LITMIR.BIZ

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device of its titular saint, under the shadow of which chants a priest; there are the hosts of the different churches, and the gorgeous canopies under which they are elevated; then come facchini dressed in scarlet and bearing the painted candles, or the long carved and gilded candlesticks; and again facchini delicately robed in vestments of the purest white linen, with caps of azure, green, and purple, and shod with sandals or white shoes, carrying other apparatus of worship. Each banner and candlestick has a fluttering leaf of tinsel paper attached to it, and the procession makes a soft rustling as it passes. The matter-of-fact character of the external Church walks between those symbolists, the candle-bearers,—in the form of persons who gather the dropping fatness of the candles, and deposit it in a vase carried for that purpose. Citizens march in the procession with candles; and there are charity-schools which also take part, and sing in the harsh, shrill manner, of which I think only little boys who have their heads closely shorn are capable.

      On all this we looked down from a window of the Old Procuratie—of course with that calm sense of superiority which people are apt to have in regarding the solemnities of a religion different from their own. But that did not altogether prevent us from enjoying what was really beautiful and charming in the scene. I thought most of the priests, very good and gentle looking,—and in all respects they were much pleasanter to the eye than the monks of the Carmelite order, who, in shaving their heads to simulate the Saviour’s crown of thorns, produce a hideous burlesque of the divine humiliation. Yet many even of these had earnest and sincere faces, and I could not think so much as I ought, perhaps, of their idle life, and the fleas in their coarse brown cloaks. I confess, indeed, I felt rather a sadness than an indignation at all that self-sacrifice to an end of which I could but dimly see the usefulness. With some things in this grand spectacle we were wholly charmed, and doubtless had most delight in the little child who personated John the Baptist, and who was quite naked, but for a fleece folded about him: he bore the cross-headed staff in one small hand, and led with the other a lamb much tied up with blue ribbon. Here and there in the procession little girls, exquisitely dressed, and gifted by fond mothers with wings and aureoles, walked, scattering flowers. I likewise greatly relished the lively holiday air of a company of airy old men, the pensioners of some charity, who, in their white linen trousers and blue coats, formed a prominent feature of the display. Far from being puffed up with their consequence, they gossiped cheerfully with the spectators in the pauses of the march, and made jests to each other in that light-hearted, careless way observable in old men taken care of, and with nothing before them to do worth speaking of but to die. I must own that the honest facchini who bore the candles were equally affable, and even freer with their jokes. But in this they formed a fine contrast to here and there a closely hooded devotee, who, with hidden face and silent lips, was carrying a taper for religion, and not, like them, for money. I liked the great good-natured crowd, so orderly and amiable; and I enjoyed even that old citizen in the procession who, when the Patriarch gave his blessing, found it inconvenient to kneel, and compromised by stretching one leg a great way out behind him. These things, indeed, quite took my mind off of the splendors; and I let the canopy of the Scuola di San Rocco (worth 40,000 ducats) go by with scarce a glance, and did not bestow much more attention upon the brilliant liveries of the Patriarch’s servants,—though the appearance of these ecclesiastical flunkies is far more impressive than that of any of their secular brethren. They went gorgeously before the Patriarch, who was surrounded by the richly dressed clergy of St. Mark’s, and by clouds of incense rising from the smoking censers. He walked under the canopy in his cardinal’s robes, and with his eye fixed upon the Host.

      All at once the procession halted, and the Patriarch blessed the crowd, which knelt in a profound silence. Then the military band before him struck up an air from “Un Ballo in Maschera;” the procession moved on to the cathedral, and the crowd melted away.

      The once-magnificent day of the Ascension the Venetians now honor by closing all shop-doors behind them and putting all thought of labor out of their minds, and going forth to enjoy themselves in the mild, inexplosive fashion which seems to satisfy Italian nature. It is the same on all the feast-days: then the city sinks into profounder quiet; only bells are noisy, and where their clangor is so common as in Venice, it seems at last to make friends with the general stillness, and disturbs none but people of untranquil minds. We always go to the Piazza San Marco when we seek pleasure, and now, for eight days only of all the year, we have there the great spectacle of the Adoration of the Magi, performed every hour by automata within the little golden-railed gallery on the facade of the Giant’s Clock Tower. There the Virgin sits above the azure circle of the zodiac, all heavily gilded, and holding the Child, equally splendid. Through the doors on either side, usually occupied by the illuminated figures of the hours, appears the procession and disappears. The stately giant on the summit of the tower, at the hither side of the great bell, solemnly strikes the hour—as a giant should who has struck it for centuries—with a grand, whole-arm movement, and a slow, muscular pride. We look up—we tourists of the red-backed books; we peasant-girls radiant with converging darts of silver piercing the masses of our thick black hair; we Austrian soldiers in white coats and blue tights; we voiceful sellers of the cherries of Padua, and we calm loafers about the many-pillared base of the church—we look up and see the Adoration. First, the trumpeter, blowing the world news of the act; then the first king, turning softly to the Virgin, and bowing; then the second, that enthusiastic devotee,—the second who lifts his crown quite from his head; last the Ethiopian prince, gorgeous in green and gold, who, I am sorry to say, burlesques the whole solemnity. His devotion may be equally heart-felt, but it is more jerky than that of the others. He bows well and adequately, but recovers his balance with a prodigious start, altogether too suggestive of springs and wheels. Perhaps there is a touch of the pathetic in this grotesque fatality of the black king, whose suffering race has always held mankind between laughter and tears, and has seldom done a fine thing without leaving somewhere the neutralizing absurdity; but if there is, the sentimental may find it, not I. When the procession has disappeared, we wait till the other giant has struck the hour, and then we disperse.

       Across the Basin of St. Mark

If it is six o’clock, and the sea has begun to breathe cool across the Basin of St. Mark, we find our account in strolling upon the long Riva degli Schiavoni towards the Public Gardens. One would suppose, at first thought, that here, on this magnificent quay, with its glorious lookout over the lagoons, the patricians would have built their finest palaces; whereas there is hardly any thing but architectural shabbiness from the Ponte della Paglia at one end, to the Ponte Santa Marina at the other. But there need be nothing surprising in the fact, after all. The feudal wealth and nobility of other cities kept the base at a respectful distance by means of lofty stone walls, and so shut in their palaces and gardens. Here equal seclusion could only be achieved by building flush upon the water, and therefore all the finest palaces rise sheer from the canals; and caffè, shops, barracks, and puppet-shows occupy the Riva degli Schiavoni. Nevertheless, it is the favorite promenade of the Venetians for the winter sunshine, and at such times in the summer as when the sun’s rage is tempered. There is always variety in the throng on the Riva, but the fashionable part of it is the least interesting: here and there a magnificent Greek flashes through the crowd, in dazzling white petticoats and gold-embroidered leggings and jacket; now and then a tall Dalmat or a solemn Turk; even the fishermen and the peasants, and the lower orders of the people, are picturesque; but polite Venice is hopelessly given to the pride of the eyes, and commits all the excesses of the French modes. The Venetian dandy, when dressed to his own satisfaction, is the worst-dressed man in the world. His hat curls outrageously in brim and sides; his coatsleeves are extremely full, and the garment pinches him at the waist; his pantaloons flow forth from the hips, and contract narrowly at the boot, which is square-toed and made too long. The whole effect is something not to be seen elsewhere, and is well calculated to move the beholder to desperation. ⁴⁶ The Venetian fine lady, also, is prone to be superfine. Her dress is as full of color as a Paolo Veronese; in these narrow streets, where it is hard to expand an umbrella, she exaggerates hoops to the utmost; and she fatally hides her ankles in pantalets.

      In the wide thoroughfare leading from the last bridge of the Riva to the gate of the gardens there is always a clapping

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