LITMIR.BIZ

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dreams or visions of their god he has always a crooked leg, like the Egyptian Thau.’7 In Mainas, South America, they believe in a treacherous demon, Uchuella-chaqui, or Lame-foot, who in dark forests puts on a friendly shape to lure Indians to destruction; but the huntsmen say they can never be deceived if they examine this demon’s foot-track, because of the unequal size of the two feet.8 The native Australians believed in a demon named Biam; he is black and deformed in his lower extremities; they attributed to him many of their songs and dances, but also a sort of small-pox to which they were liable.9 We have no evidence that these superstitions migrated from a common centre; and there can be little doubt that many of these crooked legs are traceable to the crooked lightning.10 At the same time this is by no means inconsistent with what has been already said of the fall of Titans and angels from heaven as often accounting for their lameness in popular myths. But in such details it is hard to reach certainty, since so many of the facts bear a suspicious resemblance to each other. A wild boar with ‘distorted legs’ attacked St. Godric, and the temptation is strong to generalise on the story, but the legs probably mean only to certify that it was the devil.

Dr. Schliemann has unearthed among his other treasures the remarkable fact that a temple of Helios (the sun) once stood near the site of the present Church of Elias, at Mycenæ, which has from time immemorial been the place to which people repair to pray for rain.11 When the storm-breeding Sun was succeeded by the Prophet whose prayer evoked the cloud, even the name of the latter did not need to be changed. The discovery is the more interesting because it has always been a part of the christian folklore of that region that, when a storm with lightning occurs, it is ‘Elias in his chariot of fire.’ A similar phrase is used in some part of every Aryan country, with variation of the name: it is Woden, or King Waldemar, or the Grand Veneur, or sometimes God, who is said to be going forth in his chariot.

      These storm-demons in their chariots have their forerunner in Vata or Vayu, the subject of one of the most beautiful Vedic hymns. ‘I celebrate the glory of Vata’s chariot; its noise comes rending and resounding. Touching the sky he moves onward, making all things ruddy; and he comes propelling the dust of the earth.

‘Soul of the gods, source of the universe, this deity moves as he lists. His sounds have been heard, but his form is not seen; this Vata let us worship with an oblation.’12

This last verse, as Mr. Muir has pointed out, bears a startling resemblance to the passage in John, ‘The Wind bloweth where it listeth, and thou canst not tell whence it cometh or whither it goeth; so is every one that is born of the Wind.’13

But an equally striking development of the Vedic idea is represented in the Siamese legend of Buddha, and in this case the Vedic Wind-god Vayu reappears by name for the Angels of Tempests, or Loka Phayu. The first portent which preceded the descent of Buddha from the Tushita heavens was ‘when the Angels of the Tempest, clothed in red garments, and with streaming hair, travel among the abodes of mankind crying, ‘Attend all ye who are near to death; repent and be not heedless! The end of the world approaches, but one hundred thousand years more and it will be destroyed. Exert yourselves, then, exert yourselves to acquire merit. Above all things be charitable; abstain from doing evil; meditate with love to all beings, and listen to the teachings of holiness. For we are all in the mouth of the king of death. Strive then earnestly for meritorious fruits, and seek that which is good.’14

      Not less remarkable is the Targum of Jonathan Ben Uzziel to 1 Kings xix., where around Elias on the mountain gather ‘a host of angels of the wind, cleaving the mountain and breaking the rocks before the Lord;’ and after these, ‘angels of commotion,’ and next ‘of fire,’ and, finally, ‘voices singing in silence’ preceded the descent of Jehovah. It can hardly be wondered that a prophet of whom this story was told, and that of the storm evoked from a small cloud, should be caught up into that chariot of the Vedic Vayu which has rolled on through all the ages of mythology.

Mythologic streams seem to keep their channels almost as steadfastly as rivers, but as even these change at last or blend, so do the old traditions. Thus we find that while Thor and Odin remain as separate in survivals as Vayu and Parjanya in India, in Russia Elias has inherited not the mantle of the wind-god or storm-breeding sun, but of the Slavonic Thunderer Perun. There is little doubt that this is Parjanya, described in the ‘Rig-Veda’ as ‘the thunderer, the showerer, the bountiful,’15 who ‘strikes down trees’ and ‘the wicked.’ ‘The people of Novgorod,’ says Herberstein, ‘formerly offered their chief worship and adoration to a certain idol named Perun. When subsequently they received baptism they removed it from its place, and threw it into the river Volchov; and the story goes that it swam against the stream, and that near the bridge a voice was heard saying, ‘This for you, O inhabitants of Novgorod, in memory of me;’ and at the same time a certain rope was thrown upon the bridge. Even now it happens from time to time on certain days of the year that this voice of Perun may be heard, and on these occasions the citizens run together and lash each other with ropes, and such a tumult arises therefrom that all the efforts of the governor can scarcely assuage it.’16 The statue of Perun in Kief, says Mr. Ralston, had a trunk of wood, while the head was of silver, with moustaches of gold, and among its weapons was a mace. Afanasief states that in White-Russian traditions Perun is tall and well-shaped, with black hair and a long golden beard. This beard relates him to Barbarossa, and, perhaps, though distantly, with the wood-demon Barbatos, the Wild Archer, who divined by the songs of birds.17 Perun also has a bow which is ‘sometimes identified with the rainbow, an idea which is known also to the Finns. From it, according to the White Russians, are shot burning arrows, which set on fire all things that they touch. In many parts of Russia (as well as of Germany) it is supposed that these bolts sink deep into the soil, but that at the end of three or seven years they return to the surface in the shape of longish stones of a black or dark grey colour—probably belemnites, or masses of fused sand—which are called thunderbolts, and considered as excellent preservations against lightning and conflagrations. The Finns call them Ukonkiwi—the stone of thunder-god Ukko, and in Courland their name is Perkuhnsteine, which explains itself. In some cases the flaming dart of Perun became, in the imagination of the people, a golden key. With it he unlocked the earth, and brought to light its concealed treasures, its restrained waters, its captive founts of light. With it also he locked away in safety fugitives who wished to be put out of the power of malignant conjurors, and performed various other good offices. Appeals to him to exercise these functions still exist in the spells used by the peasants, but his name has given way to that of some christian personage. In one of them, for instance, the Archangel Michael is called upon to secure the invoker behind an iron door fastened by twenty-seven locks, the keys of which are given to the angels to be carried to heaven. In another, John the Baptist is represented as standing upon a stone in the Holy Sea (i.e., in heaven), resting upon an iron crook or staff, and is called upon to stay the flow of blood from a wound, locking the invoker’s veins ‘with his heavenly key.’ In this case the myth has passed into a rite. In order to stay a violent bleeding from the nose, a locked padlock is brought, and the blood is allowed to drop through its aperture, or the sufferer grasps a key in each hand, either plan being expected to prove efficacious. As far as the key is concerned, the belief seems to be still maintained among ourselves.’18

      Fig. 5.

The

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