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fortune that has its partial explanation at least in the lure of this stream for the Gallic heart.

      Mrs. Trollope, a famous English traveller, found its lower valley depressing, as has many another: "Unwonted to European eyes and mystically heavy is the eternal gloom that seems to have settled upon that region. Whatever wind may blow, however bright and burning the southern sun may blaze in the unclouded sky, the stream is forever turbid and forever dark." Of the scene at its mouth, where La Salle and his men had sung with such joy, she says: "Had Dante seen it, he might have drawn images of another Bolgia from its horrors." [Footnote: "Domestic Manners of the Americans," p. r] But no French visitor, so far as I know, has ever found it gloomy, even in flood or tempest on its subtropical stretches; nor has he found those level vastnesses desolate. A traveller, Paul Fountain by name, and so of French origin, I suspect, wandering over those valley plains in the early days, tells of the sense of freedom, health, and strength that they give: "There is no air like the prairie air—not even the grand freshness of the boundless ocean itself.—The loveliness and variety of the prairie odors are quite indescribable, as are its superb wild flowers. It is a paradise. No man who has lived on it long enough to know it and love it (no great time, I can assure you) ever experiences real happiness after he has left it. There is a longing and eager craving to return to the life. The vulgar cowboys and hunters, uneducated and unpoetical past all degree, never leave it except to get drunk. Their money gone, back they go to get fresh strength and more pelf for another orgie; but if by chance they abandon the wild, free life, they soon drink themselves to lunacy or death, and their last babblings are of the glorious wilderness they all love." [Footnote: "The Great Deserts and Forests of North America," p. 22.] This is the too exuberant expression of one who had probably never had a hearth of his own in France, but it gives some intimation of the charm of that great and seemingly infinite sweep of level ground, which many, and especially unimaginative minds, find so monotonous.

      We cannot be quite sure, when we listen to some recent critics, that Châteaubriand ever saw this great valley. Certainly we who have grown up in it have never found his reindeer and moose about our homes (save in our Christmas-time imaginations). Paroquets that in the woods repeated the words learned of settlers are not of the fauna known to reputable Ohio naturalists, nor have two-headed snakes been found except in the vision of those who see double in their intoxication. The tamarind and the terebinth are not of its forest-trees. But whether or not Châteaubriand visited it in person, his imagination had frequent residence upon the Mississippi and its tributaries. His "Atala" put into French literature a country where many have loved to dwell, though its fauna and flora were not more accurate in some respects than the mineralogy and meteorology of the John Law scheme, known later as the "Mississippi Bubble," that made France wild with excitement once. However, I have recalled the fervid pen of Châteaubriand, not as that of a faunal or floral naturalist, but to have it rewrite these sentences: "Nothing is more surprising and magnificent than this movement and this distribution of the central waters of North America" (whence flows the Mississippi), "a river which the French first descended; a river which flowed under their power, and the rich valley of which," as the translator has rendered it, "still regrets their genius," but, as Châteaubriand doubtless meant it, and as it is better translated, "still grieves for their spirit," their "familiar" ("et dont la riche vallée regrette encore leur génie"). [Footnote: "Travels in America and Italy," 1:72, 73, London, 1828.]

      I think that Châteaubriand had accurate instinct in divining the river's grieving for the spirit that (with all the practical genius which now inhabits the valley) is still needed to give an appreciation of that in the valley which lies beyond the counting of statistics or even the glowing rhetoric of the orators of liberty.

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