LITMIR.BIZ

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Mrs. Hathorne who chiefly suffered from this change of domicile. She would seem to have been always on good terms with her brother’s wife, and on the whole they formed a remarkably harmonious family—at least we hear nothing to the contrary—but she was no longer mistress of her own household. She had her daughters to instruct, and to train up in domestic ways, and she could be helpful in various matters, large and small; but the mental occupation which comes from the oversight and direction of household affairs, and which might have served to divert her mind from sorrowful memories, was now gone from her. Her widowhood separated her from the outside world and from all society, excepting a few devoted friends, {Footnote: Wide Awake, xxxiii. 502.} so that under these conditions it is not surprising that her life became continually more secluded and reserved. It is probable that her temperament was very similar to her son’s; but the impression which has gone forth, that she indulged her melancholy to an excess, is by no means a just one. The circumstances of her case should be taken into consideration.

      Rebecca Manning says:

      “I remember aunt Hawthorne as busy about the house, attending to various matters. Her cooking was excellent, and she was noted for a certain kind of sauce, which nobody else knew how to make. We always enjoyed going to see her when we were children, for she took great pains to please us and to give us nice things to eat. Her daughter Elizabeth resembled her in that respect. In old letters and in the journal of another aunt, which has come into our possession, we read of her going about making visits, taking drives, and sometimes going on a journey. In later years she was not well, and I do not remember that she ever came here, but her friends always received a cordial welcome when they visited her.”

      This refers to a late period of Madam Hathorne’s life, and if she absented herself from the table, as Elizabeth Peabody states, {Footnote: Lathrop’s “Study of Hawthorne."} there was good reason for it.

      Hawthorne himself has left no word concerning his mother, of favorable or unfavorable import, but it seems probable that he owed his genius to her, if he can be said to have owed it to any of his ancestors. In after life he affirmed that his sister Elizabeth, who appears to have been her mother over again, could have written as well as he did, and although we have no palpable evidence of this—and the letter which she wrote Elizabeth Peabody does not indicate it—we are willing to take his word for it. With the shyness and proud reserve which he inherited from his mother, there also came that exquisite refinement and feminine grace of style which forms the chief charm of his writing. The same refinement of feeling is noticeable in the letters of other members of the Manning family. Where his imagination came from, it would be useless to speculate; but there is no good art without delicacy.

      Doctor Nathaniel Peabody lived near the house on Herbert Street, and his daughter Elizabeth (who afterward became a woman of prodigious learning) soon made acquaintance with the Hathorne children. She remembers the boy Nathaniel jumping about his uncle’s yard, and this is the first picture that we have of him. When we consider what a beautiful boy he must have been, with his wavy brown hair, large wistful eyes and vigorous figure, without doubt he was a pleasure to look upon. We do not hear of him again until November 10, 1813, when he injured his foot in some unknown manner while at play, and was made lame by it more or less for the three years succeeding. After being laid up for a month, he wrote this pathetic little letter to his uncle, Robert Manning, then in Maine, which I have punctuated properly so that the excellence of its composition may appeal more plainly to the reader.

      “SALEM, Thursday, December, 1813.

       “DEAR UNCLE:

      “I hope you are well, and I hope Richard is too. My foot is no better. Louisa has got so well that she has begun to go to school, but she did not go this forenoon because it snowed. Mama is going to send for Doctor Kitridge to-day, when William Cross comes home at 12 o’clock, and maybe he will do some good, for Doctor Barstow has not, and I don’t know as Doctor Kitridge will. It is about 4 weeks yesterday since I have been to school, and I don’t know but it will be 4 weeks longer before I go again. I have been out of the office two or three times and have set down on the step of the door, and once I hopped out into the street. Yesterday I went out in the office and had 4 cakes. Hannah carried me out once, but not then. Elizabeth and Louisa send their love to you. I hope you will write to me soon, but I have nothing more to write; so good-bye, dear Uncle.

      “Your affectionate Nephew,

      “NATHANIEL HATHORNE.”

      {Footnote: Elizabeth Manning in Wide Awake, Nov. 1891.}

      This is not so precocious as Mozart’s musical compositions at the same age, but how could the boy Hawthorne have given a clearer account of himself and his situation at the time, without one word of complaint? It is worth noting also that his prediction in regard to Doctor Kitridge proved to be correct and even more.

      It is evident that neither of his doctors treated him in a physio-logical manner. Kitridge was a water-cure physician, and his method of treatment deserves to be recorded for its novelty. He directed Nathaniel to project his naked foot out of a sitting-room window, while he poured cold water on it from the story above. This, however, does not appear to have helped the case, and the infirmity continued so long that it was generally feared that his lameness would be permanent.

      Horatio Bridge considered this a fortunate accident for Nathaniel, since it prevented him from being spoiled by his female relatives, as there is always danger that an only son with two or more sisters will be spoiled. But it was an advantage to the boy in a different manner from this. He learned from it the lesson of suffering and endurance, which we all have to learn sooner or later; and it compelled him, perhaps too young, to seek the comfort of life from internal sources. There were excellent books in the house—Shakespeare and Milton, of course, but also Pope’s “Iliad,” Thomson’s “Seasons,” the “Spectator,” “Pilgrim’s Progress,” and the “Faerie Queene,” and the time had now come when these would be serviceable to him. He was not the only boy that has enjoyed Shakespeare at the age of ten, but that he should have found interest in Spenser’s “Faerie Queene” is somewhat exceptional. Even among professed littérateurs there are few that read that long allegory, and still fewer who enjoy it; and yet Miss Manning assures us that Hawthorne would muse over it for hours. Its influence may be perceptible in some of his shorter stories, but “Pilgrim’s Progress” evidently had an effect upon him; and so had Scott’s novels, as we may judge from the first romance that he published.

      At the age of twelve years and seven months he composed a short poem, so perfect in form and mature in judgment that it is difficult to believe that so young a person could have written it. Not so poetic as it is philosophical, it is valuable as indicating that the boy had already formed a moral axis for himself—a life principle from which he never afterward deviated; and it is given herewith: {Footnote: A facsimile of the original can be found in Wide Awake, November, 1891.}

      “MODERATE VIEWS.

       “With passions unruffled, untainted by pride,

       By reason my life let me square;

       The wants of my nature are cheaply supplied,

       And the rest are but folly and care.

       How vainly through infinite trouble and strife,

       The many their labours employ,

       Since all, that is truly delightful in life,

       Is what all if they please may enjoy.

       “NATHANIEL HATHORNE.

       “SALEM, February 13, 1817.”

      He wrote this with the greatest nicety, framing it in broad black lines, and ornamenting the capitals in a manner that recalls the decoration of John Hathorne’s gravestone. He composed a number of poems between his thirteenth and seventeenth years, quite as good as those of Longfellow at the same age; but after he entered Bowdoin College he dropped the practice altogether and never resumed it, although one would suppose that Longfellow’s example would have stimulated him to better efforts. Neither does he appear to have tried his hand in writing tales, as boys who have no thought of literary distinction frequently do. During the years of his

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