LITMIR.BIZ

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The little wheels are some diamond-cutting affair. He had to do the thing very roughly and in a small way, with the help of a few shepherds or rude fellows on these hills. Snuff is the one great luxury of such Scotch shepherds; it's the one thing with which you can bribe them. They didn't have candlesticks because they didn't want them; they held the candles in their hands when they explored the caves."

      "Is that all?" asked Flambeau after a long pause. "Have we got to the dull truth at last?"

      "Oh, no," said Father Brown.

      As the wind died in the most distant pine woods with a long hoot as of mockery Father Brown, with an utterly impassive face, went on:

      "I only suggested that because you said one could not plausibly connect snuff with clockwork or candles with bright stones. Ten false philosophies will fit the universe; ten false theories will fit Glengyle Castle. But we want the real explanation of the castle and the universe. But are there no other exhibits?"

      Craven laughed, and Flambeau rose smiling to his feet and strolled down the long table.

      "Items five, six, seven, etc.," he said, "and certainly more varied than instructive. A curious collection, not of lead pencils, but of the lead out of lead pencils. A senseless stick of bamboo, with the top rather splintered. It might be the instrument of the crime. Only, there isn't any crime. The only other things are a few old missals and little Catholic pictures, which the Ogilvies kept, I suppose, from the Middle Ages—their family pride being stronger than their Puritanism. We only put them in the museum because they seem curiously cut about and defaced."

      The heady tempest without drove a dreadful wrack of clouds across Glengyle and threw the long room into darkness as Father Brown picked up the little illuminated pages to examine them. He spoke before the drift of darkness had passed; but it was the voice of an utterly new man.

      "Mr. Craven," said he, talking like a man ten years younger, "you have got a legal warrant, haven't you, to go up and examine that grave? The sooner we do it the better, and get to the bottom of this horrible affair. If I were you I should start now."

      "Now," repeated the astonished detective, "and why now?"

      "Because this is serious," answered Brown; "this is not spilt snuff or loose pebbles, that might be there for a hundred reasons. There is only one reason I know of for this being done; and the reason goes down to the roots of the world. These religious pictures are not just dirtied or torn or scrawled over, which might be done in idleness or bigotry, by children or by Protestants. These have been treated very carefully—and very queerly. In every place where the great ornamented name of God comes in the old illuminations it has been elaborately taken out. The only other thing that has been removed is the halo round the head of the Child Jesus. Therefore, I say, let us get our warrant and our spade and our hatchet, and go up and break open that coffin."

      "What do you mean?" demanded the London officer.

      "I mean," answered the little priest, and his voice seemed to rise slightly in the roar of the gale. "I mean that the great devil of the universe may be sitting on the top tower of this castle at this moment, as big as a hundred elephants, and roaring like the Apocalypse. There is black magic somewhere at the bottom of this."

      "Black magic," repeated Flambeau in a low voice, for he was too enlightened a man not to know of such things; "but what can these other things mean?"

      "Oh, something damnable, I suppose," replied Brown impatiently. "How should I know? How can I guess all their mazes down below? Perhaps you can make a torture out of snuff and bamboo. Perhaps lunatics lust after wax and steel filings. Perhaps there is a maddening drug made of lead pencils! Our shortest cut to the mystery is up the hill to the grave."

      His comrades hardly knew that they had obeyed and followed him till a blast of the night wind nearly flung them on their faces in the garden. Nevertheless they had obeyed him like automata; for Craven found a hatchet in his hand, and the warrant in his pocket; Flambeau was carrying the heavy spade of the strange gardener; Father Brown was carrying the little gilt book from which had been torn the name of God.

      The path up the hill to the churchyard was crooked but short; only under that stress of wind it seemed laborious and long. Far as the eye could see, farther and farther as they mounted the slope, were seas beyond seas of pines, now all aslope one way under the wind. And that universal gesture seemed as vain as it was vast, as vain as if that wind were whistling about some unpeopled and purposeless planet. Through all that infinite growth of grey-blue forests sang, shrill and high, that ancient sorrow that is in the heart of all heathen things. One could fancy that the voices from the under world of unfathomable foliage were cries of the lost and wandering pagan gods: gods who had gone roaming in that irrational forest, and who will never find their way back to heaven.

      "You see," said Father Brown in low but easy tone, "Scotch people before Scotland existed were a curious lot. In fact, they're a curious lot still. But in the prehistoric times I fancy they really worshipped demons. That," he added genially, "is why they jumped at the Puritan theology."

      "My friend," said Flambeau, turning in a kind of fury, "what does all that snuff mean?"

      "My friend," replied Brown, with equal seriousness, "there is one mark of all genuine religions: materialism. Now, devil-worship is a perfectly genuine religion."

      They had come up on the grassy scalp of the hill, one of the few bald spots that stood clear of the crashing and roaring pine forest. A mean enclosure, partly timber and partly wire, rattled in the tempest to tell them the border of the graveyard. But by the time Inspector Craven had come to the corner of the grave, and Flambeau had planted his spade point downwards and leaned on it, they were both almost as shaken as the shaky wood and wire. At the foot of the grave grew great tall thistles, grey and silver in their decay. Once or twice, when a ball of thistledown broke under the breeze and flew past him, Craven jumped slightly as if it had been an arrow.

      Flambeau drove the blade of his spade through the whistling grass into the wet clay below. Then he seemed to stop and lean on it as on a staff.

      "Go on," said the priest very gently. "We are only trying to find the truth. What are you afraid of?"

      "I am afraid of finding it," said Flambeau.

      The London detective spoke suddenly in a high crowing voice that was meant to be conversational and cheery. "I wonder why he really did hide himself like that. Something nasty, I suppose; was he a leper?"

      "Something worse than that," said Flambeau.

      "And what do you imagine," asked the other, "would be worse than a leper?"

      "I don't imagine it," said Flambeau.

      He dug for some dreadful minutes in silence, and then said in a choked voice, "I'm afraid of his not being the right shape."

      "Nor was that piece of paper, you know," said Father Brown quietly, "and we survived even that piece of paper."

      Flambeau dug on with a blind energy. But the tempest had shouldered away the choking grey clouds that clung to the hills like smoke and revealed grey fields of faint starlight before he cleared the shape of a rude timber coffin, and somehow tipped it up upon the turf. Craven stepped forward with his axe; a thistle-top touched him, and he flinched. Then he took a firmer stride, and hacked and wrenched with an energy like Flambeau's till the lid was torn off, and all that was there lay glimmering in the grey starlight.

      "Bones," said Craven; and then he added, "but it is a man," as if that were something unexpected.

      "Is he," asked Flambeau in a voice that went oddly up and down, "is he all right?"

      "Seems so," said the officer huskily, bending over the obscure and decaying skeleton in the box. "Wait a minute."

      A vast heave went over Flambeau's huge figure. "And now I come to think of it," he cried, "why in the name of madness shouldn't he be all right? What is it gets hold of a man on these cursed cold mountains? I think it's the black, brainless repetition; all these forests, and over all an ancient horror of unconsciousness. It's like the dream of an atheist. Pine-trees and more pine-trees and millions more pine-trees——"

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