LITMIR.BIZ

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I never was in the countries where the tree is found, I should fancy that I had actually seen it. Hence again it is the very praise we give to the characters of some great poet or historian that he is so individual. I am able as it were to gaze on Tiberius, as Tacitus draws him, and to figure to myself our James the First, as he is painted in Scott's Romance. The assassination of Cæsar, his “Et tu, Brute?” his collecting his robes about him, and his fall under Pompey's statue, all this becomes a fact to me and an object of real apprehension. Thus it is that we live in the past and in the distant; by means of our [pg 028] capacity of interpreting the statements of others about former ages or foreign climes by the lights of our own experience. The picture, which historians are able to bring before us, of Cæsar's death, derives its vividness and effect from its virtual appeal to the various images of our memory.

      This faculty of composition is of course a step beyond experience, but we have now reached its furthest point; it is mainly limited as regards its materials, by the sense of sight. As regards the other senses, new images cannot well be elicited and shaped out of old experiences. No description, however complete, could convey to my mind an exact likeness of a tune or an harmony, which I have never heard; and still less of a scent, which I have never smelt. Generic resemblances and metaphorical substitutes are indeed producible; but I should not acquire any real knowledge of the Scotch air “There's nae luck” by being told it was like “Auld lang syne,” or “Robin Gray;” and if I said that Mozart's melodies were as a summer sky or as the breath of Zephyr, I should be better understood by those who knew Mozart than by those who did not. Such vague illustrations suggest intellectual notions, not images.

      And quite as difficult is it to create or to apprehend by description images of mental facts, of which we have no direct experience. I may indeed, as I have already said, bring home to my mind so complex a fact as an historical character, by composition out of my experiences about character generally; Tiberius, James the First, Louis the Eleventh, or Napoleon; but who is able to infuse into me, or how shall I imbibe, a sense of the [pg 029] peculiarities of the style of Cicero or Virgil, if I have not read their writings? or how shall I gain a shadow of a perception of the wit or the grace ascribed to the conversation of the French salons, being myself an untravelled John Bull? And so again, as regards the affections and passions of our nature, they are sui generis respectively, and incommensurable, and must be severally experienced in order to be apprehended really. I can understand the rabbia of a native of Southern Europe, if I am of a passionate temper myself; and the taste for speculation or betting found in great traders or on the turf, if I am fond of enterprise or games of chance; but on the other hand, not all the possible descriptions of headlong love will make me comprehend the delirium, if I have never had a fit of it; nor will ever so many sermons about the inward satisfaction of strict conscientiousness create in my mind the image of a virtuous action and its attendant sentiments, if I have been brought up to lie, thieve and indulge my appetites. Thus we meet with men of the world who cannot enter into the very idea of devotion, and think, for instance, that, from the nature of the case, a life of religious seclusion must be either one of unutterable dreariness or abandoned sensuality, because they know of no exercise of the affections but what is merely human; and with others again, who, living in the home of their own selfishness, ridicule as something fanatical and pitiable the self-sacrifices of generous high-mindedness and chivalrous honour. They cannot create images of these things, any more than children can on the contrary of vice, when they ask whereabouts and who the bad men are; for they have no personal memories, and [pg 030] have to content themselves with notions drawn from books or from what others tell them.

      So much on the apprehension of things and on the real sense in our use of language; now let us pass on to the notional sense.

      2. Experience tells us only of individual things, and these things are innumerable. Our minds might have been so constructed as to be able to receive and retain an exact image of each of these various objects, one by one, as it came before us, but only in and for itself, without the power of comparing it with any of the others. But this is not our case: on the contrary, to compare and to contrast are among the most prominent and busy of our intellectual functions. Instinctively, even though unconsciously, we are ever instituting comparisons between the manifold phenomena of the external world, as we meet with them, criticizing, referring to a standard, collecting, analyzing them. Nay, as if by one and the same action, as soon as we perceive them, we also perceive that they are like each other or unlike, or rather both like and unlike at once. We apprehend spontaneously, even before we set about apprehending, that man is like man, yet unlike; and unlike a horse, a tree, a mountain, or a monument, yet in some, though not the same respects, like each of them. And in consequence, as I have said, we are ever grouping and discriminating, measuring and sounding, framing cross classes and cross divisions, and thereby rising from particulars to generals, that is from images to notions.

      In processes of this kind we regard things, not as they are in themselves, but mainly as they stand in relation [pg 031] to each other. We look at nothing simply for its own sake; we cannot look at any one thing without keeping our eyes on a multitude of other things besides. “Man” is no longer what he really is, an individual presented to us by our senses, but as we read him in the light of those comparisons and contrasts which we have made him suggest to us. He is attenuated into an aspect, or relegated to his place in a classification. Thus his appellation is made to suggest, not the real being which he is in this or that specimen of himself, but a definition. If I might use a harsh metaphor, I should say he is made the logarithm of his true self, and in that shape is worked with the ease and satisfaction of logarithms.

      It is plain what a different sense language will bear in this system of intellectual notions from what it has when it is the representative of things: and such a use of it is not only the very foundation of all science, but may be, and is, carried out in literature and in the ordinary intercourse of man with man. And then it comes to pass that individual propositions about the concrete almost cease to be, and are diluted or starved into abstract notions. The events of history and the characters who figure in it lose their individuality. States and governments, society and its component parts, cities, nations, even the physical face of the country, things past, and things contemporary, all that fulness of meaning which I have described as accruing to language from experience, now that experience is absent, necessarily becomes to the multitude of men nothing but a heap of notions, little more intelligible than the beauties of a prospect to the [pg 032] short-sighted, or the music of a great master to a listener who has no ear.

      I suppose most men will recollect in their past years how many mistakes they have made about persons, parties, local occurrences, nations and the like, of which at the time they had no actual knowledge of their own: how ashamed or how amused they have since been at their own gratuitous idealism when they came into possession of the real facts concerning them. They were accustomed to treat the definite Titus or Sempronius as the quidam homo, the individuum vagum of the logician. They spoke of his opinions, his motives, his practices, as their traditional rule for the species Titus or Sempronius enjoined. In order to find out what individual men in flesh and blood were, they fancied that they had nothing to do but to refer to commonplaces, alphabetically arranged. Thus they were well up with the character of a Whig statesman or Tory magnate, a Wesleyan, a Congregationalist, a parson, a priest, a philanthropist, a writer of controversy, a sceptic; and found themselves prepared, without the trouble of direct inquiry, to draw the individual after the peculiarities of his type. And so with national character; the late Duke of Wellington must have been impulsive, quarrelsome, witty, clever at repartee, for he was an Irishman; in like manner, we must have cold and selfish Scots, crafty Italians, vulgar Americans, and Frenchmen, half tiger, half monkey. As to the French, those who are old enough to recollect the wars with Napoleon, know what eccentric notions were popularly entertained about them in England; how it was even a surprise to find some military man, who was [pg 033] a prisoner of war, to be tall and stout, because it was a received idea that all Frenchmen were undersized and lived on frogs.

      Such again are the ideal personages who figure in romances and dramas of the old school; tyrants, monks, crusaders, princes in disguise, and captive damsels; or benevolent or angry fathers, and spendthrift heirs; like the symbolical characters in some of Shakespeare's plays, “a Tapster,” or “a Lord Mayor,” or in the stage directions “Enter two murderers.”

      What

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