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The Child under Eight. Henrietta Brown Smith
Читать онлайн.Название The Child under Eight
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isbn 4064066181222
Автор произведения Henrietta Brown Smith
Жанр Документальная литература
Издательство Bookwire
Free from this, the child will follow his natural impulses, which are to be trusted as much as those of any other young animal; in other words, he will play, he will manifest his natural activities. "The young human being—still, as it were, in process of creation—would seek, though unconsciously yet decidedly and surely, as a product of nature that which is in itself best, and in a form adapted to his condition, his disposition, his powers and his means. Thus the duckling hastens to the pond and into the water, while the chicken scratches the ground and the young swallow catches its food upon the wing. We grant space and time to young plants and animals because we know that, in accordance with the laws that live in them, they will develop properly and grow well; arbitrary interference with their growth is avoided because it would hinder their development; but the young human being is looked upon as a piece of wax, a lump of clay, which man can mould into what he pleases. O man, who roamest through garden and field, through meadow and grove, why dost thou close thy mind to the silent teaching of nature? Behold the weed; grown among hindrances and constraint, how it scarcely yields an indication of inner law; behold it in nature, in field or garden, how perfectly it conforms to law—a beautiful sun, a radiant star, it has burst from the earth! Thus, O parents, could your children, on whom you force in tender years forms and aims against their nature, and who, therefore, walk with you in morbid and unnatural deformity—thus could your children, too, unfold in beauty and develop in harmony."
At first play is activity for the sake of activity, not for the sake of results, "of which the child has as yet no idea." Very soon, however, having man's special capacity of learning through experience, the child does gather ideas. By this time he has passed through the stage of infancy, and now his play becomes to the philosopher the highest stage of human development at this stage, because now it is self-expression.
When Froebel wrote in 1826, there had been but little thought expended on the subject of play, and probably none on human instincts, which were supposed to be nonexistent. The hope he expressed that some philosopher would take up these subjects has now been fulfilled, and we ought now to turn to what has been said on a subject all-important to those who desire to help in the education of young children.
CHAPTER III
LEARNING BORN OF PLAY
Play, which is the business of their lives.
There may be nothing new under the sun, but it does seem to be a fair claim to make for Froebel that no one before or since his time has more fully realised the value to humanity of what in childhood goes by the name of play. Froebel had distinct theories about play, and he put his theories into actual practice, not only when he founded the Kindergarten, but in his original school for older children at Keilhau.
Before going into its full meaning, it may be well first to meet the most common misconception about play. It is not surprising that those who have given the subject no special consideration should regard play from the ordinary adult standpoint, and think of it as entirely opposed to work, as relaxation of effort. But the play of a child covers so much that it is startling to find a real psychologist writing that "education through play" is "a pernicious proposition."[10] Statements of this kind spring from the mistaken idea, certainly not derived from observation, that play involves no effort, that it runs in the line of least resistance, and that education through play means therefore education without effort, without training in self-control, education without moral training. The case for the Kindergarten is the opposite of this. Education through play is advocated just because of the effort it calls forth, just because of the way in which the child, and later the boy or girl, throws his whole energy into it. What Froebel admired, what he called "the most beautiful expression of childlife," was "the child that plays thoroughly, with spontaneous determination, perseveringly, until physical fatigue forbids—a child wholly absorbed in his play—a child that has fallen asleep while so absorbed." That child, he said, would be "a thorough determined man, capable of self-sacrifice for the promotion of the welfare of himself and others." It is because "play is not trivial, but highly serious and of deep significance," that he appeals to mothers to cultivate and foster it, and to fathers to protect and guard it.
[Footnote 10: The Educative Process, p. 255 (Bagley).]
The Kindergarten position can be summed up in a sentence from Dr. Clouston's Hygiene of Mind: "Play is the real work of children." Froebel calls activity of sense and limb "the first germ," and "play-building and modelling the tender blossoms of the constructive impulse"; and this, he says, is "the moment when man is to be prepared for future industry, diligence and productive activity." He points out, too, the importance of noticing the habits which come from spontaneous self-employment, which may be habits of indolent ease if the child is not allowed to be as active as his nature requires.
There were no theories of play in Froebel's day, but he had certainly read Levana, and in all probability he knew what Schiller had said in his Letters on Aesthetic Education. The play theories are now too well known to require more than a brief recapitulation.
It will generally be allowed that the distinctive feature of play as opposed to work is that of spontaneity. The action itself is of no consequence, one man's play is another man's work. Nor does it seem to matter whence comes the feeling of compulsion in work, whether from pressure of outer necessity, or from an inner necessity like the compelling force of duty. Where there is joy in creation or in discovery the work and play of the genius approach the standpoint of the child,
Indulging every instinct of the soul,
There, where law, life, joy, impulse are one thing.
In the play of early childhood there may be freedom, not only from adult authority, but even from the restrictions of nature or of circumstances since "let's pretend" annihilates time and space and all material considerations.
Among theories of play first comes what is known as the Schiller-Spencer theory, in which play is attributed to the accumulation of surplus energy. When the human being has more energy than he requires in order to supply the bodily needs of himself and his family, then he feels impelled to use it. As the activities of his daily life are the only ones known to him, he fights his battles over again, he simulates the serious business of life, and transfers, for instance, the incidents of the chase into a dance. In this Way he reaches artistic creation, so that "play is the first poetry of the human being."
As an opposite of this we get a Re-creation theory, where play, if not too strenuous, understood as a change of occupation, rests and re-creates.
Another theory is that of recapitulation, which has been emphasised by Stanley Hall, according to which children play hunting and chasing games, or find a fascination in making tents, because they are passing through that stage of development in which their primitive ancestors lived by hunting or dwelt in tents.
Lastly, a most interesting theory is that which is associated with the name of Groos, and which is best expressed in the sentence: "Animals do not play because they are young, but they have their youth because they must play," play being regarded as the preparation for future life activities. The kitten therefore practises chasing a cork, the puppy worries boots and gloves, the kid practises jumping, and so on.
A full account of play will probably embrace all these theories, and though they were not formulated in his day, Froebel overlooked none, though he may have laid special stress on the preparation side. Yet another value of play emphasised by Professor Royce, viz. its enormous importance from the point of view of mental initiative, is strongly urged by Froebel. Professor Royce argues that "in the mere persistence of the playful child one has a factor whose value for mental initiative it is hard to overestimate."