the earlier periods of Rome with the history of Greece. He treated of the age before the foundation of Rome, whence we have many statements of his about Siculian towns in Latium. The archaeology of the towns seems to have been his principal object. The fourth book of his work bore the title of Punicum bellum posterius, from which we infer that the last war with Carthage had not as yet broken out."

      About this epoch flourished Q. FABIUS MAXIMUS SERVILIANUS, who is known to have written histories. He is supposed to be miscalled by Cicero, [34] Fabius Pictor, for Cicero mentions a work in Latin by the latter author, whereas it is certain that the old Fabius wrote only in Greek. The best authorities now assume that Fabius Maximus, as a clansman and admirer of Pictor, translated his book into Latin to make it more widely known. The new work would thus be indifferently quoted as Fabius Pictor or Fabius Maximus.

      L. CALPURNIUS PISO FRUGI CENSORIUS (Cons. 133), well known as the adversary of the Gracchi, an eloquent and active man, and staunch adherent of the high aristocratic party, was also an able writer of history. That his conception of historical writing did not surpass that of his predecessors the annalists, is probable from the title of his work; [35] that he brought to bear on it a very different spirit seems certain from the quotations in Livy and Dionysius. One of the select few, in breadth of views as in position, he espoused the rationalistic opinions advocated by the Scipionic circle, and applied them with more warmth than judgment to the ancient legends. Grote, Niebuhr, and others, have shown how unsatisfactory this treatment is; illusion is lost without truth being found; nevertheless, the man who first honestly applies this method, though he may have ill success, makes an epoch in historical research. Cicero gives him no credit for style; his annals (he says) are written in a barren way. [36] The reader who wishes to read Niebuhr's interesting judgment on his work and influence is referred to the Introductory Lectures on Roman History. In estimating the very different opinions on the ancient authors given in the classic times, we should have regard to the divers standards from time to time set up. Cicero, for instance, has a great fondness for the early poets, but no great love for the prose writers, except the orators, nearly all of whom he loads with praise. Still, making allowance for this slight mental bias, his criticisms are of the utmost possible value. In the Augustan and early imperial times, antiquity was treated with much less reverence. Style was everything, and its deficiency could not be excused. And lastly, under the Antonines (and earlier [37]), disgust at the false taste of the day produced an irrational reaction in favour of the archaic modes of thought and expression, so that Gellius, for instance, extols the simplicity, sweetness, or noble vigour of writings in which we, like Cicero, should see only jejune and rugged immaturity. [38] Pliny speaks of Piso as a weighty author (gravis auctor), and Pliny's penetration was not easily warped by style or want of style. We may conclude, on the whole, that Piso, though often misled by his want of imagination, and occasionally by inaccuracy in regard to figures, [39] brought into Roman history a rational method, not by any means so original or excellent as that of Cato, but more on a level with the capacities of his countrymen, and infinitely more productive of imitation.

      The study of Greek rhetoric had by this time been cultivated at Rome, and the difficulty of composition being materially lightened [40] as well as its results made more pleasing, we are not surprised to find a number of authors of a somewhat more pretentious type. VENNONIUS, CLODIUS LICINUS, C. FANNIUS, and GELLIUS are little more than names; all that is known of them will be found in Teuffel's repertory. They seem to have clung to the title of annalist though they had outgrown the character. There are, however, two names that cannot be quite passed over, those of SEMPRONIUS ASELLIO and CAELIUS ANTIPATER. The former was military tribune at Numantia (133 B.C.), and treated of that campaign at length, in his work. He was killed in 99 B.C. [41] but no event later than the death of Gracchus (121 B.C.) is recorded as from him. He had great contempt for the old annalists, and held their work to be a mere diary so far as form went; he professed to trace the motives and effects of actions, rather, however, with the object of stimulating public spirit than satisfying a legitimate thirst for knowledge. He had also some idea of the value of constitutional history, which may be due to the influence of Polybius, whose trained intelligence and philosophic grasp of events must have produced a great impression among those who knew or read him.

      We have now mentioned three historians, each of whom brought his original contribution to the task of narrating events. Cato rose to the idea of Rome as the centre of an Italian State; he held any account of her institutions to be imperfect which did not also trace from their origin those of the kindred nations; Piso conceived the plan of reducing the myths to historical probability, and Asellio that of tracing the moral causes that underlay outward movements. Thus we see a great advance in theory since the time, just a century earlier, when Fabius wrote his annals. We now meet with a new element, that of rhetorical arrangement. No one man is answerable for introducing this. It was in the air of Rome during the seventh century, and few were unaffected by it. Antipater is the first to whom rhetorical ornament is attributed by Cicero, though his attainments were of a humble kind. [42] He was conspicuous for word painting. Scipio's voyage to Africa was treated by him in an imaginative theatrical fashion, noticed with disapproval by Livy. [43] In other respects he seems to have been trustworthy and to have merited the honour he obtained of being abridged by J. Brutus.

      In the time of Sulla we hear of several historians who obtained celebrity. The first is CLAUDIUS QUADRIGARIUS (fl. 100 B.C.). He differs from all his predecessors by selecting as his starting-point the taking of Rome by the Gauls. His reason for so doing does him credit, viz. that there existed no documents for the earlier period. [44] He hurried over the first three centuries, and as was usual among Roman writers, gave a minute account of his own times, inserting documents and speeches. So archaic was his style that his fragments might belong to the age of Cato. For this reason, among others, Gellius [45] (in whom they are found) greatly admires him. Though he outlived Sulla, and therefore chronologically might be considered as belonging to the Ciceronian period, yet the lack of finish in his own and his contemporaries' style, makes this the proper place to mention them. The period, [46] as distinct from the mere stringing together of clauses, was not understood even in oratory until Gracchus, and in history it was to appear still later. Cicero never mentions Claudius, nor VALERIUS ANTIAS (91 B.C.), who is often associated with him. This writer, who has gained through Livy's page the unenviable notoriety of being the most lying of all annalists, nevertheless obtained much celebrity. The chief cause of his deceptiveness was the fabrication of circumstantial narrative, and the invention of exact numerical accounts. His work extended from the first mythical stories to his own day, and reached to at least seventy-five books. In his first decade Livy would seem to have followed him implicitly. Then turning in his later books to better authorities, such as Polybius, and perceiving the immense discrepancies, he realised how he had been led astray, and in revenge attacked Antias throughout the rest of his work. Still the fact that he is quoted by Livy oftener than any other writer, shows that he was too well-known to be neglected, and perhaps Livy has exaggerated his defects.

      L. CORNELIUS SISENNA, (119–67 B.C.), better

Скачать книгу