LITMIR.BIZ

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whether it will ever merit the encomium of an old lady who resides in it, and who assured us it would in a short time be superbe, time will determine. The public promenades are good, and the views round the town pretty, but we did not feel tempted to wait for finer weather, and took our departure for Falaise with little delay.

      The drive from Lisieux to Falaise is charming; and, although the appearance of the hotels is not in their favour, there is nothing to complain of in regard to cleanliness or attention: at least so we found it at La Croix Blanche, where the singular beauty of our hostess added to the romance of our position, perched, as we were, on a balcony without awning, in a building which had evidently been part of an old tower. It is true that we should have preferred something rather less exposed when we found ourselves confined for a whole day, in consequence of the pouring rain, and found that a stream of water had made its way from our balcony into each of our rooms; whose bricked floors were little improved by their visit. Our suggestion of covering the way, in order that, in wet weather, both the dinner and its bearers might be sheltered, appeared to excite surprise, though our attendants came in constantly with their high caps wet through and their aprons soaked.

      Our nearly exhausted patience, as we gazed hopelessly on the dull sky of an August day, was at length rewarded; and the sun, which had obstinately concealed himself for several days, burst forth on the second morning of our arrival, and changed by its power the whole face of things at Falaise. We lost no time in taking advantage of the fine day which invited us, and sallied forth, all expectation, into the streets, which we found, as well as the walks, as dry as if no rain had fallen for months; so fresh and bright is the atmosphere in this beautiful place.

      The town is clean and neat; most of the ruinous, striped houses, with projecting stories, such as deform the streets of Lisieux, being cleared away; leaving wide spaces and pure air, at least in the centre-town, where the best habitations are situated. There are other divisions, less airy and more picturesque, called the fauxbourgs of Guibray and St. Laurent, and le Val d'Ante; where many antique houses are still standing, fit to engage the pencil of the antiquarian artist.

      The churches of Falaise are sadly defaced, but, from their remains, must have been of great beauty. The Cathedral, or Eglise de St. Laurent, is partly of the twelfth century; the exterior is adorned with carving, and gargouilles, and flying-buttresses, of singular grace; but the whole fabric is so built in with ugly little shops, that all fine effect is destroyed. The galleries in the church of La Trinité are elaborately ornamented, as are some of the chapels, whose roofs are studded with pendants. Much of this adornment is due to the English, under Henry V., and a good deal is of the period of the renaissance.

      The church of Guibray was founded by Duke William, as the Norman windows and arches testify; but a great deal of bad taste has been expanded in endeavouring to turn the venerable structure into a Grecian temple, according to the approved method of the time of Louis XIV. A statue of the wife of Cœur de Lion was once to be seen here, but has long disappeared. That princess resided in this part of Falaise, at one period of her widowhood, and contributed greatly to the embellishment of the church.

      There are many columns and capitals, and arches and ornaments of interest in the church of St. Gervais, defaced and altered as it is; but it is impossible to give all the attention they deserve to these buildings, when the towers of the splendid old castle are wooing you to delay no longer, but mount at once the steep ascent which leads to its walls.

      Rising suddenly from the banks of a brawling crystal stream, a huge mass of grey rocks, thrown in wild confusion one on the other, sustains on its summit the imposing remains of the castle, whose high white tower, alone and in perfect preservation, commands an immense tract of smiling country, and seems to have defied the attacks of ages, as it gleams in the sun, the smooth surface of its walls apparently uninjured and unstained. This mighty donjon is planted in a lower part of the height; consequently, high as it appears, scarcely half of its real elevation is visible. Its walls are of prodigious thickness, and seem to have proved their power through centuries of attack and defence to which it has been exposed; careless alike of the violence of man and the fury of the elements. Adjoining the keep are ranges of ruined walls, pierced with fine windows, whose circular arches, still quite entire, show their early Norman construction. Close to the last of these, whose pillars, with wreathed capitals, are as sharp as if just restored, is a low door, leading to a small chamber in the thickness of the wall. There is a little recess in one corner, and a narrow window, through whose minute opening a fine prospect may be seen.

      This small chamber, tradition says, was once adorned with "azure and vermilion;" though it could scarcely have ever presented a very gay appearance, even when used as the private retreat of the luxurious master of the castle. However, such as it is, we are bound to look upon this spot with veneration; for it is asserted, that here a child was born in secrecy and mystery, and that here, by this imperfect light, his beautiful mother gazed upon the features of the future hero of Normandy.

      However unlike a bower fitted for beauty and love, it is said that here Arlette, the skinner's daughter, was confined of William the Conqueror. It is said, too, that from this height, the sharp-sighted Duke his father, gazing from his towers, first beheld the lovely peasant girl bathing in the fountain which still bears her name. In this retreat, concealed from prying eyes, and where inquisitive ears found it difficult to catch a sound, the shrill cry of the wondrous infant was first uttered—a sound often to be repeated by every echo of the land, when changed to the war note which led to victory.

      Little, perhaps, did his poor mother exult in his birth, for she was of lowly lineage, and had never raised her eyes to the castle but with awe, nor thought of its master but with fear; her pleasures were to dance, on holidays, under the shade of trees with the simple villagers, her companions; her duties, to wash her linen on the stones of the silver stream, as her townswomen do still at the present day—that silver stream which probably flowed past her father's cottage, as it still flows, bathing the base of cottages as humble and as rudely built as his could have been. There might, perchance, have been one, amongst the youths who admired her beauty, whom she preferred to the rest; her ambition might have been to become his bride, her dreams might have imaged his asking her of her father, whose gracious consent made them both happy: in her ears might have rung the pealing bells of St. Gervais—the vision of maidens, in bridal costumes, strewing flowers in her path, might have risen before her view—her lover with his soft words and smiles—his cottage amongst the heath-covered rocks of Noron—all this might have flitted across her mind, as she stood beside the fountain, beneath the castle walls, unconscious that eyes were gazing on her whose influence was to fix her destiny. A mail-clad warrior, terrible and powerful, whose will may not be resisted, whose gold glitters in her father's eyes, or whose chains clank in his ears, has seen and coveted her for his own, and her simple dream must be dispersed in air to make way for waking terrors. The unfortunate father trembles while he feebly resists, he listens to the duke's proposal, he has yet a few words of entreaty for his child: he dares not tell her what her fate must be, he hopes that time and new adventures will efface Arlette from the mind of her dangerous lover; but, again, he is urged, heaps of gold shine before him, how shall he turn from their tempting lustre? Is there not in yonder tower an oubliette that yawns for the disobedient vassal? He appeals to Arlette, she has no reply but tears; men at arms appear in the night, they knock at the skinner's door and demand his daughter, they promise fair in the name of their master; they mount her on a steed before the gentlest of their band, his horse's hoofs clatter along the rocky way—the father hears the sobs of his child for a little space, and his heart sinks—he hides his eyes with his clenched hand, but suddenly he starts up—his floor is strewn with glittering pieces—he stoops down and counts them, and Arlette's sorrows are forgotten.

      Arlette returns no more to her father's cottage. She remains in a turret of the castle, but not as a handmaiden of the duchess; her existence is not supposed to be known, though the childless wife of Duke Robert weeps in secret, over her wrongs.

      All this is pure fancy, and may have no foundation in reality.

      "Look here upon this picture and on that."

      Perhaps Arlette did not repine at her fate; she might have been ambitious and worldly, vain and presuming, have possessed cunning and resolve, and have

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