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her success as an artist in this genre has been undoubtedly wonderful. The actual measurement of Holy Hill, Samson—but why should we measure?—has been taken, for the admiration of the world, by the Ordnance Survey. It is really no more than a hundred and thirty-two feet—not a foot more or less. But then one knows hills ten times that height—the Herefordshire Beacon, for example—which are not half so mountainous in the effect produced. Only a hundred and thirty-two feet—yet on its summit one feels the exhilaration of spirits caused by the air, elsewhere of five thousand feet at least. On its southern and western slopes lie the fields which form the flower-farm of Holy Hill.

      Below the farmyard the ground sloped more steeply to the water: the slope was covered with short heather fern, now brown and yellow, and long trailing branches of bramble, now laden with ripe blackberries, the leaves enriched with blazon of gold and purple and crimson.

      Armorel ran across the green and plunged among the fern, tossing her arms and singing aloud, the old dog trotting and jumping, but with less elasticity, beside her. She was bare-headed; the sunshine made her dark cheeks ruddy and caused her black eyes to glow. Hebe, young and strong, loves Phœbus, and fears not any freckles. When she came to the water's edge, where the boulders lie piled in a broken mass among and above the water, she stood still and looked across the sea, silent for a moment. Then she began to sing in a strong contralto; but no one could hear her, not even the coastguard on Telegraph Hill, or he of the Star Fort: the song she sang was one taught her by the old lady, who had sung it herself in the old, old days, when the road was always filled with merchantmen waiting for convoy up the Channel, and when the islands were rich with the trade of the ships, and their piloting, and their wrecks—to say nothing of the free trade which went on gallantly and without break or stop. As she sang she lifted her arms and swung them in slow cadence, as a Nautch-girl sometimes swings her arms. What she sang was none other than the old song—

      Early one morning, just as the sun was rising,

       I heard a maid sing in the valley below:

       Oh! don't deceive me. Oh! never leave me.

       How could you use a poor maiden so?

      In the year of grace 1884 Armorel was fifteen years of age. But she looked nineteen or twenty, because she was so tall and so well-grown. She was dressed simply in a blue flannel; the straw hat which she carried in her hand was trimmed with red ribbons; at her throat she had stuck a red verbena—she naturally took to red, because her complexion was so dark. Black hair; black eyes; a strongly marked brow; a dark cheek of warm and ruddy hue; the lips full, but the mouth finely curved; features large but regular—she was already, though so young, a tall and handsome woman. Those able to understand things would recognise in her dark complexion, in her carriage, in her eyes, and in her upright figure, the true Castilian touch. The gipsy is swarthy; the negro is black; the mulatto is dusky: it is not the colour alone, but the figure and the carriage also, which mark the Spanish blood. A noble Spanish lady; yet how could she get to Samson?

      She wore no gloves—you cannot buy gloves in Samson—and her hands were brown with exposure to sea and sun, to wind and rain: they were by no means tiny hands, but strong and capable hands; her arms—no one ever saw them, but for shape and whiteness they could not be matched—would have disgraced no young fellow of her own age for strength and muscle. That was fairly to be expected in one who continually sailed and rowed across the inland seas of this archipelago; who went to church by boat and to market by boat; who paid her visits by boat and transacted her business by boat, and went by boat to do her shopping. She who rows every day upon the salt water, and knows how to manage a sail when the breeze is strong and the Atlantic surge rolls over the rocks and roughens the still water of the road, must needs be strong and sound. For my own part, I admire not the fragile maiden so much as her who rejoices in her strength. Youth, in woman as well as in man, should be brave and lusty; clean of limb as well as of heart; strong of arm as well as of will; enduring hardness of voluntary labour as well as hardness of involuntary pain; with feet that can walk, run, and climb, and with hands that can hold on. Such a girl as Armorel—so tall, so strong, so healthy—offers, methinks, a home ready-made for all the virtues, and especially the virtues feminine, to house themselves therein. Here they will remain, growing stronger every day, until at last they have become part and parcel of the very girl herself, and cannot be parted from her. Whereas, when they visit the puny creature, weak, timid, delicate—but no—'tis better to remain silent.

      How many times had the girl wandered, morning or afternoon, down the rough face of the hill, and stood looking vaguely out to sea, and presently returned home again? How many such walks had she taken and forgotten? For a hundred times—yea, a thousand times—we do over and over again the old familiar action, the little piece of the day's routine, and forget it when we lie down to sleep. But there comes the thousandth time, when the same thing is done again in the same way, yet is never to be forgotten. For on that day happens the thing which changes and charges a whole life. It is the first of many days. It is the beginning of new days. From it, whatever may have happened before, everything shall now be dated until the end. Mohammed lived many years, but all the things that happened unto him or his successors are dated from the Flight. Is it for nothing that it has been told what things Armorel did and how she looked on this day? Not so, but for the sake of what happened afterwards, and because the history of Armorel begins with this restless fit, which drove her out of the quiet room down the hillside to the sea. Her history begins, like every history of a woman worth relating, with the man cast by the sea upon the shores of her island. The maiden always lives upon an island, and whether the man is cast upon the shore by the sea of Society, or the sea of travel, or the sea of accident, or the sea of adventure, or the sea of briny waves and roaring winds and jagged rocks, matters little. To Armorel it was the last. To you, dear Dorothy or Violet, it will doubtless be by the sea of Society. And the day that casts him before your feet will ever after begin a new period in your reckoning.

      Armorel stopped her song as suddenly as she had begun it. She stopped because on the water below her, not far from the shore, she saw a strange thing. She had good sea eyes—an ordinary telescope does not afford a field of vision much larger or clearer across water than Armorel's eyes—but the thing was so strange that she shaded her forehead with her hand, and looked more curiously.

      It would be strange on any evening, even after the calmest day of summer, when the sun is setting low, to see a small boat going out beyond Samson towards the Western Islets. There the swell of ocean is always rolling among the rocks and round the crags and headlands of the isles. Only in calm weather and in broad daylight can the boatman who knows the place venture in those waters. Not even the most skilled boatman would steer for the Outer Islands at sunset. For there are hidden rocks, long ridges of teeth that run out from the islands to tear and grind to powder any boat that should be caught in their devouring jaws. There are currents also which run swiftly and unexpectedly between the islands to sweep the boat along with them till it shall strike the rocks and so go down with any who are abroad; and there are strong gusts which sweep round the headlands and blow through the narrow sounds. So that it is only when the day is calm and in the full light of the sun that a boat can sail among these islands.

      Yet Armorel saw a boat on the water, not half a mile from Samson, with two men on board. More than this, the boat was apparently without oars or sails, and it was drifting out to sea. What did this mean?

      She looked and wondered. She looked again, and she remembered.

      The tide was ebbing, the boat was floating out with the tide; the breeze had dropped, but there was still something left—what there was came from the south-east and helped the boat along; there was not much sea, but the feet of Great Minalto were white, and the white foam kept leaping up the sides, and on her right, over the ledges round White Island, the water was tearing and boiling, a white and angry heap. Why, the wind was getting up, and the sun was setting, and if they did not begin to row back as hard as they could, and that soon, they would be out to sea and in the dark.

      She looked again, and she thought more. The sinking sun fell upon the boat, and lit it up so plainly that she could now see very well two things. First, that the boat was really without any oars or sails at all; and next, that the two men in her were not natives of Scilly. She could not discern their faces, but she could tell by their

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