LITMIR.BIZ

      6. The Paradox of Over-Production and Its Relation to War

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      This so-called “paradox of over-production” which figures so largely in the loose discussions of the “post-war” period was in its essence a very simple affair indeed. Just as the inevitable end of a process of free competition was a consolidation of successful competitors and an arrest of enterprise, so the inevitable end of a search for profit in production was a steady reduction of costs through increased efficiency — that is to say, a steady decrease of the ratio of employment to output. These things lie so much on the surface of the process that it is almost incredible to us that, wilfully or not, our ancestors disregarded them. Equally inevitable was it that these necessary contractions of enterprise and employment should lead to an increase in the proportion of unemployable people. Geographical expansion and a rising standard of life among both the employed and possessing classes, together with the stimulating effect of a steady influx of gold, masked and tempered for half a century this squeezing-out of an increasing fraction of the species from its general economic life. There were nevertheless fluctuations, “cycles of trade” as they were called, when the clogging machinery threatened to stall and was then relieved and went on again. But by the opening of the twentieth century, the fact that the method of running human affairs as an open competition for profit, was in its nature a terminating method, was forcing itself upon the attention even of those who profited most by it and had the most excuse for disregarding it, and who, as a class, knew nothing of the Marxian analysis.

      We know now that the primary task of world administration is to arrest this squeezing out of human beings from active economic life, by the continual extension of new collective enterprises, but such ideas had still to be broached at that time. The common folk, wiser in their instincts than the political economists in their intellectualism, were disposed to approve of waste and extravagance because money was “circulated” and workers “found employment”. And the reader will not be able to understand the world-wide tolerance of growing armaments and war preparations during this period unless he realizes the immediate need inherent in the system for unremunerative public expenditure. Somewhere the energy economized had to come out. The world of private finance would not tolerate great rehousing, great educational and socially constructive enterprises, on the part of the relatively feeble governments of the time. All that had to be reserved for the profit accumulator. And so the ever-increasing productivity of the race found its vent in its ancient traditions of warfare, which admitted the withdrawal of a large proportion of the male population from employment for a year or so and secreted that vast accumulation of forts, battleships, guns, submarines, explosives, barracks and the like, which still amazes us. Without this cancer growth of armies and navies, the paradox of over-production latent in competitive private enterprise would probably have revealed itself in an overwhelming mass of unemployment before even the end of the nineteenth century. A social revolution might have occurred then.

      Militarism, however, alleviated these revolutionary stresses, by providing vast profit-yielding channels of waste. And it also strengthened the forces of social repression. The means of destruction accumulated on a scale that well-nigh kept pace with the increase in the potential wealth of mankind. The progressive enslavement of the race to military tyranny was an inseparable aspect, therefore, of free competition for profits. The latter system conditioned and produced the former. It needed the former so as to have ballast to throw out to destruction and death whenever it began to sink. The militarist phase of the early twentieth century and the paradox of over-production are correlated facets of the same reality, the reality of the planless hypertrophy of the social body.

      It is interesting to note how this morbid accumulation of energy in belligerence and its failure to find vent in other directions became more and more evident in the physiognomy of the world as the twentieth century progressed. The gatherings of mankind became blotched with uniforms. Those admirable albums of coloured pictures, Historical Scenes in a Hundred Volumes, which are now placed in all our schools and show-places and supplied freely to any home in which there are children, display very interestingly the advent, predominance and disappearance of military preoccupations in the everyday life of our ancestors. These pictures are all either reproductions of actual paintings, engravings or photographs, or, in the case of the earlier volumes, they are elaborate reconditionings to the more realistic methods of our time of such illustrations as were available. Military operations have always attracted the picture-maker at all times, and there are plentiful pictures of battles from every age, from the little cricket-field battle of the Middle Ages to the hundred mile fights of the last Great War, but our interest here is not with battles but with the general facies of social life. Even in the war-torn seventeenth century the general stream of life went on without any manifest soldiering. War was a special occupation. While the battles of the English Civil War, which set up the first English Republic (1649-1660), were in progress, we have evidence that hunting and hawking parties were busy almost within sound of the guns. The novels of Jane Austen (England, 1775-1817) pursue their even way without the faintest echo of the land and sea campaigns in progress. Goethe in Weimar (the German literary “Great Man” during the “Great Man” period of literary thought in Europe, 1749-1832) could not be bothered by requests for supplies of wood and food for the German troops before the battle of Jena, and was very pleased to meet his “enemy alien” Napoleon socially during that campaign.

      We rarely see the monarchs of the eighteenth century depicted in military guise; the fashion was for robes and majesty rather than for the spurs and feathers of the Bantam warrior-king. It was the unprecedented vehemence of the Napoleonic adventure that splashed the social life of Europe with uniforms, infected feminine fashions, and even set plump princess colonels, frogged with gold lace and clutching bare sabres, joggling unsteadily at the heads of regiments. There was a brief return towards civilian attire with the accession of the “domesticated monarchs”, Louis Philippe in France and Victoria in Great Britain; they marked a transient reaction from Napoleonic fashions; but from the middle of the nineteenth century onward the prestige of the soldier resumed its advance and the military uniform became increasingly pervasive. Flags became more abundant in the towns and “flag-days” dotted the calendar. There was never a crowd pictured in Europe after 1870 without a soldier or so.

      The Great War greatly intensified the military element in the street population, not only in Europe but America. Various corps of feminine auxiliaries were enrolled during that time and paraded the world thereafter in appetising soldierly outfits. In the United States, except at Washington, or when there was a parade of civil war veterans, a soldier in uniform had been hitherto the rarest of birds. He would have felt strange and uncomfortable. He would have offended the susceptibilities of a consciously liberated people. The Great War changed all that. When Germany was disarmed after the war, a Nazi movement and a Reichsbanner movement supplied the needed colour until a German’s freedom to get into properly recognized livery was restored. The pattern of half-military, half-civilian organizations in uniform had already been spread about the world between the South African War (1899-1901) and the Great War, by the Boy Scout movement.

      Of the Nazi movement, the Italian Fascisti and the Polish Brotherhood at least there will be more to tell later.

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