LITMIR.BIZ

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down to breakfast with me when I knock on the ceiling with the broomstick.”

      That day, Mademoiselle Fischer made some inquiries, at the houses to which she carried her work home, as to the business of a sculptor. By dint of many questions she ended by hearing of the studio kept by Florent and Chanor, a house that made a special business of casting and finishing decorative bronzes and handsome silver plate. Thither she went with Steinbock, recommending him as an apprentice in sculpture, an idea that was regarded as too eccentric. Their business was to copy the works of the greatest artists, but they did not teach the craft. The old maid’s persistent obstinacy so far succeeded that Steinbock was taken on to design ornament. He very soon learned to model ornament, and invented novelties; he had a gift for it.

      Five months after he was out of his apprenticeship as a finisher, he made acquaintance with Stidmann, the famous head of Florent’s studios. Within twenty months Wenceslas was ahead of his master; but in thirty months the old maid’s savings of sixteen years had melted entirely. Two thousand five hundred francs in gold!—a sum with which she had intended to purchase an annuity; and what was there to show for it? A Pole’s receipt! And at this moment Lisbeth was working as hard as in her young days to supply the needs of her Livonian.

      When she found herself the possessor of a piece of paper instead of her gold louis, she lost her head, and went to consult Monsieur Rivet, who for fifteen years had been his clever head-worker’s friend and counselor. On hearing her story, Monsieur and Madame Rivet scolded Lisbeth, told her she was crazy, abused all refugees whose plots for reconstructing their nation compromised the prosperity of the country and the maintenance of peace; and they urged Lisbeth to find what in trade is called security.

      “The only hold you have over this fellow is on his liberty,” observed Monsieur Rivet.

      Monsieur Achille Rivet was assessor at the Tribunal of Commerce.

      “Imprisonment is no joke for a foreigner,” said he. “A Frenchman remains five years in prison and comes out, free of his debts to be sure, for he is thenceforth bound only by his conscience, and that never troubles him; but a foreigner never comes out.—Give me your promissory note; my bookkeeper will take it up; he will get it protested; you will both be prosecuted and both be condemned to imprisonment in default of payment; then, when everything is in due form, you must sign a declaration. By doing this your interest will be accumulating, and you will have a pistol always primed to fire at your Pole!”

      The old maid allowed these legal steps to be taken, telling her protege not to be uneasy, as the proceedings were merely to afford a guarantee to a money-lender who agreed to advance them certain sums. This subterfuge was due to the inventive genius of Monsieur Rivet. The guileless artist, blindly trusting to his benefactress, lighted his pipe with the stamped paper, for he smoked as all men do who have sorrows or energies that need soothing.

      One fine day Monsieur Rivet showed Mademoiselle Fischer a schedule, and said to her:

      “Here you have Wenceslas Steinbock bound hand and foot, and so effectually, that within twenty-four hours you can have him snug in Clichy for the rest of his days.”

      This worthy and honest judge at the Chamber of Commerce experienced that day the satisfaction that must come of having done a malignant good action. Beneficence has so many aspects in Paris that this contradictory expression really represents one of them. The Livonian being fairly entangled in the toils of commercial procedure, the point was to obtain payment; for the illustrious tradesman looked on Wenceslas as a swindler. Feeling, sincerity, poetry, were in his eyes mere folly in business matters.

      So Rivet went off to see, in behalf of that poor Mademoiselle Fischer, who, as he said, had been “done” by the Pole, the rich manufacturers for whom Steinbock had worked. It happened that Stidmann—who, with the help of these distinguished masters of the goldsmiths’ art, was raising French work to the perfection it has now reached, allowing it to hold its own against Florence and the Renaissance—Stidmann was in Chanor’s private room when the army lace manufacturer called to make inquiries as to “One Steinbock, a Polish refugee.”

      “Whom do you call ‘One Steinbock’? Do you mean a young Livonian who was a pupil of mine?” cried Stidmann ironically. “I may tell you, monsieur, that he is a very great artist. It is said of me that I believe myself to be the Devil. Well, that poor fellow does not know that he is capable of becoming a god.”

      “Indeed,” said Rivet, well pleased. And then he added, “Though you take a rather cavalier tone with a man who has the honor to be an Assessor on the Tribunal of Commerce of the Department of the Seine.”

      “Your pardon, Consul!” said Stidmann, with a military salute.

      “I am delighted,” the Assessor went on, “to hear what you say. The man may make money then?”

      “Certainly,” said Chanor; “but he must work. He would have a tidy sum by now if he had stayed with us. What is to be done? Artists have a horror of not being free.”

      “They have a proper sense of their value and dignity,” replied Stidmann. “I do not blame Wenceslas for walking alone, trying to make a name, and to become a great man; he had a right to do so! But he was a great loss to me when he left.”

      “That, you see,” exclaimed Rivet, “is what all young students aim at as soon as they are hatched out of the school-egg. Begin by saving money, I say, and seek glory afterwards.”

      “It spoils your touch to be picking up coin,” said Stidmann. “It is Glory’s business to bring us wealth.”

      “And, after all,” said Chanor to Rivet, “you cannot tether them.”

      “They would eat the halter,” replied Stidmann.

      “All these gentlemen have as much caprice as talent,” said Chanor, looking at Stidmann. “They spend no end of money; they keep their girls, they throw coin out of window, and then they have no time to work. They neglect their orders; we have to employ workmen who are very inferior, but who grow rich; and then they complain of the hard times, while, if they were but steady, they might have piles of gold.”

      “You old Lumignon,” said Stidmann, “you remind me of the publisher before the Revolution who said—‘If only I could keep Montesquieu, Voltaire, and Rousseau very poor in my backshed, and lock up their breeches in a cupboard, what a lot of nice little books they would write to make my fortune.’—If works of art could be hammered out like nails, workmen would make them.—Give me a thousand francs, and don’t talk nonsense.”

      Worthy Monsieur Rivet went home, delighted for poor Mademoiselle Fischer, who dined with him every Monday, and whom he found waiting for him.

      “If you can only make him work,” said he, “you will have more luck than wisdom; you will be repaid, interest, capital, and costs. This Pole has talent, he can make a living; but lock up his trousers and his shoes, do not let him go to the Chaumiere or the parish of Notre-Dame de Lorette, keep him in leading-strings. If you do not take such precautions, your artist will take to loafing, and if you only knew what these artists mean by loafing! Shocking! Why, I have just heard that they will spend a thousand-franc note in a day!”

      This episode had a fatal influence on the home-life of Wenceslas and Lisbeth. The benefactress flavored the exile’s bread with the wormwood of reproof, now that she saw her money in danger, and often believed it to be lost. From a kind mother she became a stepmother; she took the poor boy to task, she nagged him, scolded him for working too slowly, and blamed him for having chosen so difficult a profession. She could not believe that those models in red wax—little figures and sketches for ornamental work—could be of any value. Before long, vexed with herself for her severity, she would try to efface the tears by her care and attention.

      Then the poor young man, after groaning to think that he was dependent on this shrew and under the thumb of a peasant of the Vosges, was bewitched by her coaxing ways and by a maternal affection that attached itself solely to the physical and material side of life. He was like a woman who forgives a week of ill-usage for the sake of a kiss and a brief reconciliation.

      Thus

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