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alone remain unmixed; the other three, as distinct castes, exist only in name, for they have become so intermixed, that the subdivisions can neither be ascertained nor reckoned by the learned pundits themselves. [64]

      In the oldest stencilled, or printed, European cards, which are probably of as early a date as the year 1440, the marks of the suits are bells, hearts, leaves, and acorns; and in the Hindostanee cards we find a leaf or a flower, as the mark of one of the suits; and I am inclined to think that, in the latter, the figures of the oval, and of that which appears something like a pineapple in a shallow cup, were the types of the bells and the acorns. When those marks are compared, without reference to their being representations of specific objects of which the mind has already a preconceived idea, the general agreement of their forms is, to the eye, more apparent. For the heart, I have not been able to discover any corresponding mark in the Hindostanee cards. Should I be told that the form of the heart might be suggested by that of the leaf, I have to observe that the form of the leaf in Hindostanee cards, is not the same as that which occurs in European, and that in the latter, the colour of the so-called heart appears always to have been red.

      Between the marks of the suits on old French cards—Cœur, Carreau, Trèfle, and Pique—and those to be found on Hindostanee cards, I shall not venture to make any direct comparison. It, however, may be observed that the form of the Pique—the spade in English cards—is almost precisely the same as that of the leaf in other European packs; and that the Trèfle—the club, in English cards—in its outline bears a considerable likeness to the acorn. Those who please may derive the Carreau, or diamond, from the Castrala, or mystic diamond, worn on the breast, or held in the palm of the hand of Vichnou; it does not, however, occur as the mark of a suit in any of the Hindostanee cards that have come under my observation; and the mark to which it bears the greatest resemblance is that of the suit Burat, as shown in Plate II, No. 7. An examination of a greater variety of Hindostanee cards, and more extensive knowledge of the names and significations of the marks of the suits, and of the different games played, would probably lead to the discovery of more points of resemblance than I have been able to perceive.

      The different things signified by marks, apparently agreeing in their general forms, on Hindostanee and European cards, may be partly accounted for on the following grounds, which will also in some degree serve to explain the difference, both in form and name, of the marks of the suits in different packs of old European cards.

      The general name for cards in China is Che-pae, which literally signifies "paper tickets." At first they are said to have been called Ya-pae, bone or ivory tickets, from the material of which they were made. A pack of dotted cards consists of thirty-two pieces, and the marks—small circular dots of red and black—are placed, alternately, at two of the corners; for instance, in a card containing eight dots, four are placed in one corner and four in the other diagonally opposite to it. Ten of those cards are classed in pairs; the first pair are called Che-tsun—"the most honorable,"—and are superior to all the others; these may be considered as coat cards, as the one contains the figure of a woman, and the other that of a man; both these cards are also marked with black and red dots—that of the woman with six, and that of the man with twelve. The second pair are called Tien-pae—"celestial

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