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commenced with a voyage to some foreign country, from which his hero never returned. This shows how continually his father’s fate was in his mind, although he said nothing of it.

      Robert Manning’s interest in the stage-company afforded the boy fine opportunities for free rides, and he probably also frequented the stables; although neither as youth nor as man did he take much interest in driving or riding. He was more fond of playing upon the wharves, a good healthy place—and watching the great ships sailing forth to far-off lands, and returning with their strange cargoes—enough to stimulate any boy’s imagination, if he has it in him. It is likely that if Nathaniel’s father had lived, he would also have followed a seafaring life, and would never have become useful to the world in the way that he did.

      Somewhere about the close of the eighteenth century, Richard Manning, the father of Mrs. Hathorne, purchased a large tract of land in Cumberland County, Maine, between Lake Sebago and the town of Casco; and in 1813 Robert Manning built a house near the lake, in the township of Raymond, and his brother Richard, who had become much of an invalid, went to live there, partly for his health and partly to keep an oversight on the property. In 1817 Mrs. Hathorne also went there, taking her children with her, and remaining, with some intermissions, until 1822. Meanwhile the Mannings sold some thousands of acres of land, although not, as we may suppose, at very good prices, and the name of Elizabeth Hathorne was repeatedly attached to the deeds of conveyance. The house that Robert built was the plainest sort of structure, of only two stories, and with no appearance of having been painted; but the farmers in the vicinity criticised it as “Manning’s folly,”—exactly why, does not appear clearly, unless they foresaw what actually happened, that the house could be neither sold nor rented after the Mannings had left it. For many years, it served as a meeting-house—one could not call it a church—and now it has become a Hawthorne museum, the town of Raymond very laudably keeping it in repair.

      Although none of the events in the early life of Hawthorne ought to be considered positive misfortunes, as they all contributed to make him what he was, yet upon general principles it is much to be regretted that he should have passed the best years of his boyhood in this out-of-the-way place. His good uncle supplied him with a boat and a gun, and he enjoyed the small shooting, fishing, sailing and skating that the place afforded; but in later years he wrote to Bridge, “It was at Sebago that I learned my cursed habit of solitude,” and this pursued him through life like an evil genius, placing him continually at a disadvantage with his fellow-men. It has been supposed that this mode of life assisted in developing his individuality, but quite as strong individualities have been developed in the midst of large cities. “Speech is more refreshing than light.”

      When will parents learn wisdom in regard to their children? A conscientious, tender-hearted boy will be sent to a rough country school, to be scoffed at and maltreated there, before he is twelve years old; while another of a coarser and harder nature will be kept at home, to be petted and pampered until all the vigor and manliness are sapped out of him. Parents who prefer to live in a modest, humble manner, in order that their children may have better advantages, deserve the highest commendation, but in this respect good instruction is less important than favorable associations. From fourteen to twenty-one is the formative period of character, and the influences which may be brought to bear on the growing mind are of the highest importance. Lake Sebago served as an excellent gymnasium for young Hawthorne, and may have helped to develop his sense of the beautiful, but he found few companions there, and those not of the most suitable kind. He was exceedingly fond of skating—so much so that when the ice was smooth he sometimes remained on the lake far into the night. This we can envy him, for skating is the poetry of motion.

      The captain of the “Hawthorne,” which plies back and forth across the lake in summer, regularly points out to his passengers the house where the Hathornes lived. It is easily seen from the steamer—a severely plain, unpainted building, in appearance much like the Manning house on Herbert Street. Nearly in line with it a great cliff-like rock juts out from the centre of the lake, on which the Indians centuries ago etched and painted great warlike figures, whose significance is now known to no one. It is said that Hawthorne frequently sailed or rowed to Indian Rock, and to a sort of grotto there which was large enough for his boat to enter. Both the rock and the Manning house are now difficult of access. Longfellow wrote a pretty descriptive poem of a voyage on Sebago, and it is remarkable how he has made use of every feature of the landscape, every incident of the excursion, to fill his verses. The lake has much the shape of an hour-glass, the northern and southern portions being connected by a winding strait, so crooked that it requires the constant effort of the pilot to prevent the little steamer from running aground. There used to be fine fishing in it—large perch, bass, and a species of fresh-water salmon often weighing from six to eight pounds.

      Strangely enough, one of Hawthorne’s acquaintances on the shores of Sebago was a mulatto boy named William Symmes, the son of a Virginia slave, foisted by his father upon a Maine sea-captain named Britton, who lived in the half-wilderness around Raymond. Symmes afterwards became a sailor, and continued in that vocation until the Civil War, when he went to live in Alexandria, Va. In 1870 he published in the Portland Transcript what pretended to be a series of extracts from a diary which young Hawthorne had kept while at Raymond, and which was found there, after the departure of the Manning family, by a man named Small, while moving a load of furniture which had been sold to another party. Small preserved it until 1864, and then made a present of it to Symmes.

      Doubts have been cast on the genuineness of this diary, as was natural enough under the circumstances; for the original manuscript was never produced by Symmes, who died the following year, and no one knows what has become of it. It may also be asked, why should Small have disposed so readily of this manuscript to Symmes after preserving it sedulously for more than forty years? Why did he not return it to its rightful owner; or, if he felt ashamed of his original abstraction, why did not Symmes restore it to the Hawthorne family after Hawthorne’s death, when every newspaper in the country was celebrating Hawthorne’s genius? It also might have occurred to one of them that such property would have a marketable value, and could be disposed of at a high price to some collector of literary curiosities; but Symmes did not even ask to be remunerated for the portion that he contributed to the Portland Transcript. Neither did he harbor the slightest ill feeling toward Hawthorne, whom he claimed to have met several times in the course of his wanderings—once at Salem, and again at Liverpool—and was always treated by him with exceptional kindness and civility.

      The only answer that can be made to these queries is, that men in Symmes’s position in life do not act according to any method that can be previously calculated. In a case like the present, there could be no predicting it; and it is possible that this mulatto valued the diary above all price, as a souvenir of the one white man who had ever been kind and good to him. Who knows what a heart there may have been in William Symmes?

      The internal evidence of this diary is so strongly in its favor as to be almost conclusive. Lathrop, who made a special study of it, says:

      “The fabrication of the journal by a person possessed of some literary skill and familiar with the localities mentioned, at dates so long ago as 1816 to 1819, might not be an impossible feat, but it is an extremely improbable one.”

      To which it might be added, that it could be only a Hawthorne that could accomplish such a fabrication. Few things in literature are more difficult than to make a boy talk like a boy, and the tone of this Sebago journal is not only boyish, but sweet and pleasant to the ear, such as we might imagine the talk of the youthful Hawthorne. Not only this, but there is a gradated improvement of intelligence in the course of it—rather too much so for entire credibility. It is quite possible that there is more of it than Hawthorne ever wrote, but that does not prevent us from having faith in the larger portion of it. The purity of its diction, the nice adaptation of each word to its purpose, and the accuracy of detail are much in its favor; besides which, the personal reflections in it are exactly like Hawthorne. The published portion of the diary in Mr. Pickard’s book makes about fifty rather small pages, but no dates are given except at the close, and that is August, 1818; and as Hawthorne went to Sebago for the first time the preceding year, we may presume that this note-book represents a winter and summer vacation, during which he would seem to have enjoyed himself in a healthy boyish

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