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1907. The arguments of Rivers are concisely stated in a pamphlet entitled Walt Whitman's Anomaly (London: George Allen, 1913). Both Bertz and Rivers emphasize the feminine traits in Whitman. An interesting independent picture of Whitman, at about the date of the letter to Symonds, accompanied by the author's excellent original photographs, is furnished by Dr. John Johnston, A Visit to Walt Whitman, 1898. It may be added that, probably, both the extent and the significance of the feminine traits in Whitman have been overestimated by some writers. Most artists and men of genius have some feminine traits; they do not prove the existence of inversion, nor does their absence disprove it. Dr. Clark Bell writes to me in reference to the little book by Dr. Rivers: "I knew Walt Whitman personally. To me Mr. Whitman was one of the most robust and virile of men, extraordinarily so. He was from my standpoint not feminine at all, but physically masculine and robust. The difficulty is that a virile and strong man who is poetic in temperament, ardent and tender, may have phases and moods of passion and emotion which are apt to be misinterpreted." A somewhat similar view, in opposition to Bertz and Rivers, has been vigorously set forth by Bazalgette (who has written a very thorough study of Whitman in French), especially in the Mercure de France for 1st July, 1st Oct., and 15th Nov., 1913.

      CHAPTER II.—THE STUDY OF SEXUAL INVERSION.

       Table of Contents

      Westphal—Hössli—Casper—Ulrichs—Krafft-Ebing—Moll—Féré—Kiernan—Lydston—Raffalovich—Edward Carpenter—Hirschfeld.

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