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Nights in London. Thomas Burke
Читать онлайн.Название Nights in London
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isbn 4057664612632
Автор произведения Thomas Burke
Жанр Языкознание
Издательство Bookwire
Have you ever, when walking home very late at night, looked down the grey suburban streets, with their hundred monotonous-faced houses, and thought that there sleep men, women, and children, free for a few hours from lust and hate and fear, all of them romantic, all of them striving, in their separate ways, to be happy, all of them passionate for their little span of life; and then thought that that street is but one of thousands and thousands which radiate to every point, and that all the night air of one city is holding the passions of those millions of creatures? I suppose I have a trite mind, but there is, to me, something stupendous in that thought, something that makes one despair of ever saying anything illuminative about London.
Often, when I have been returning to London from the country, I have been moved almost to tears, as the train seemed to fly through clouds and clouds of homes and through torrents of windows. Along the miserable countryside it roars, and comes not too soon to the far suburbs and the first homes. Slowly, softly, the grey incertitude begins to flower with their lights, each window a little silent prayer. Nearer and nearer to town you race, and the warm windows multiply, they draw closer together, seeming to creep into one another's arms for snugness; and, as you roll into the misty sparkle of Euston or Paddington, you experience an ineffable sense of comfort and security among those multitudinous homes. It is, I think, the essential homeliness of London that draws the Cockney's heart to her when five thousand miles away, under blazing suns or hurricanes of hail; for your Cockney, travel and wander as he will, is at heart a purely domestic animal, and dreams ever of the lighted windows of London.
Those windows! I wish some one with the right mind would write an essay for me on this theme. Why should a lighted window call with so subtle a message? They all have their messages—sometimes sweet, sometimes sinister, sometimes terrible, sometimes pathetic, always irresistible. They haunt me. Indeed, when a lighted window claims me, I have sometimes hung about outside, impelled almost to knock at the door, and find out what is happening behind that yellow oblong of mystery.
Some one published a few years ago a book entitled "The Soul of London," but I cannot think that any one has ever read the soul of London. London is not one place, but many places; she has not one soul, but many souls. The people of Brondesbury are of markedly different character and clime from those of Hammersmith. They of Balham know naught of those of Walthamstow, and Bayswater is oblivious to Barking. The smell, the sound, and the dress of Finsbury Park are as different from the smell, the sound, and the dress of Wandsworth Common as though one were England and the other Nicaragua. London is all things to all men. Day by day she changes, not only in external beauty, but in temperament.
As each season recurs, so one feels that London can never be more beautiful, never better express her inmost spirit. I write these lines in September, when we have mornings of pearly mist, all the city a Whistler pastel, the air bland but stung with sharp points, and the squares dressed in many-tinted garments; and I feel that this is the month of months for the Londoner. Yet in April, when every parish, from Bloomsbury to Ilford, and from Haggerston to Cricklewood, is a dream of lilac and may, and when laburnum and jasmine are showering their petals over Shoreditch and Bermondsey Wall, when even Cherry Gardens Pier has lost its heart in a tangle of apple-blossom, and when the statue of James II is wreathed about with stars and boughs of hawthorn as fair as a young girl's arms, when Kensington Gardens, Brockwell Park, and the Tunnel Gardens of Blackwell are ablaze with colour and song, and when life riots in the sap of the trees as in the blood of the children who throng their walks, then, I say, London is herself. But I know that when November brings the profound fogs and glamorous lights, and I walk perilously in the safest streets, knowing by sound that I am accompanied, but seeing no one, scarce knowing whether I am in Oxford Street or the Barking Road, or in Stamboul, then I shall feel: "This is the real old London." The pallid pomp of the white lilac seems to be London in essence. The rich-scented winter fog seems to be London in essence. The hot, reeking dusk of July seems to be London in essence.
London, I repeat, is all things to all men. Whatsoever you may find in the uttermost corners of the earth, that you shall find in London. It is the city of the world. You may stand in Piccadilly Circus at midnight and fingerpost yourself to the country of your dreams. A penny or twopenny omnibus will land you in the heart of France, Switzerland, Italy, Germany, Russia, Palestine, China, the Malay Peninsula, Norway, Sweden, Holland, and Hooligania; to all of which places I propose to take you, for food and drink, laughter and chatter, in the pages that follow. I shall show you London by night: not the popular melodramatic divisions of London rich and London poor, but many Londons that you never dreamed of and may curious nights.
London by night. Somehow, the pen stops there. Having written that, I feel that the book is done. I realize my impotence. My pen boggles at the task of adding another word or another hundred thousand words which shall light up those thunderous syllables. For to write about London Nights is to write a book about Everything. Philosophy, humanism, religion, love, and death, and delight—all these things must crowd upon one's pages. And once I am started, they will crowd—tiresomely, chaotically, tumbling out in that white heat of enthusiasm which, as a famous divine has said, makes such damned hard reading.
For the whole of my life, with brief breaks, has been spent in London, sometimes working by day and playing by night, sometimes idling by day and toiling through long midnights, either in streets, clubs, bars, and strange houses, or in the heat and fume of Fleet Street offices. But what nights they were! What things have we seen done—not at The Mermaid—but in every tiny street and alley of nocturnal London!
There were nights of delirium when the pulses hammered hot in rhythm to the old song of Carnival, when one seemed to have reached the very apex of living, to have grasped in one evening the message of this revolving world. There were nights, festive with hoof and harness bell. There were cheery nights of homeward walks from the City office at six o'clock, under those sudden Octobral dusks, when, almost at a wink, London is transformed into one long lake of light. There were nights of elusive fog and bashful lamp when one made casual acquaintance on the way home with some darling little work-girl, Ethel, or Katie, or Mabel, brown-haired or golden, and walked with her and perhaps were allowed to kiss her Good-night at this or that crossing.
What romantic charm those little London work-girls have, with their short, tossing frocks and tumbling hair! There are no other work-girls in the world to compare with them for sheer witchery of face and character. The New York work-girl is a holy terror. The Parisian grisette has a trim figure and a doughy face. The Berlin work-girl knows more about viciousness, and looks more like a suet dumpling than any one else. But, though her figure may not be perfect, the London work-girl takes the palm by winsomeness and grace. At seven o'clock every evening you may meet her in thousands in Oxford Street, Villiers Street, Tottenham Court Road, or London Bridge, where the pavements lisp in reply to the chatter of her little light feet. The factory girl of twenty years ago has, I am glad to say, entirely disappeared. She was not a success. She screwed her hair into sausages and rolled them around her ears. She wore a straw hat tilted at an absurd angle over her nose. She snarled. Her skin was coarse, her hands brutal, and she took no care with herself. But the younger generation came along, the flapper—and behold, a change! The factory girl or work-girl of fourteen or fifteen would surprise the ladies of the old school. She is neat. She knows enough about things to take care of herself, without being coarsened by the knowledge. And she has a zest for life and a respect for her dear little person which give her undisputed title to all that I have claimed for her. Long may she reign as one of London's beauties!
Then there were other nights of maddening pace, when music and wine, voice and laughter harnessed themselves to the chariot of youth and dashed us hither and thither. There were nights of melancholy, of anguish even, nights of failure and solitariness, when the last word seemed to be spoken, and the leaves and the lamps and all the little dear things seemed emptied of their glory. There were the nights of labour: dull nights of stress and struggle, under the hard white lights, the crashing of the presses, and the infuriating buzz of the tape machine. There were nights of. …
It is these nights that I pretend to show you in this book, in a little series of cinematographic pictures. If you will come