The Raven (Illustrated) - Эдгар Аллан По

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for food. She then motioned that the little ones be raised up and allowed to kiss her, after which, a frail, white hand fluttered to the sunny head of each, as she murmured a few words of blessing, then with a gentle sigh, closed her eyes in her last, long sleep.

      The baby girl began to whimper with fright at the suddenness with which she was snatched up and borne from the room, and the boy looked with awe into the face of the weeping nurse who, holding his sister in one arm dragged him away from the bedside and out of the door, by the hand. There was much hurried tramping to and fro, opening and closing of doors and drawing to of window-blinds. These unusual sounds filled the boy with a vague fear.

      That night the children were put to bed upon a pallet in Mrs. Fipps' own room and Mrs. Fipps herself rocked the baby Rosalie to sleep and gave the little Edgar tea-cakes, in addition to his bread and milk, and told him stories of Heaven and beautiful angels playing upon golden harps. The next day the children were taken back to their mother's room. The shutter to the window which let in the one patch of dim light was now closed and the room was quite dark, save for two candles that stood upon stands, one at the foot, the other at the head of the bed. The air was heavy—sickening almost—with the odor of flowers. Upon the bed, all dressed in white, and with a wreath of white roses on her dark ringlets, lay their mother, with eyelids fast shut and a lovely smile on her lips. She was very white and very beautiful, but when her little boy kissed her the pale lips were cold on his rosy ones, as if the smile had frozen there. It was very beautiful but the boy was a little frightened.

      "Mother—" he said softly, pleadingly, "Wake up! I want you to wake up."

      The weeping nurse placed her arm around him and knelt beside the bed.

      "She will never wake up again here on earth, Eddie darling. Never—nevermore. She has gone to live with the angels where you will be with her some day, but never—nevermore on earth."

      With that she fell to weeping bitterly, hiding her face on his little shoulder.

      The child, marvelling, softly repeated, "Nevermore—nevermore." The solemn, musical word, with the picture in the dim light, of the sleeping figure—asleep to wake nevermore—and so white, so white, all save the dusky curls, sank deep into his young mind and memory. His great grey eyes were wistful with the beauty, and the sadness, and the mystery of it all.

      The next day the boy rode in a carriage with Mrs. Fipps and Nurse Betty who had left off the big white cap and was enveloped from head to foot in black, up a long hill, to a white church in a churchyard where the grass was still green between the tombstones. The bell in the white steeple was tolling slowly, solemnly. Soft grey clouds hung over the steeple and snow-flakes as big as rose-leaves began to fill the air. Presently the bell ceased tolling and he and Nurse Betty moved up the aisle behind a train of figures in black, with black streamers floating from their sleeves. The figures bent beneath a heavy burden. It was long and black and grim, but the flowers that covered it were snow-white and filled the church with a sweet smell. A white-robed figure led the way up the aisle, repeating, as he walked, some words so solemn and full of melody that they sounded almost like music. The church was dim, and quiet, and nearly empty. The organ began to play—oh, so softly! It was very beautiful, but still the boy shuddered, for he dimly realized that the grim box held the sleeping form that seemed to be his mother, but was not his real mother. Her kisses were not frozen, and she was in Heaven with the angels.

      The choir sang sweet music and the white-robed priest said more solemn words that were like spoken music; then the procession moved slowly down the aisle again and out of the door. The bell in the steeple was silent now, and the organ was silent. Silently the procession moved—silently the snow came down. Silently and softly, like white flowers. The green graves were white with it now, like the flowers on the coffin lid; but the open grave in the churchyard corner, near the wall—it was dark, and deep and terrible! The boy's heart almost stood still as, clinging to Nurse Betty's hand, he stared into its yawning mouth. He felt that he would choke—would suffocate. They were lowering the box into that deep, dark pit! What if the sleeping figure should awake, after all—awake to the darkness and narrowness of that narrow bed!

      With a piercing shriek the child broke from his nurse's hand and thrust himself upon the arm of one of the black figures who held the ropes, in a wild effort to stay him; then, still shrieking, was borne from the spot.

      Chapter II.

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      "Since it seems you have set your heart upon this thing, I do not forbid it; but remember, you are acting in direct opposition to my judgment and advice, and if you ever live to regret it (as I believe you shall) you will have no one but yourself to blame."

      John Allan's voice was harsher, more positive, than usual; his shoulders seemed to square themselves and a frowning brow hardened an always austere face. His whole manner was that of a man consenting against his will. His young wife hung over his chair vainly endeavoring to smooth, with little pats of her fair hands, the stubborn locks that would stand on end, like the bristles of a brush, whatever she did. Her soft and vivacious beauty was in striking contrast to the strength and severity of his rugged and at the same time distinguished countenance. His narrow, steel-blue eyes, deep sunk under bushy brows and a high, but narrow, forehead, were shrewd and piercing; his nose was large and like a hawk's beak. His face too, was narrow, with cheek-bones high as an Indian's. His mouth was large, but firmly closed, and the chin below it was long and prominent and was carried stiffly above the high stock and immaculate, starched shirt-ruffles. Her figure, as she leaned against the chair's high back, was slender and girlish,—childish, almost, in its low-necked, short-waisted, slim-skirted, "Empire" dress, of some filmy stuff, the pale yellow of a Marshal Niel rose. Her face was a pure oval with delicate, regular features. Her reddish-brown hair, parted in the middle, was piled on top of her small head, and airy little curls hung down on her brow on either side of the part. Her eyes—the color of her hair—were gentle and sweet and her mouth was tenderly curved and rosy. With her imploring attitude, the sweetness of her eyes and mouth and the warmth of her plea, her fresh beauty glowed like a flower, newly opened. All unmoved, John Allan repeated,

      "You will have no one but yourself to blame."

      Her ardor undimmed by the chariness of the consent she had gained, she showered the lowering brow with cool, delicate little kisses until it grew smooth in spite of itself.

      "Oh, I know I never shall regret it, John," she cooed. "He is such a beautiful boy—so sweet and affectionate, so merry and clever! Just what I should like our own little boy to be, John, if God had blessed us with one."

      "I grant you he seems a bonny little lad enough, Frances. But I realize, as it seems you do not, the risk of undertaking to rear as your own the child of any but the most unquestionable parentage. I confess the thought of introducing into my family the son of professional players is extremely distasteful to me."

      "But John, dear, you know these Poes were not ordinary players. The father was one of the Maryland Poes and I understand the mother came of good English stock. She certainly seemed to be a lady and a good, sweet woman, poor thing! The Mackenzies have decided to adopt the baby Rosalie, though they have children, as you know; and with this charming little Edgar for my very own I shall be the happiest woman alive."

      "Well, well, keep your pretty little pet, but if he turns out to be other than a credit to you, don't forget that you were warned."

      And so the little Edgar Poe—the players' child—became Edgar Allan, with a fond and admiring young mother who became at once and forever his slave and whose chief object in life henceforth was to stand between him and the discipline of a not intentionally harsh or unkind, but strict and uncompromising father; who though he too was fond of the boy, in a way, and proud of his beauty and little accomplishments, was constantly on the lookout for the cloven foot which his fixed prejudice against the child's parentage made him certain would appear.

      In her delight over her acquisition, Frances Allan was like a child with a new toy. She almost smothered him with kisses when, accepting

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