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a professional model) objected to that ungentlemanly pursuit with much more vigour and efficacy than the young man's parents, who had merely regretted that Quentin should waste his time and associate with a class of persons not regarded as worthy of much respect. Whether the dismissed cronies would talk or keep silence, who could say? Sir Spencer affected to believe that Arabella, when his son came to know her, was leading the life of a harmless, necessary sempstress, and that only by long entreaty, and under every condition of decorum, had she been induced to sit for her bust to the enthusiastic sculptor. Very touching was the story of how, when the artist became adorer and offered marriage, dear Arabella would not hear of such a thing; how, when her heart began to soften, she one day burst into tears and implored Mr. Ogram to prove his love, not by wildly impossible sacrifice, but simply by sending her to school, so that she might make herself less unworthy to think of him with pathetic devotion, and from a great distance, to the end of her days. To school, in very deed, she had been sent; that is to say, she had all manner of teachers, first in England and then abroad, during the couple of years before the birth of her child; and by this instruction Arabella profited so notably that her language made no glaring contrast with that of the civilised world, and her mind seemed if anything more acute, more circumspective, than women's generally in the sphere to which she was now admitted. Sir Spencer and Lady Ogram did not love her; they made no pretence of doing so; and it may be feared that the lives of both were shortened by chagrin and humiliation. At the age of thirty or so, Quentin succeeded to the baronetcy. In the same year his son died. No other offspring had blessed, or was to bless, the romantic union.
