Mystery & Investigation Anthology - Эдгар Аллан По

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to unfasten it from the hasp which attached it to the case. Putting the case between my knees and exerting my utmost strength, I contrived to draw off the cover. Some white substance filled the whole interior when I looked in. I put in my hand, and found it to be linen.

      In drawing out the linen, I also drew out a letter crumpled up with it. After looking at the direction, and discovering that it bore my name, I put the letter in my pocket, and completely removed the linen. It came out in a thick roll, moulded, of course, to the shape of the case in which it had been so long confined, and perfectly preserved from any injury by the sea.

      I carried the linen to the dry sand of the beach, and there unrolled and smoothed it out. There was no mistaking it as an article of dress. It was a nightgown.

      The uppermost side, when I spread it out, presented to view innumerable folds and creases, and nothing more. I tried the undermost side, next—and instantly discovered the smear of the paint from the door of Rachel's boudoir!

      My eyes remained riveted on the stain, and my mind took me back at a leap from present to past. The very words of Sergeant Cuff recurred to me, as if the man himself was at my side again, pointing to the unanswerable inference which he drew from the smear on the door.

      "Find out whether there is any article of dress in this house with the stain of paint on it. Find out who that dress belongs to. Find out how the person can account for having been in the room, and smeared the paint between midnight and three in the morning. If the person can't satisfy you, you haven't far to look for the hand that took the Diamond."

      One after another those words travelled over my memory, repeating themselves again and again with a wearisome, mechanical reiteration. I was roused from what felt like a trance of many hours—from what was really, no doubt, the pause of a few moments only—by a voice calling to me. I looked up, and saw that Betteredge's patience had failed him at last. He was just visible between the sandhills, returning to the beach.

      The old man's appearance recalled me, the moment I perceived it, to my sense of present things, and reminded me that the inquiry which I had pursued thus far still remained incomplete. I had discovered the smear on the nightgown. To whom did the nightgown belong?

      My first impulse was to consult the letter in my pocket—the letter which I had found in the case.

      As I raised my hand to take it out, I remembered that there was a shorter way to discovery than this. The nightgown itself would reveal the truth, for, in all probability, the nightgown was marked with its owner's name.

      I took it up from the sand, and looked for the mark.

      I found the mark, and read—MY OWN NAME.

      There were the familiar letters which told me that the nightgown was mine. I looked up from them. There was the sun; there were the glittering waters of the bay; there was old Betteredge, advancing nearer and nearer to me. I looked back again at the letters. My own name. Plainly confronting me—my own name.

      "If time, pains, and money can do it, I will lay my hand on the thief who took the Moonstone."—I had left London, with those words on my lips. I had penetrated the secret which the quicksand had kept from every other living creature. And, on the unanswerable evidence of the paint-stain, I had discovered Myself as the Thief.

      Chapter 4

      I have not a word to say about my own sensations.

      My impression is that the shock inflicted on me completely suspended my thinking and feeling power. I certainly could not have known what I was about when Betteredge joined me—for I have it on his authority that I laughed, when he asked what was the matter, and putting the nightgown into his hands, told him to read the riddle for himself.

      Of what was said between us on the beach, I have not the faintest recollection. The first place in which I can now see myself again plainly is the plantation of firs. Betteredge and I are walking back together to the house; and Betteredge is telling me that I shall be able to face it, and he will be able to face it, when we have had a glass of grog.

      The scene shifts from the plantation, to Betteredge's little sitting-room. My resolution not to enter Rachel's house is forgotten. I feel gratefully the coolness and shadiness and quiet of the room. I drink the grog (a perfectly new luxury to me, at that time of day), which my good old friend mixes with icy-cold water from the well. Under any other circumstances, the drink would simply stupefy me. As things are, it strings up my nerves. I begin to "face it," as Betteredge has predicted. And Betteredge, on his side, begins to "face it," too.

      The picture which I am now presenting of myself, will, I suspect, be thought a very strange one, to say the least of it. Placed in a situation which may, I think, be described as entirely without parallel, what is the first proceeding to which I resort? Do I seclude myself from all human society? Do I set my mind to analyse the abominable impossibility which, nevertheless, confronts me as an undeniable fact? Do I hurry back to London by the first train to consult the highest authorities, and to set a searching inquiry on foot immediately? No. I accept the shelter of a house which I had resolved never to degrade myself by entering again; and I sit, tippling spirits and water in the company of an old servant, at ten o'clock in the morning. Is this the conduct that might have been expected from a man placed in my horrible position? I can only answer that the sight of old Betteredge's familiar face was an inexpressible comfort to me, and that the drinking of old Betteredge's grog helped me, as I believe nothing else would have helped me, in the state of complete bodily and mental prostration into which I had fallen. I can only offer this excuse for myself; and I can only admire that invariable preservation of dignity, and that strictly logical consistency of conduct which distinguish every man and woman who may read these lines, in every emergency of their lives from the cradle to the grave.

      "Now, Mr. Franklin, there's one thing certain, at any rate," said Betteredge, throwing the nightgown down on the table between us, and pointing to it as if it was a living creature that could hear him. "HE'S a liar, to begin with."

      This comforting view of the matter was not the view that presented itself to my mind.

      "I am as innocent of all knowledge of having taken the Diamond as you are," I said. "But there is the witness against me! The paint on the nightgown, and the name on the nightgown are facts."

      Betteredge lifted my glass, and put it persuasively into my hand.

      "Facts?" he repeated. "Take a drop more grog, Mr. Franklin, and you'll get over the weakness of believing in facts! Foul play, sir!" he continued, dropping his voice confidentially. "That is how I read the riddle. Foul play somewhere—and you and I must find it out. Was there nothing else in the tin case, when you put your hand into it?"

      The question instantly reminded me of the letter in my pocket. I took it out, and opened it. It was a letter of many pages, closely written. I looked impatiently for the signature at the end. "Rosanna Spearman."

      As I read the name, a sudden remembrance illuminated my mind, and a sudden suspicion rose out of the new light.

      "Stop!" I exclaimed. "Rosanna Spearman came to my aunt out of a reformatory? Rosanna Spearman had once been a thief?"

      "There's no denying that, Mr. Franklin. What of it now, if you please?"

      "What of it now? How do we know she may not have stolen the Diamond after all? How do we know she may not have smeared my nightgown purposely with the paint?"

      Betteredge laid his hand on my arm, and stopped me before I could say any more.

      "You will be cleared of this, Mr. Franklin, beyond all doubt. But I hope you won't be cleared in THAT way. See what the letter says, sir. In justice to the girl's memory, see what it says."

      I felt the earnestness with which he spoke—felt it as a friendly rebuke to me. "You shall form your own judgment on her letter," I said. "I will read it out."

      I began—and read these lines:

      "Sir—I have something to own to you. A confession which means much misery, may sometimes be made in very few words. This confession

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