The New Machiavelli - H. G. Wells

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out to a ripe and satisfactory completion. Each left a legacy of products, houses, humanity, or what not, in its wake. It was a sort of progress that had bolted; it was change out of hand, and going at an unprecedented pace nowhere in particular.

      No, the Victorian epoch was not the dawn of a new era; it was a hasty, trial experiment, a gigantic experiment of the most slovenly and wasteful kind. I suppose it was necessary; I suppose all things are necessary. I suppose that before men will discipline themselves to learn and plan, they must first see in a hundred convincing forms the folly and muddle that come from headlong, aimless and haphazard methods. The nineteenth century was an age of demonstrations, some of them very impressive demonstrations, of the powers that have come to mankind, but of permanent achievement, what will our descendants cherish? It is hard to estimate what grains of precious metal may not be found in a mud torrent of human production on so large a scale, but will any one, a hundred years from now, consent to live in the houses the Victorians built, travel by their roads or railways, value the furnishings they made to live among or esteem, except for curious or historical reasons, their prevalent art and the clipped and limited literature that satisfied their souls?

      That age which bore me was indeed a world full of restricted and undisciplined people, overtaken by power, by possessions and great new freedoms, and unable to make any civilised use of them whatever; stricken now by this idea and now by that, tempted first by one possession and then another to ill-considered attempts; it was my father's exploitation of his villa gardens on the wholesale level. The whole of Bromstead as I remember it, and as I saw it last—it is a year ago now—is a dull useless boiling-up of human activities, an immense clustering of futilities. It is as unfinished as ever; the builders' roads still run out and end in mid-field in their old fashion; the various enterprises jumble in the same hopeless contradiction, if anything intensified. Pretentious villas jostle slums, and public-house and tin tabernacle glower at one another across the cat-haunted lot that intervenes. Roper's meadows are now quite frankly a slum; back doors and sculleries gape towards the railway, their yards are hung with tattered washing unashamed; and there seem to be more boards by the railway every time I pass, advertising pills and pickles, tonics and condiments, and suchlike solicitudes of a people with no natural health nor appetite left in them. …

      Well, we have to do better. Failure is not failure nor waste wasted if it sweeps away illusion and lights the road to a plan.

      6

      Chaotic indiscipline, ill-adjusted effort, spasmodic aims, these give the quality of all my Bromstead memories. The crowning one of them all rises to desolating tragedy. I remember now the wan spring sunshine of that Sunday morning, the stiff feeling of best clothes and aggressive cleanliness and formality, when I and my mother returned from church to find my father dead. He had been pruning the grape vine. He had never had a ladder long enough to reach the sill of the third-floor windows—at house-painting times he had borrowed one from the plumber who mixed his paint—and he had in his own happy-go-lucky way contrived a combination of the garden fruit ladder with a battered kitchen table that served all sorts of odd purposes in an outhouse. He had stayed up this arrangement by means of the garden roller, and the roller had at the critical moment—rolled. He was lying close by the garden door with his head queerly bent back against a broken and twisted rainwater pipe, an expression of pacific contentment on his face, a bamboo curtain rod with a tableknife tied to end of it, still gripped in his hand. We had been rapping for some time at the front door unable to make him hear, and then we came round by the door in the side trellis into the garden and so discovered him.

      “Arthur!” I remember my mother crying with the strangest break in her voice, “What are you doing there? Arthur! And—SUNDAY!”

      I was coming behind her, musing remotely, when the quality of her voice roused me. She stood as if she could not go near him. He had always puzzled her so, he and his ways, and this seemed only another enigma. Then the truth dawned on her, she shrieked as if afraid of him, ran a dozen steps back towards the trellis door and stopped and clasped her ineffectual gloved hands, leaving me staring blankly, too astonished for feeling, at the carelessly flung limbs.

      The same idea came to me also. I ran to her. “Mother!” I cried, pale to the depths of my spirit, “IS HE DEAD?”

      I had been thinking two minutes before of the cold fruit pie that glorified our Sunday dinner-table, and how I might perhaps get into the tree at the end of the garden to read in the afternoon. Now an immense fact had come down like a curtain and blotted out all my childish world. My father was lying dead before my eyes. … I perceived that my mother was helpless and that things must be done.

      “Mother!” I said, “we must get Doctor Beaseley—and carry him indoors.”

       Table of Contents

      1

      My formal education began in a small preparatory school in Bromstead. I went there as a day boy. The charge for my instruction was mainly set off by the periodic visits of my father with a large bag of battered fossils to lecture to us upon geology. I was one of those fortunate youngsters who take readily to school work, I had a good memory, versatile interests and a considerable appetite for commendation, and when I was barely twelve I got a scholarship at the City Merchants School and was entrusted with a scholar's railway season ticket to Victoria. After my father's death a large and very animated and solidly built uncle in tweeds from Staffordshire, Uncle Minter, my mother's sister's husband, with a remarkable accent and remarkable vowel sounds, who had plunged into the Bromstead home once or twice for the night but who was otherwise unknown to me, came on the scene, sold off the three gaunt houses with the utmost gusto, invested the proceeds and my father's life insurance money, and got us into a small villa at Penge within sight of that immense facade of glass and iron, the Crystal Palace. Then he retired in a mood of good-natured contempt to his native habitat again. We stayed at Penge until my mother's death.

      School became a large part of the world to me, absorbing my time and interest, and I never acquired that detailed and intimate knowledge of Penge and the hilly villadom round about, that I have of the town and outskirts of Bromstead.

      It was a district of very much the same character, but it was more completely urbanised and nearer to the centre of things; there were the same unfinished roads, the same occasional disconcerted hedges and trees, the same butcher's horse grazing under a builder's notice-board, the same incidental lapses into slum. The Crystal Palace grounds cut off a large part of my walking radius to the west with impassable fences and forbiddingly expensive turnstiles, but it added to the ordinary spectacle of meteorology a great variety of gratuitous fireworks which banged and flared away of a night after supper and drew me abroad to see them better. Such walks as I took, to Croydon, Wembledon, West Wickham and Greenwich, impressed upon me the interminable extent of London's residential suburbs; mile after mile one went, between houses, villas, rows of cottages, streets of shops, under railway arches, over railway bridges. I have forgotten the detailed local characteristics—if there were any—of much of that region altogether. I was only there two years, and half my perambulations occurred at dusk or after dark. But with Penge I associate my first realisations of the wonder and beauty of twilight and night, the effect of dark walls reflecting lamplight, and the mystery of blue haze-veiled hillsides of houses, the glare of shops by night, the glowing steam and streaming sparks of railway trains and railway signals lit up in the darkness. My first rambles in the evening occurred at Penge—I was becoming a big and independent-spirited boy—and I began my experience of smoking during these twilight prowls with the threepenny packets of American cigarettes then just appearing in the world.

      My life centred upon the City Merchants School. Usually I caught the eight-eighteen for Victoria, I had a midday meal and tea; four nights a week I stayed for preparation, and often I was not back home again until within an hour of my bedtime. I spent my half holidays at school in order to play cricket and football. This, and a pretty voracious appetite for miscellaneous reading which was fostered by the Penge Middleton Library, did not leave

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