A Mad Love - Charlotte M. Brame

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called beautiful.

      Mirrored there, she saw two dark eyes, full of fire, bright, radiant, and luminous—eyes that could have lured and swayed a nation; a beautiful, oval face, the features of which were perfect; a white brow, with dark, straight eyebrows; sweet, red lips, like a cloven rose; the most beautiful chin, with a rare dimple; an imperial face, suited for a queen's crown or the diadem of an empress, but out of place on this simple farm. She saw grand, sloping shoulders, beautiful arms, and a figure that was perfect in its symmetry and grace.

      She smiled contentedly. She was beautiful, undoubtedly. She was glad that others saw it. If a young lord admired her, she must be worth admiring. Her good humor was quite restored.

      How came it that this girl, with the beauty of a young princess, was at home in the farmhouse? It was a simple story. The farmer, Robert Noel, had only one brother, who loved romance and travel.

      Stephen Noel, after trying every profession, and every means of obtaining a livelihood, at last decided on becoming a civil engineer; he went to Spain to help with a rail-road in the province of Andalusia, and there fell in love with and married a beautiful Andalusian, Pepita by name.

      Dark-eyed Pepita died on the same day Leone was born, and the young father, distracted by his loss, took the child home to England. The old housekeeper at the Rashleigh farm took the girl, and Robert Noel consented that she should be brought up as a child of his own.

      The two brothers differed as light and darkness differ. Stephen was all quickness and intelligence, Robert was stolid and slow. Leone always said it took him ten minutes to turn around. He had never married, he had never found time; but he gave the whole love of his heart to the beautiful dark eyed child who was brought to his house sixteen years ago.

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      One can imagine the sensation that a bright, beautiful eagle would produce in a dove's nest; the presence of that beautiful, imperious child at the farm was very much the same. People looked at her in wonder; her beauty dazzled them; her defiance amused them. They asked each other where all her pride came from.

      Uncle Robert often said in his slow fashion that he retired from business when Leone was seven. At that early age he gave the management of everything into her baby hands. From the chickens in the yard to the blue and white pigeons on the roof. She could manage him, big as he was, with one stamp of her little foot, one flash of her bright eyes; he was powerless at once, like a great big giant bound hand and foot. She was a strange child, full of some wonderful power that she hardly understood herself—a child quite out of the common groove of life, quite above the people who surrounded her. They understood her beauty, her defiance, her pride, but not the dramatic instinct and power that, innate in her, made every word and action seem strange.

      Honest, stolid Robert Noel was bewildered by her; he did his best in every way, but he had an uneasy consciousness that his best was but a poor attempt. He sent her to school, the best in Rashleigh, but she learned anything and everything except obedience.

      She looked out of place even there, this dark-eyed Spanish girl, among the pretty pink and white children with fair hair and blue eyes. She bewildered even the children; they obeyed her, and she had the greatest influence over them. She taught them recitations and plays, she fired their imaginations by wonderful stories; she was a new, brilliant, wonderful element in their lives. Even the school mistress, meek through the long suffering of years, even she worshiped and feared her—the brilliant, tiresome girl, who was like a flash of light among the others. She had a face so grand and a voice so thrilling it was no unusual thing when she was reading aloud in the school-room for the others to suspend all work, thrilled to the heart by the sound of her voice. She soon learned all that the Rashleigh governess could teach her—she taught herself even more. She had little taste for drawing, much for music, but her whole heart and soul were in books.

      Young as she was, it was grand to hear her trilling out the pretty love speeches of Juliet, declaring the wrongs of Constance or Katherine, moaning out the woes of Desdemona. She had Shakespeare almost by heart, and she loved the grand old dramatist.

      When she was sixteen her uncle took her from school, and then the perplexities of his honest life began. He wanted her to take her place as mistress of the house, to superintend the farm and the dairy, to take affectionate interest in the poultry and birds, to see that the butter was of a deep, rich yellow, and the new laid eggs sent to market. From the moment he intrusted those matters in her hands, his life became a burden to him, for they were entirely neglected.

      Farmer Noel would go into his dairy and find everything wrong, the cream spilled, the butter spoiled; but when he looked at the dark-eyed young princess with the Spanish face he dared not say a word to her.

      He would suggest to her meekly that things might be different. She would retaliate with some sarcasm that would reduce him to silence for two days at least. Yet she loved, after a fashion of her own, this great, stolid man who admired her with all his heart, and loved her with his whole soul.

      So time passed until she was seventeen, and the quiet farm life was unendurable to her.

      "Uncle," she would say, "let me go out into the world. I want to see it. I want something to do. I often think I must have two lives and two souls, I long so intensely for more than I have to fill them."

      He could not understand her. She had the farm and the dairy.

      "Be content," he would answer, "be content, my lady lass, with the home God has given you."

      "I want something to do. If I did all the work on this and twenty other farms it would not touch my heart and soul. They are quite empty. People say it is a battlefield. If it be one, I am sitting by with folded hands. Inactivity means death to me."

      "My lady lass, you can find plenty to do," he answered, solemnly.

      "But not of the kind I want."

      She paced up and down the large kitchen, where everything was polished and bright; the fire-light glowed on the splendid face and figure—the face with its unutterable beauty, its restless longing, its troubled desires.

      Some fear for the future of the beautiful, restless, passionate girl came over the man, who watched her with anxious eyes. It began to dawn upon him, that if he were to shut a bright-eyed eagle up in a cage, it would never be happy, and it was very much the same kind of thing to shut this lovely, gifted girl in a quiet farmhouse.

      "You will be married soon," he said, with a clumsy attempt at comfort, "and then you will be more content."

      She flashed one look of scorn from those dark, lustrous eyes that should have annihilated him. She stopped before him, and threw back her head with the gesture of an injured queen.

      "May I ask," she said, "whom you suppose I will marry?"

      He looked rather frightened, for he began to perceive he had made some mistake, though he could not tell what; he thought all young girls liked to be teased about sweethearts and marriage; still he came valiantly to the front.

      "I mean that you will surely have a sweetheart some day or other," he said, consolingly, though the fire from those dark eyes startled him, and her scarlet lips trembled with anger.

      "I shall have a sweetheart, you think, like Jennie Barnes or Lily Coke. A sweetheart. Pray, whom will it be, do you think?"

      "I know several of the young farmers about here who would each give his right hand to be a sweetheart of yours."

      She laughed a low, contemptuous laugh that made him wince.

      "What, marry a farmer! Do you think the life of a farmer's

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