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upon fairly firm historic ground.

      SOCIETY IN THE HEROIC AGE.—In Homeric times the Greeks were ruled by hereditary kings, who were believed to be of divine or superhuman lineage. The king was at once the lawgiver, the judge, and the military leader of his people. He was expected to prove his divine right to rule, by his courage, strength, wisdom, and eloquence. When he ceased to display these qualities, "the sceptre departed from him."

      The king was surrounded by an advisory council of chiefs or nobles. The king listened to what the nobles had to say upon any measure he might propose, and then acted according to his own will or judgment, restrained only by the time-honored customs of the community.

      Next to the council of chiefs, there was a general assembly, called the Agora, made up of all the common freemen. The members of this body could not take part in any debate, nor could they vote upon any question. This body, so devoid seemingly of all authority in the Homeric age, was destined to become the all-powerful popular assembly in the democratic cities of historic Greece.

      Of the condition of the common freemen we know but little; the legendary tales were concerned chiefly with the kings and nobles. Slavery existed, but the slaves did not constitute as numerous a class as they became in historic times.

      In the family, the wife held a much more honored position than she occupied in later times. The charming story of the constant Penelope, which we find in the Odyssey, assures us that the Homeric age cherished a chivalric feeling for woman.

      In all ranks of society, life was marked by a sort of patriarchal simplicity. Manual labor was not yet thought to be degrading. Ulysses constructs his own house and raft, and boasts of his skill in swinging the scythe and guiding the plow. Spinning and weaving were the chief occupations of the women of all classes.

      One pleasing and prominent virtue of the age was hospitality. There were no public inns in those times, hence a sort of gentle necessity compelled the entertainment of wayfarers. The hospitality accorded was the same free and impulsive welcome that the Arab sheik of to-day extends to the traveller whom chance brings to his tent. But while hospitable, the nobles of the heroic age were often cruel, violent, and treacherous. Homer represents his heroes as committing without a blush all sorts of fraud and villanies. Piracy was considered an honorable occupation.

      [Illustration: FORTY-OARED GREEK BOAT. (After a Vase Painting.)]

      Art and architecture were in a rudimentary state. Yet some advance had been made. The cities were walled, and the palaces of the kings possessed a certain barbaric splendor. Coined money was unknown; wealth was reckoned chiefly in flocks and herds, and in uncoined metals. The art of writing was probably unknown, at least there is no certain mention of it; and sculpture could not have been in an advanced state, as the Homeric poems make no mention of statues. The state of literature is shown by the poems of the Iliad and Odyssey: before the close of the age, epic poetry had reached a perfection beyond which it has never been carried.

      Commerce was yet in its infancy. Although the Greeks were to become a great maritime people, still in the Homeric age they had evidently explored the sea but little. The Phoenicians then ruled the waves. The Greeks in those early times knew scarcely anything of the world beyond Greece proper and the neighboring islands and shores. Scarcely an echo of the din of life from the then ancient and mighty cities of Egypt and Chaldæa seems to have reached their ears.

CHAPTER XI.

       Table of Contents

      RELIGION OF THE GREEKS.

      INTRODUCTORY.—Without at least some little knowledge of the religious ideas and institutions of the ancient Greeks, we should find very many passages of their history wholly unintelligible. Hence a few remarks upon these matters will be in place here.

      COSMOGRAPHY OF THE GREEKS.—The Greeks supposed the earth to be, as it appears, a plane, circular in form like a shield. Around it flowed the "mighty strength of the ocean river," a stream broad and deep, beyond which on all sides lay realms of Cimmerian darkness and terror. The heavens were a solid vault, or dome, whose edge shut down close upon the earth. Beneath the earth, reached by subterranean passages, was Hades, a vast region, the realm of departed souls. Still beneath this was the prison Tartarus, a pit deep and dark, made fast by strong gates of brass and iron. Sometimes the poets represent the gloomy regions beyond the ocean stream as the cheerless abode of the dead.

      The sun was an archer-god, borne in a fiery chariot up and down the steep pathway of the skies. Naturally it was imagined that the regions in the extreme east and west, which were bathed in the near splendors of the sunrise and sunset, were lands of delight and plenty. The eastern was the favored country of the Ethiopians [Footnote: There was also a western division of these people.], a land which even Zeus himself so loved to visit that often he was found absent from Olympus when sought by suppliants. The western region, adjoining the ocean stream, formed the Elysian Fields, the abodes of the souls of heroes and of poets. [Footnote: These conceptions, it will be understood, belong to the early period of Greek mythology. As the geographical knowledge of the Greeks became more extended, they modified considerably the topography not only of the upper- world, but also of the nether-world.]

      THE OLYMPIC COUNCIL.—There were twelve members of the celestial council, six gods and as many goddesses. The male deities were Zeus, the father of gods and men; Poseidon, ruler of the sea; Apollo, or Phoebus, the god of light, of music, and of prophecy; Ares, the god of war; Hephæstus, the deformed god of fire, and the forger of the thunderbolts of Zeus; Hermes, the wing-footed herald of the celestials, the god of invention and commerce, himself a thief and the patron of thieves.

      [Illustration: THE WORLD ACCORDING TO HOMER.]

      The female divinities were Hera, the proud and jealous queen of Zeus; Athena, or Pallas—who sprang full-grown from the forehead of Zeus—the goddess of wisdom, and the patroness of the domestic arts; Artemis, the goddess of the chase; Aphrodite, the goddess of love and beauty, born of the sea-foam; Hestia, the goddess of the hearth; Demeter, the earth- mother, the goddess of grains and harvests. [Footnote: The Latin names of these divinities are as follows: Zeus = Jupiter; Poseidon = Neptune; Apollo = Apollo; Ares = Mars; Hephæstus = Vulcan; Hermes = Mercury; Hera = Juno; Athena = Minerva; Artemis = Diana; Aphrodite = Venus; Hestia = Vesta; Demeter = Ceres.

      These Latin names, however, are not the equivalents of the Greek names, and should not be used as such. The mythologies of the Hellenes and Romans were as distinct as their languages. Consult Rawlinson's Religions of the Ancient World.]

      These great deities were simply magnified human beings, possessing all their virtues, and often their weaknesses. They give way to fits of anger and jealousy. "Zeus deceives, and Hera is constantly practising her wiles." All the celestial council, at the sight of Hephæstus limping across the palace floor, burst into "inextinguishable laughter"; and Aphrodite, weeping, moves all to tears. They surpass mortals rather in power, than in size of body. They can render themselves visible or invisible to human eyes. Their food is ambrosia and nectar; their movements are swift as light. They may suffer pain; but death can never come to them, for they are immortal. Their abode is Mount Olympus and the airy regions above the earth.

      LESSER DEITIES AND MONSTERS.—Besides the great gods and goddesses that constituted the Olympian council there was an almost infinite number of other deities, celestial personages, and monsters neither human nor divine.

      Hades (Pluto) ruled over the lower realms; Dionysus (Bacchus) was the god of wine; the goddess Nemesis was the punisher of crime, and particularly the queller of the proud and arrogant; Æolus was the ruler of the winds, which he confined in a cave secured by mighty gates.

      There were nine Muses, inspirers of art and song. The Nymphs were beautiful maidens, who peopled the woods, the fields, the rivers, the lakes, and the ocean. Three Fates allotted life and death, and three Furies (Eumenides or Erinnyes) avenged crime, especially murder and unnatural crimes. The Gorgons were three sisters, with hair entwined with serpents.

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