LITMIR.BIZ

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a fashion as did his friend John Colet. He could not bear the thought of a religious war. This must not be forgotten in any estimate of his conduct and of his relation to the Reformation. No man, not even Luther, scattered the seeds of revolution with a more reckless hand, and yet a thorough and steadfast dislike to all movements which could be called revolutionary was one of the most abiding elements in his character. He hated what he called the “tumult.” He had an honest belief that all public evils in State and Church must be endured until they dissolve away quietly under the influence of sarcasm and common sense, or until they are removed by the action of the responsible authorities. He was clear-sighted enough to see that an open and avowed attack on the papal supremacy, or on any of the more cherished doctrines and usages of the mediæval Church, must end in strife and in bloodshed, and he therefore honestly believed that no such attack ought to be made.

      When all these things are kept in view, it is possible to see what conception Erasmus had about his work as a reformer, with its possibilities and its limitations. He adhered to it tenaciously all his life. He held it in the days of his earlier comparative obscurity. He maintained it when he had been enthroned as the prince of the realm of learning. He clung to it in his discredited old age. No one can justify the means he sometimes took to prevent being drawn from the path he had marked out for himself; but there is something to be said for the man who, through good report and evil, stuck resolutely to his view of what a reformation ought to be, and what were the functions of a man of letters who felt himself called to be a reformer. Had Luther been gifted with that keen sense of prevision with which Erasmus was so fatally endowed, would he have stood forward to attack Indulgences in the way he did? It is probable that it would have made no difference in his action; but he did not think so himself. He said once, “No good work comes about by our own wisdom; it begins in dire necessity. I was forced into mine; but had I known then what I know now, ten wild horses would not have drawn me into it.” The man who leads a great movement of reform may see the distant, but has seldom a clear vision of the nearer future. He is one who feels the slow pressure of an imperious spiritual power, who is content with one step at a time, and who does not ask to see the whole path stretching out before him.

      Erasmus lost both his parents while he was a child, and never enjoyed the advantages of a home training. He was driven by deceit or by self-deception into a monastery when he was a lad. He escaped from the clutches of the monastic life when he was twenty years of age, broken in health, and having learned to know human nature on its bad side and to trade on that knowledge. He was one of the loneliest of mortals, and trusted in no one but himself. With one great exception, he had no friendship which left an enduring influence on his character. From childhood he taught himself in his own way; when he grew to manhood he planned and schemed for himself; he steadfastly refused to be drawn into any kind of work which he did not like for its own sake; he persistently shunned every entanglement which might have controlled his action or weighted him with any responsibility. He stands almost alone among the Humanists in this. All the others were officials, or professors, or private teachers, or jurists, or ecclesiastics. Erasmus was nothing, and would be nothing, but a simple man of letters.

      Holbein has painted him so often that his features are familiar. Every line of the clearly cut face suggests demure sarcasm—the thin lips closely pressed together, the half-closed eyelids, and the keen glance of the scarcely seen blue eyes. The head is intellectual, but there is nothing masculine about the portrait—nothing suggesting the massiveness of the learned burgher Pirkheimer; or the jovial strength of the Humanist landsknecht Eobanus Hessus; or the lean wolf-like tenacity of Hutten, the descendant of robber-knights; or the steadfast homely courage of Martin Luther. The dainty hands, which Holbein drew so often, and the general primness of his appearance, suggest a descent from a long line of maiden aunts. The keen intelligence was enclosed in a sickly body, whose frailty made continuous demands on the soul it imprisoned. It needed warm rooms with stoves that sent forth no smell, the best wines, an easy-going horse, and a deft servant; and to procure all these comforts Erasmus wrote the sturdiest of begging letters and stooped to all kinds of flatteries.

      The visit which Erasmus paid to England in 1498 was the turning-point in his life. He found himself, for the first time, among men who were his equals in learning and his superiors in many things. “When I listen to my friend Colet,” he says, “it seems to me like listening to Plato himself. Who does not marvel at the complete mastery of the sciences in Grocyn? What could be keener, more profound, and more searching than the judgment of Linacre? Has Nature ever made a more gentle, a sweeter, or a happier disposition than Thomas More's?” He made the acquaintance of men as full of the New Learning as he was himself, who hated the Scotist theology more bitterly than he did, and who nevertheless believed in a pure, simple Christian philosophy, and were earnest Christians. They urged him to join them in their work, and we can trace in the correspondence of Erasmus the growing influence of Colet. The Dean of St. Paul's made Erasmus the decidedly Christian Humanist he became, and impressed on him that conception of a reformation which, leaving external things very much as they were, undertook a renovation of morals. He never lost the impress of Colet's stamp.

      It would appear from one of Erasmus' letters that Colet urged him to write commentaries on some portions of the New Testament; but Erasmus would only work in his own way; and it is probable that his thoughts were soon turned to preparing an edition of the New Testament in Greek. The task was long brooded over; and he had to perfect himself in his knowledge of the language.

      This determination to undertake no work for which he was not supremely fitted, together with his powers of application and acquisition, gave Erasmus the reputation of being a strong man. He was seen to be unlike any other Humanist, whether Italian or German. He had no desire merely to reproduce the antique, or to confine himself within the narrow circle in which the “Poets” of the Renaissance worked. He put ancient culture to modern uses. Erasmus was no arm-chair student. He was one of the keenest observers of everything human—the Lucian or the Voltaire of the sixteenth century. From under his half-closed eyelids his quick glance seized and retained the salient characteristics of all sorts and conditions of men and women. He described theologians, jurists and philosophers, monks and parish priests, merchants and soldiers, husbands and wives, women good and bad, dancers and diners, pilgrims, pardon-sellers, and keepers of relics; the peasant in the field, the artisan in the workshop, and the vagrant on the highway. He had studied all, and could describe them with a few deft phrases, as incisive as Dürer's strokes, with an almost perfect style, and with easy sarcasm.

      This application of the New Learning to portray the common life, combined with his profound learning, made Erasmus the idol of the young German Humanists. They said that he was more than mortal, that his judgment was infallible, and that his work was perfect. They made pilgrimages to visit him. An interview was an event to be talked about for years; a letter, a precious treasure to be bequeathed as an heirloom. Some men refused to render the universal homage accorded by scholars and statesmen, by princes lay and clerical. Luther scented Pelagian theology in his annotations; he scorned Erasmus' wilful playing with truth; he said that the great Humanist was a mocker who poured ridicule upon everything, even on Christ and religion. There was some ground for the charge. His sarcasm was not confined to his Praise of Folly or to his Colloquies. It appears in almost everything that he wrote—even in his Paraphrases of the New Testament.

      That such a man should have felt himself called upon to be a reformer, that this Saul should have appeared among the prophets, is in itself testimony that he lived during a great religious crisis, and that the religious question was the most important one in his days.

      The principal literary works of Erasmus meant to serve the reformation he desired to see are:—two small books, Enchiridion militis christiani (A Handbook of the Christian Soldier, or A Pocket Dagger for the Christian Soldier—it may be translated either way), first printed in 1503, and Institutio Principis Christiani (1518); his Encomium Moriæ (Praise of Folly, 1511); his edition of the New Testament, or Novum Instrumentum (1516), with prefaces and paraphrases; and perhaps many of the dialogues in his Colloquia (1519).

      Erasmus himself explains that in the Enchiridion he wrote to counteract the vulgar error of those who think that religion consists in ceremonies and in more than Jewish observances, while they neglect what really belongs to piety. The whole aim of the book is to assert the individual responsibility of man

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