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a trait or condition as the crane in China symbolizes long life. The animal may symbolize a particular ethnic group or tribe, as in the tauk noska gul of the Chodor Turkmen.

      A geometric design may suggest an animal form to those wishing to label and classify the design where the weavers had no intention of any animal representation. Such is the case with the “Eagle Kazak” and the “running dog” border. See “symbolism in rugs.”

      animal trapping. Weavings used primarily for ornament for horses, camels, and donkeys. These include blankets that cover the back and cross the chest of the animal, as well as head ornaments. See “andhani,” “asmalyk,” “at-joli,” “cherlyk,” “chul,” “dzo ke-thil,” “jol,” “kapan,” “khalyk,” “knee caps,” “sar,” “shabrak,” “takheb” and “ushter-i jol.”

      Anno Hegirae, A.H. Latinate designation of years in accordance with the Islamic calendar, beginning in 622 C. E., the year of Muhammad’s emigration (Arabic hijra) from Mecca to Medina. See “Islamic dates.”

      Antalya. A town on the Gulf of Antalya in Anatolia, located just south of Döşmealtı. Carpets made in Döşmealtı are sometimes incorrectly termed Antalya. Antalya is a trading center for rugs. See “Turkey.”

      Antalya kilim Kazim Yildiz

      Antheraea pernyi. A silk-producing moth that feeds on oak leaves. See “silk.”

      antique. This term is ambiguous and variously interpreted. An antique rug may be one thought to be at least 100 years old. See “dating rugs.”

      antique wash. The application of chemicals to a rug to soften colors and simulate the appearance of an older rug. See “luster” and “bleaching.”

      appliqué. Superimposed fabrics in which the pattern is created by an accessory fabric (or tape, ribbon, or cord) overlaid on a ground fabric or the pattern is created by cutouts in the ground fabric with the accessory fabric underlaid beneath the cutout.

      appraisal. Determining the monetary value of a rug. In formal appraisal, the rug is identified and described. These properties are considered: attribution, age, condition, rug structure, design, and color.

      Generally, auction prices are the best guide to the value of oriental rugs of interest to collectors. Easily identified types of rugs have a relatively narrow range of prices in the auction market. Rugs in exceptionally good or bad condition or having exceptional aesthetic merit fall outside this price range. Rugs of less popular or rare attribution have more variable auction prices. Prices are affected by changing interests of collectors and by changing tastes in interior decoration.

      The valuation of contemporary decorative oriental rugs depends on current production and changing trends in interior decoration. Current retail prices are the comparative basis for valuing decorative rugs.

      Monetary valuation is likely to be influenced by the motive of the person desiring the appraisal. Low appraisals may occur if the owner’s motive for valuation is purchase or estate taxation. High appraisals may occur if the owner’s motive is sale, an insurance claim, or gift deduction for tax purposes. Usually, replacement cost is the basis for declared value for insurance premium determination. Some consider it unethical for an appraiser to charge a fee based on the appraised value of the rug. See “attribution,” “condition,” “dating rugs,” “decorative rug,” “design classification,” and “technical analysis.”

      apricot. A light yellowish red color, either the result of initial dye colors or the result of fading.

      Aq Chah. A town and district of northern Afghanistan. The town is the chief market for rugs in Afghanistan. Rugs from the villages surrounding Aq Chah are woven by Turkmen. These rugs are in traditional designs and woven with the asymmetric knot. Colors used are red, indigo, and black, with some white, orange, and green

      Arabatchi joval Sothebys

      Arabatchi (from Turk. arabacı “(driver of) wheeled vehicle.”) A Turkmen tribe of the Amu Darya (Oxus) region of central Turkestan. Older main carpets attributed to this tribe carry the tauk noska gul. The dominant field color in their weavings is purplish-brown. Outlines are formed in natural brown wool. There is some warp offset and the knot is asymmetric and open to the left. Wefts are spun of wool and white cotton. However, the attribution of specific rugs to this tribe is questioned. See “Turkmen.”

      arabesque. A design motif of intertwining or scrolling vines, tendrils, straps, or branches. These may be classified as geometric, floral, or vegetal, including the split-leaf type known as “rumî.” Arabesques usually include leaves, profile buds, and blossoms. They are a common device in oriental rug designs. Systems of arabesques may be superimposed in rug designs. See “islimi,” “saz,” “split leaf arabesque,” “Vase carpet,” and “Strapwork carpets.”

      Arabesque

      Iraqi Arabic embroidered rug (detail) Tribal Collections

      Arabs. Arabic-speaking peoples inhabiting the countries of Arabia, Jordan, Lebanon, Syria, Iraq, Egypt, and much of North Africa. There are scattered groups throughout the Middle East, including Iran, and Turkestan. There is no significant rug production in Arabia. However, a so-called Arab tribe in south west Iran, a member of the Khamseh Confederacy, produces pile rugs, and Arab enclaves in Turkestan (both northern Afghanistan and Uzbekistan) are the source of kilims. See “Khamseh” and “Bedouin.”

      Arabia. A peninsula of the Near East bounded on the west by the Red Sea, on the south by the Indian Ocean, on the east by the Persian Gulf, and on the north by Iraq and Jordan. It presently comprises the states of Saudi Arabia, Kuwait, Yemen, Oman, and the United Arab Emirates. Mecca, the Muslim holy city, is near the west coast.

      Arabic calligraphy and script. Arabic script derives from Nabataean script, and is a member of the family of Semitic writing systems which, via Phoenician, gave rise to the Greek and hence the Latin alphabet. The development and wide usage of Arabic script was due to the need to copy and distribute the Koran, beginning in the seventh century. Ornamented script or calligraphy developed from early Jazm script. There were many succeeding variations. These included Kufic, Thuluth, Naskhi, Nasta’liq, Muhaqqaq, Rayhani, Riqa’, and Tawqi’. Of these, only Kufic, Thuluth, Naskhi, and Nasta’liq have been found in inscriptions in oriental rugs. The inscriptions in the Ardabil carpet are in Nasta’liq. Kufesque is a group of design motifs derived from Kufic script, but not directly readable as script. The calligraphic styles were first used for textile and rug inscriptions in this approximate time sequence:

      Kufic: seventh to tenth centuries

      Kufesque: eleventh to fifteenth centuries

      Nasta’liq: sixteenth to eighteenth centuries

      Thuluth: nineteenth to twentieth centuries

      See “cartouche,” “Kufesque,” and “inscriptions.”

      Arabic numbers, Arabic numerals. See “Islamic dates.”

      Arâk, Sultanabad. A province and city of northwest Iran. The city of Arâk was formerly Sultanabad. The province was the source of much high-quality rug production, on a workshop basis, in the late nineteenth and early twentieth centuries. Notable rug-weaving centers in Arâk province include Sarouk, Mahal (Mahallât), Lillihan, and the districts of Farâhân and Serabend.

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