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vols. 8vo. Boston, 1853.

      Jennings, Louis J. The Correspondence and Diaries of John Wilson Croker. 2 vols. 8vo. New York, 1884.

      Jerdan, William. Autobiography. With his Literary, Political, and Social Reminiscences and Correspondence, etc. 4 vols. 12mo. London, 1852–53.

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      Oliphant, Mrs. M.O.W., and Porter, Mrs. Gerald. William Blackwood and his Sons, etc. 3 vols. 8vo. New York, 1897–98.

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      Last Century Magazines. (By T.H.) Fraser's Magazine, XCIV (325–333).

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      Wylie, Laura Johnson. Studies in the Evolution of English Criticism. 16mo. Boston, 1894.

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       Table of Contents

       Table of Contents

      ODES. By Mr. Gray. 4to. 1s. Dodsley.

      As this publication seems designed for those who have formed their taste by the models of antiquity, the generality of Readers cannot be supposed adequate Judges of its merit; nor will the Poet, it is presumed, be greatly disappointed if he finds them backward in commending a performance not entirely suited to their apprehensions. We cannot, however, without some regret behold those talents so capable of giving pleasure to all, exerted in efforts that, at best, can amuse only the few; we cannot behold this rising Poet seeking fame among the learned, without hinting to him the same advice that Isocrates used to give his Scholars, Study the People. This study it is that has conducted the great Masters of antiquity up to immortality. Pindar himself, of whom our modern Lyrist is an imitator, appears entirely guided by it. He adapted his works exactly to the dispositions of his countrymen. Irregular[,] enthusiastic, and quick in transition—he wrote for a people inconstant, of warm imaginations and exquisite sensibility. He chose the most popular subjects, and all his allusions are to customs well known, in his day, to the meanest person.[F]

      His English Imitator wants those advantages. He speaks to a people not easily impressed with new ideas; extremely tenacious of the old; with difficulty warmed; and as slowly cooling again.—How unsuited then to our national character is that species of poetry which rises upon us with unexpected flights! Where we must hastily catch the thought, or it flies from us; and, in short, where the Reader must largely partake of the

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