A Mad Love - Charlotte M. Brame

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suit me? I shall go unmarried to my grave, unless I can marry as I choose."

      Then she seemed to repent of the passionate words, and flung her beautiful arms round his neck and kissed his face.

      "I hate myself," she said, "when I speak in that way to you, who have been so good to me."

      "I do not mind it," said Robert Noel, honestly. "Never hate yourself for me, my lady lass."

      She turned one glance from her beautiful eyes on him.

      "When I seem to be ungrateful to you, do remember that I am not, Uncle Robert; I am always sorry. I cannot help myself, I cannot explain myself; but I feel always as though my mind and soul were cramped."

      "Cramp is a very bad thing," said the stolid farmer.

      She looked at him, but did not speak; her irritation was too great; he never understood her; it was not likely he ever would.

      "I will go down to the mill-stream," she said.

      With an impatient gesture she hastened out of the house.

      The mill-stream was certainly the prettiest feature of the farm—a broad, beautiful stream that ran between great rows of alder-trees and turned the wheel by the force with which it leaped into the broad, deep basin; it was the loveliest and most picturesque spot that could be imagined, and now as the waters rushed and foamed in the moonlight they were gorgeous to behold.

      Leone loved the spot; the restless, gleaming waters suited her; it seemed to have something akin to herself—something restless, full of force and vitality. She sat there for hours; it was her usual refuge when the world went wrong with her.

      Round and round went the wheel; on sunlight days the sun glinted on the sullen waters until they resembled a sheet of gold covered with white, shining foam. Green reeds and flowers that love both land and water fringed the edges of the clear, dimpling pool; the alder-trees dipped their branches in it; the great gray stones, covered with green moss, lay here and there. It was a little poem in itself, and the beautiful girl who sat in the moonlight read it aright.

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      In the depths of the water she saw the reflection of the shining stars; she watched them intently; the pure, pale golden eyes. A voice aroused her—a voice with tone and accent quite unlike any other voice.

      "I beg your pardon," it said, "could you show me the way to Rashleigh? I have lost myself in the wood."

      Raising her eyes she saw the gentleman who had raised his hat as he passed her in the morning. She knew that he recognized her by the light that suddenly overspread his face.

      "Rashleigh lies over there," she replied. "You have but to cross the field and pass the church."

      "Even that," said the stranger, with a careless laugh, "even that I am not inclined to do now. It is strange. I am afraid you will think me half mad, but it seems to me that I have just stepped into fairy land. Two minutes since I was on the bare highway, now I see the prettiest picture earth has to offer."

      "It is pretty," she replied, her eyes looking at the clear, dimpling pool; "prettier now even than when the sun shines on it and the wheel turns."

      She had told him the way to Rashleigh, and he should have passed on with a bow, but this was his excuse. The moon was shining bright as day, the wind murmured in the alder trees, the light lay on the clear, sweet, fresh water; the music of the water as it fell was sweet to hear. Away in the woods some night bird was singing; the odor of the sleeping flowers filled the air; and there on the green bank, at the water's edge, sat the most beautiful girl he had ever seen in his life.

      The moonlight fell on her exquisite southern face; it seemed to find its home in the lustrous depths of her dark eyes; it kissed the dark ripples of her hair, worn with the simple grace of a Greek goddess; it lay on the white hands that played with the tufted grass.

      He was young and loved all things beautiful, and therefore did not go away. His mind was filled with wonder. Who was she—this girl, so like a young Spanish princess! Why was she sitting here by the mill-stream? He must know, and to know he must ask.

      "I am inclined," he said, "to lie down here by this pretty stream, and sleep all night under the stars; I am so tired."

      She looked at him with a quick, warm glow of sympathy.

      "What has tired you?" she asked.

      He sat down on one of the great gray stones that lay half in the water, half on the land.

      "I have lost myself in the Leigh woods," he said. "I have been there many hours. I had no idea what Leigh woods were like, or I should not have gone for the first time alone."

      "They are very large and intricate," she said; "I can never find the right paths."

      "Some one told me I should see the finest oak-trees in England there," he said, "and I have a passion for grand old oaks. I would go anywhere to see them. I went to the woods and had very soon involved myself in the greatest difficulties. I should never have found the way out had I not met one of the keepers."

      She liked to listen to him; the clear, refined accent, the musical tone; as she listened a longing came over her that his voice might go on speaking to her and of her.

      "Now," he continued, embarrassed by her silence, "I have forgotten your directions; may I ask you to repeat them?"

      She did so, and looking at her face he saw there was no anger, nothing but proud, calm content. He said to himself he need not go just yet, he could stay a few minutes longer.

      "Do you know that beautiful old German ballad," he said,

      "'In sheltered vale a mill-wheel

       Still tunes its tuneful lay'?"

      "No; I never heard or read it," she answered. "Say it for me."

      "'In sheltered vale a mill-wheel

       Still tunes its tuneful lay.

       My darling once did dwell there,

       But now she's far away.

       A ring in pledge I gave her,

       And vows of love we spoke—

       Those vows are all forgotten,

       The ring asunder broke.'"

      "Hush," she said, holding up one white hand; "hush, it is too sad. Do you not see that the moonlight has grown dim, and the sound of the falling waters is the sound of falling tears?"

      He did not seem to understand her words.

      "That song has haunted me," he said, "ever since I heard it. I must say the last verse; it must have been of this very mill-wheel it was written.

      "'But while I hear the mill-wheel

       My pains will never cease;

       I would the grave could hide me,

       For there alone is peace.'"

      "Is it a love story?" she asked, pleased at the pathos and rhythm of the words.

      "Yes; it is the usual story—the whole love of a man's heart given to one not worthy of it, the vows forgotten, the ring broken. Then he cries out for the grave to hide himself and his unhappy love."

      She looked up at him with dark, lustrous, gleaming eyes.

      "Does all love end in sorrow?" she asked, simply.

      He looked musingly at the moonlit waters, musingly at the starlit

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