LITMIR.BIZ

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they were, all lined up. The mother of the group, who was dressed head to toe in Islamic robes, stared down at the floor, refusing even to look at me. Great, I thought, she thinks I’m Satan. She whispered something in Arabic to her daughter that I couldn’t make out. As her daughter began speaking, I twitched with terror, like a defendant in court about to learn the jury’s verdict.

      ‘My mom’s super Muslim, yeah, so she’s a bit uneasy, but she wanted me to tell you that she thought you were amazing, and that you should be really proud.’ Not guilty. In my dumbfounded jubilation, I went to hug her mother, who quickly shifted, like a pigeon does when you suddenly kick the pavement.

      ‘Easy, my mom’s from Saudi Arabia and really Muslim, so she can’t hug you, but she thought it was so cool seeing a gay Muslim on a stage like that. She said she feels really proud to have been here.’

      I explained how I believed they were cursing me throughout the show. It turns out their expressions were akin to a colloquial ‘Oh my God!’ uttered out of enjoyment. The young woman then held my hand, stared honestly into my eyes, and said: ‘But your song to Allah …’ Fuck. Guilty on some counts. ‘… it broke my heart. I’ve been there. Trust me, I’ve been there – I’m a woman living in Saudi Arabia. But the thing is, Glamrou – Allah loves you.’

And with that, the women said their goodbyes, their Muslim drapery billowing in the Scottish wind, floating away from me like a mystical collective of apparitions, as if the entire encounter might have been a hallucination. Now, in general these days, I find it very difficult to sob – my body rarely gives in to the urge (the only exception being when I watch families in whom I have no investment celebrate their loved ones on X Factor, which always gets me). But as the women disappeared from the stage door and into the alleyway leading out to the Edinburgh night, I stepped after them and collapsed against the wall, convulsing so hard that I gave myself a splitting headache. Once the sobbing subsided and I was back out of the matrix, I felt as if I’d emerged from some combination of an exorcism and a K-hole.

      I’ll forever remember that night as the precise moment when, for the first time, all the different parts of my identity collided. I’ve spent my whole life feeling like I don’t belong. As a queer boy in Islam class, the threat of going to hell because of who I was inside was a very real and perpetual anxiety. Despite being able to leave the Middle East for a liberal Western education that afforded me numerous privileges and opportunities, I faced constant discrimination and prejudice when I won a place at Eton for two years (two of the worst of my life). I’ve lived between the Middle East and London, and have felt too gay for Iraqis, and too Iraqi for gays. My non-binary gender identity has meant that I don’t feel comfortable in most gendered spaces – gay male clubs, for instance – and I regularly feel out of place in my own male body, as though it doesn’t match up to who I am internally. For a long time, I felt as if I belonged under water, in a marine world with colours to rival the outfits of any RuPaul drag queen, where things flow freely, formlessly and without judgement, where difference is revealed to be the very fabric of this universe. On land I’ve felt like a suffocating beached whale, unable to swim to anyone or anywhere.

      But that Edinburgh night, as the beautiful girl in the hijab held my hand and reassured me of Allah’s unconditional love and I stood in front of her in a sequin leotard and a melting face of sapphire glitter, I finally felt as if I belonged.

      The December before that Edinburgh summer, I decided to get a unicorn tattooed across my chest. Christmas is one of the hardest periods for me every year; the months leading up to it are saturated with pictures of united families in green paper crowns beaming around the dinner table, and the dominant cultural narrative tells us that it’s the time to be with the real people who know and love us the most. Most friends of mine retreat to the houses they were raised in for cosy, Hallmark-worthy reunions, acquaintances post gifts from partners on Instagram, and it is the time I feel most divorced from Britain, the Middle East, my family, and, well, the world. So to keep me company for the holiday season, I invited a permanent-ink unicorn to live above my sternum.

I feel a great affinity with unicorns. They are the ultimate outsiders, destined to gallop alone. They share the body of a horse and are similar in form, but are of a different nature, almost able to belong in an equine herd, but utterly conspicuous and irrefutably other. For, no matter what, their fantastical horn cannot be concealed, signifying that they are of a different order entirely. In some medieval renderings of unicorns, the horns bring with them the sense of the pathetic; they are a deformity that invites the outside world to taunt the special being, almost like a dunce. As someone who has felt displaced for so long, I’ve harboured resentment for my own obtrusive horn, which has made it impossible for me to assimilate anywhere.

      But as much as the horn is an unwelcome protrusion, perhaps even a social inconvenience, it is also a symbol of pride, of a creature flaunting its difference without shame. For the horn also tells us that the unicorn is a survivor, a rare and tenacious creature, ready to fight should its difference bring it in the way of violence. For me, the multiple meanings of unicorns encapsulate the very essence of being queer. Their identity challenges the status quo and is violated by the normative. They long to gallop in a herd, but struggle to ride to the rhythm of others. They can almost hide in plain sight, and yet are also unquestionably unique.

      Like a unicorn, I’ve never been able to escape my difference from others. As someone who’s always existed between cultures, classes, genders, and racial groups, I have what society deems an ‘intersectional’ identity. The concept of ‘intersectionality’ refers to the fact that we cannot study the issues surrounding one oppressed social group without understanding its intersections with many others; for instance, it is superficial to have a feminism that dismantles systems of misogyny without also understanding how this intersects with structures of racism (when examining the wage gap for instance, it’s critical to consider not only the disparity between men and women, but the one between white women and women of colour). And, though mine is an extreme example of this, every person’s identity contains multiple facets that intersect with each other internally, and which are represented by intersecting political and social arguments in the outside world. Sometimes these intersections coexist peacefully; sometimes they are in conflict, and tear us into pieces.

      My intersectional identity has never felt stable. The best way I can describe it is to say that it’s like playing a really exhausting game of Twister with yourself all day every day, a key part of your identity choke-holding you on one end of the flimsy plastic sheet, while you wrap your legs around its opponent on the other. All the various facets of my identity have pulled each other in polarising directions, leading at times to absurd contradictions, episodes of severe disorientation, and deep internal fractures.

The tattoo artist who gave me my unicorn is a wonderful queer practitioner called Jose Vigers. With an empathetic ear and unreserved generosity of spirit, Jose listened as I explained over Skype what unicorns meant to me. After some wonderfully collaborative discussions, we settled on the design that now armours my heart: a unicorn, being attacked with arrows, on the cusp of collapsing, but strengthened by a BDSM harness and its enduring fighting horn. I wanted a picture that relayed both fragility and strength: an image of a being whose very power and ability to survive derive from the pain they have suffered.

      I hope that the story I am about to tell will paint a similar picture.

FEAR AND LOVING IN THE MIDDLE EAST

‘Mama, should I get us a condom?’ I was eight years old when I asked her this. We were taking our regular joint evening nap. I lay entangled in her embrace – my father, as usual, was travelling with work – and my fingers swam through her silky golden locks, as if their depths were infinite. At that age, my mother had convinced me that eating roast chicken would result in jewel-tinted hair, but I know now that she had what we call ‘highlights’.

I had heard the word condom a few times by the age of eight – not in my school’s daily Islam lessons, nor at Iftar, the nightly family meal we shared to break our fast during Ramadan,

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