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from insult in broad day if she did so. She goes out with her governess, and, even with this protection, she cannot be too guarded and circumspect in her bearing; for in Venice a woman has to encounter upon the public street a rude license of glance, from men of all ages and conditions, which falls little short of outrage. They stare at her as she approaches; and I have seen them turn and contemplate ladies as they passed them, keeping a few paces in advance, with a leisurely sidelong gait. Something of this insolence might be forgiven to thoughtless, hot-blooded youth; but the gross and knowing leer that the elders of the Piazza and the caffè put on at the approach of a pretty girl is an ordeal which few women, not as thoroughly inured to it as the Venetians, would care to encounter. However, as I never heard the trial complained of by any but foreigners, I suppose it is not regarded by Italians as intolerable; and it is certain that an audible compliment, upon the street, to a pretty girl of the poor, is by no means an affront.

      The arts of pleasing and of coquetry come by nature to the gentler sex; and if in Italy they add to them a habit of intrigue, I wonder how much they are to blame, never being in anywise trusted? They do not differ from persons of any age or sex in that country, if the world has been as justly, as it has always been firmly, persuaded that the people of Italy are effete in point of good faith. I have seen much to justify this opinion, and something also to confute it; and as long as Garibaldi lives, I shall not let myself believe that a race which could produce a man so signally truthful and single-hearted is a race of liars and cheats. I think the student of their character should also be slow to upbraid Italians for their duplicity, without admitting, in palliation of the fault, facts of long ages of alien and domestic oppression, in politics and religion, which must account for a vast deal of every kind of evil in Italy. Yet after exception and palliation has been duly made, it must be confessed that in Italy it does not seem to be thought shameful to tell lies, and that there the standard of sincerity, compared with that of the English or American, is low, as the Italian standard of morality in ether respects is also comparatively low. With the women, bred in idleness and ignorance, the imputed national untruthfulness takes the form naturally to be expected, and contributes to a state of things which must be examined with the greatest caution and reservation by every one but the Italians themselves. Goethe says that there is no society so corrupt that a man may not live virtuously in it; and I think the immorality of any people will not be directly and wholly seen by the stranger who does not seek it. Certainly, the experience and acquaintance of a foreigner in Italy must have been most unfortunate, if they confirm all the stories of corruption told by Italians themselves. A little generous distrust is best in matters of this kind; but while I strengthen my incredulity concerning the utter depravation of Venetian society in one respect, I am not disposed to deal so leniently with it in others. The state of things is bad in Venice, not because all women in society are impure, but because the Italian theory of morals does not admit the existence of opportunity without sin. It is by rare chance that a young girl makes acquaintance with young men in society; she seldom talks with them at the parties to which she is sometimes taken by her mother, and they do not call upon her at her home; while for her to walk alone with a young man would be vastly more scandalous than much worse things, and is, consequently, unheard of. The Italians say freely they cannot trust their women as northern women are trusted; and some Italian women frankly confess that their sex would be worse if it were trusted more. But the truth does not appear in this shallow suspicion and this shallow self-conviction; and one who cares to have a just estimate of this matter must by no means believe all the evil he hears. There may be much corruption in society, but there is infinitely more wrong in the habits of idle gossip and guilty scandal, which eat all sense of shame and pity out of the heart of Venice. There is no parallel to the prying, tattling, backbiting littleness of the place elsewhere in the world. A small country village in America or England has its meddlesomeness, but not its worldly, wicked sharpness. Figure the meanness of a chimney-corner gossip, added to the bitter shrewdness and witty penetration of a gifted roué, and you have some idea of Venetian scandal. In that city, where all the nobler organs of expression are closed by political conditions, the viler channels run continual filth and poison, and the people, shut out from public and free discussion of religious and political themes, occupy themselves with private slander, and rend each other in their abject desperation. As it is part of the existing political demonstration to avoid the opera and theatre, the Venetians are deprived of these harmless distractions; balls and evening parties, at which people, in other countries, do nothing worse than bore each other, are almost unknown, for the same reason; and when persons meet in society, it is too often to retail personalities, or Italian politics made as unintelligible and as like local gossip as possible. The talk which is small and noxious in private circles is the same thing at the caffè, when the dread of spies does not reduce the talkers to a dreary silence. Not permitted to feel the currents of literature and the great world’s thought in religion freshly and directly, they seldom speak of these things, except in that tone of obsolete superiority which Italians are still prone to affect, as the monopolists of culture. As to Art, the Venetians are insensible to it and ignorant of it, here in the very atmosphere of Art, to a degree absolutely amusing. I would as soon think of asking a fish’s opinion of water as of asking a Venetian’s notion of architecture or painting, unless he were himself a professed artist or critic.

      I have said I do not think Venetians who give each other bad names are always to be credited, and I have no doubt that many a reputation in Venice is stained while the victim remains without guilt. A questioned reputation is, however, no great social calamity. It forms no bar to society, and few people are so cruel as to blame it, though all discuss it. And it is here that the harshness of American and English society toward the erring woman (harshness which is not injustice, but half-justice only) contrasts visibly to our advantage over the bad naïveté and lenity of the Italians. The carefully secluded Italian girl is accustomed to hear of things and speak of things which, with us, parents strive in every way to keep from their daughters’ knowledge; and while her sense of delicacy is thus early blunted, while she is thus used to know good and evil, she hears her father and mother comment on the sinful errors of a friend or neighbor, who visits them and meets them every day in society. How can the impunity of the guilt which she believes to exist around her but sometimes have its effect, and ripen, with opportunity, into wrong? Nay, if the girl reveres her parents at all, how can she think the sin, which they caress in the sinner, is so very bad? If, however, she escape all these early influences of depravation; if her idleness, and solitude and precocious knowledge leave her unvitiated,

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