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Kandinsky in this book defines the three types of painting; impressions, improvisations and compositions. While impressions are based on an external reality that serves as a starting point, improvisations and compositions depict images emergent from the unconscious, though composition is developed from a more formal point of view. Kandinsky compares the spiritual life of humanity to a pyramid—the artist has a mission to lead others to the pinnacle with his work. The point of the pyramid is those few, great artists. It is a spiritual pyramid, advancing and ascending slowly even if it sometimes appears immobile. During decadent periods, the soul sinks to the bottom of the pyramid; humanity searches only for external success, ignoring spiritual forces.

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"Concerning the Spiritual in Art" by Wassily Kandinsky (translated by Michael Sadleir). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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First published in Munich in 1911, Wassily Kandinsky’s “Concerning the Spiritual in Art” explores the artist’s ideas on the different forms of art and what role art plays in the spiritual life of mankind. Considered to have painted the first truly abstract work of art, Kandinsky was a highly influential and important pioneer in the modern art movement. “Concerning the Spiritual in Art” is organized into two parts. In the first part titled “About General Aesthetic”, Kandinsky makes the argument that art should transition from being an exact and realistic representation of the material world to becoming instead an abstract reflection of the inner mind of the artist. In the second part, titled “About Painting”, the artist describes the different psychological and emotional meanings of colors and the social and spiritual responsibilities of the artist. Kandinsky believed that humanity was a pyramid and at the top are the greatest of artists and those artists had the ability and duty to lead society to its spiritual pinnacle. Over a hundred years later, Kandinsky’s work continues to be a valuable and illuminating read into the artistic mind of Wassily Kandinsky. This edition follows the 1912 translation of Michael T. H. Sadler.

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A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art.Kandinsky's ideas are presented in two parts. The first part, called «About General Aesthetic,» issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, «About Painting,» Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings.This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.

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Wassily Kandinsky (1866-1944) was a Russian painter credited as being among the first to truly venture into abstract art. He persisted in expressing his internal world of abstraction despite negative criticism from his peers. He veered away from painting that could be viewed as representational in order to express his emotions, leading to his unique use of colour and form. Although his works received heavy censure at the time, in later years they would become greatly influential.

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