Our Friend the Charlatan - George Gissing

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genius left her aside, passed beyond her with a careless nod. She half accused him of ingratitude.

      "I'm not at all sure," she said, rather coldly, "that you think me capable of rising to the higher plane. Perhaps trivial details are more suited to my intelligence."

      Dyce had relieved himself of a slight splenetic oppression, and felt that he was behaving boorishly. He brightened and grew cordial, admitted a superfluous sensitiveness, assured his companion that he prized her sympathy, counted seriously upon her advice; in short, was as amiable as he knew how to be. Under his soothing talk, Mrs. Woolstan recovered herself; but she had a preoccupied air.

      "If you regard me as a serious friend," she said at length with some embarrassment, "you can easily prove it, and put my mind at ease."

      "How?" asked Dyce, with a quick, startled look.

      "You have said more than once that a man and woman who were really friends should be just as men are with each other—plain-spoken and straightforward and—and no nonsense."

      "That's my principle. I won't have any woman for a friend on other terms."

      "Then—here's what I want to say. I'm your friend—call me Jack or Harry, if you like—and I see a way in which I can be of use to you. It happens that I have rather more money than I want for my own use. I want to lend you some—until your difficulties are over—just as one man would to another—"

      Her speech had become so palpitant that she was stopped by want of breath; a rosy shamefacedness subdued her; trying to brave it out, she achieved only an unconscious archness of eye and lip which made her for the moment oddly, unfamiliarly attractive. Dyce could not take his eyes from her; he experienced a singular emotion.

      "That's uncommonly good of you, Iris," he said, with all the directness at his command. "You see, I call you by your name, just to show that I take our friendship seriously. If I could borrow from anyone I would from you. But I don't like the idea. You're a good fellow—" he laughed—"and I thank you heartily."

      Iris winced at the "good fellow."

      "Why can't you consent to borrow?" she asked, in a note of persistence. "Would you refuse if Lady Ogram made such a suggestion?"

      "Oh, Lady Ogram! That would depend entirely—"

      "But you must have money from somewhere," Iris urged, her manner becoming practical. "I'm not rich enough to lend very much, but I could help you over a year, perhaps. Wouldn't you rather go back to Rivenoak with a feeling of complete independence?—I see what it is. You don't really mean what you say; you're ashamed to be indebted to a woman. Yes, I can see it in your face."

      "Look at the thing impartially," said Dyce, fidgetting in his chair. "How can I be sure that I should ever be able to pay you back? In money matters there is just that difference a man can go to work and earn; a woman generally can't do anything of the kind. That's why it seems unjust to take a woman's money; that's the root of all our delicacy in the matter. Don't trouble about my affairs; I shall pull through the difficult time."

      "Yes," exclaimed Iris, "with somebody else's help. And why should it be somebody else? I'm not in such a position that I should be ruined if I lost a few hundred pounds. I have money I can do what I like with. If I want to have the pleasure of helping you, why should you refuse me? You know very well—at least, I hope you do—that I should never have hinted at such a thing if we had been just ordinary acquaintances. We're trying to be more sensible than everyday people. And just when there comes a good chance of putting our views into practice, you draw back, you make conventional excuses. I don't like that! It makes me feel doubtful about your sincerity. Be angry, if you like. I feel inclined to be angry too, and I've the better right!"

      Again her panting impulsiveness ended in extinction of voice, again she was rosily self-conscious, though, this time, not exactly shamefaced; and again the young man felt a sort of surprise as he gazed at her.

      "In any case," he said, standing up and taking a step or two, "an offer of this kind couldn't be accepted straightaway. All I can say now is that I'm very grateful to you. No one ever gave me such a proof of friendship, that's the simple fact. It's uncommonly good of you, Iris—"

      "It's not uncommonly good of you," she broke in, still seated, and her arms crossed. "Do as you like. You said disagreeable things, and I felt hurt, and when I ask you to make amends in a reasonable way—"

      "Look here," cried Lashmar, standing before her with his hands in his pockets, "you know perfectly well—perfectly well—that, if I accept this offer, you'll think the worse of me."

      Iris started up.

      "It isn't true! I shall think the worse of you if you go down to Lady Ogram's house, and act and speak as if you were independent. What sort of face will you have when it comes at last to telling her the truth?"

      Dyce seemed to find this a powerful argument. He raised his brows, moved uneasily, and kept silence.

      "I shall not think one bit the worse of you," Iris pursued, impetuously. "You make me out, after all, to be a silly, ordinary woman, and it's horribly unjust. If you go away like this, please never come here again. I mean what I say. Never come to see me again!"

      Lashmar seemed to hesitate, looked uncomfortable, then stepped back to his chair and sat down.

      "That's right;" said Iris, with quiet triumph.

      And she, too, resumed her chair.

       Table of Contents

      Under the roof at Rivenoak was an attic which no one ever entered. The last person who had done so was Sir Quentin Ogram; on a certain day in eighteen hundred and—something, the baronet locked the door and put key into his pocket, and during the more than forty years since elapsed the room had remained shut. It guarded neither treasure nor dire secret; the hidden contents were merely certain essays in the art of sculpture, sundry shapes in clay and in marble, the work of Sir Quentin himself when a very young man. Only one of these efforts had an abiding interest; it was a marble bust representing a girl, or young woman, of remarkable beauty, the head proudly poised, the eyes disdainfully direct, on the lips a smile which seemed to challenge the world's opinion. Not a refined or nobly suggestive face, but stamped with character, alive with vehement self-consciousness; a face to admire at a distance, not without misgiving as one pictured the flesh and blood original. Young Quentin had made a fine portrait. The model was his mistress, and, soon after the bust was finished, she became his wife.

      Naturally, Sir Spencer and Lady Ogram were not bidden to the wedding; in fact, they knew nothing about it until a couple of years after, when, on the birth to him of a son and heir, Quentin took his courage in both hands and went down to Rivenoak to make the confession. He avowed somewhat less than the truth, finding it quite task enough to mitigate the circumstances of Mrs. Ogram's birth and breeding. The exhibition of a portrait paved his way. This superbly handsome creature, adorned as became her present and prospective station, assuredly gave no shock at the first glance. By some freak of fate she had for parents a plumber and a washerwoman—"poor but very honest people," was Quentin's periphrase; their poverty of late considerably relieved by the thoughtful son-in-law, and their honesty perhaps fortified at the same time. Arabella (the beauty's baptismal name) unfortunately had two brothers; sisters, most happily, none. The brothers, however, were of a roaming disposition, and probably would tend to a colonial life; Quentin had counselled it, with persuasions which touched their sense of the fitting. So here was the case stated; Sir Spencer and his lady had but to reflect upon it, with what private conjectures might chance to enter their minds. Quentin was an only child; he had provided already for the continuance of the house; being of mild disposition, the baronet bowed his head to destiny, and, after a moderate interval, Arabella crossed the threshold of Rivenoak.

      Of course there were one or two friends of Quentin's who knew all the facts of the case; these

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