LITMIR.BIZ

Begun in 1929 under the title «New Prose» and drastically revised after Vladimir Mayakovsky's sudden death, A Hunt for Optimism (1931) circles obsessively around a single scene of interrogation in which a writer is subjected to a show trial for his unorthodoxy. Using multiple perspectives, fragments, and aphorisms, and bearing the vulnerability of both the Russian Jewry and the anti-Bolshevik intelligentsia—who had unwittingly become the «enemies of the people»Hunt satirizes Soviet censorship and the ineptitude of Soviet leaders with acerbic panache. Despite criticism at the time that it lacked unity and was too «variegated» to be called a purely «Shklovskian book,» Hunt is stylistically unpredictable, experimentally bold, and unapologetically ironic—making it one of the finest books in Shklovsky's body of work.

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Complex and hauntingly beautiful, Lygia Fagundes Telles's most acclaimed novel is a journey into the inner lives of three young women, each revealing her secrets and loves, each awaiting a destiny tied to the colorful and violent world of modern Brazil. Sensual and wealthy Lorena dreams of a tryst with a married man. Unhappy Lia burns with a frantic desire to free her imprisoned fiancé. Glamorous Ana Clara, unable to escape her past, falls toward a tragedy of drugs and obsession. Intimate and unforgettable, The Girl in the Photograph creates an extraordinary picture of the wonder and the darkness that come to possess a woman's mind, and stands as one of the greatest novels to come out of Brazil in the late twentieth century.

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The second volume in Stig Saeterbakken's loosely connected «S Trilogy» Self-Control moves from the dark portrait of codependent marriage featured in the acclaimed Siamese to a world of solitary loneliness and repression. A middle-aged man, Andreas Feldt, feeling that he is unable to communicate with his adult daughter over the course of a friendly lunch, announces on an inexplicable whim that he is going to get a divorce. Though his daughter is initially shocked, she quickly assimilates this information and all returns to normal. Faced with this virtual invisibility—for no matter what actions he takes, the world seems to take no notice—Andreas is cut adrift from the certainties of his life and forced to navigate through a society where it seems virtually everyone is only one loss of self-control away from an explosion of dissatisfaction and rage.

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In this eerie, compelling, and playful novel, a young man tormented by his feeble memory meets an elderly man, Robert, endowed with the recall of an elephant. Soon, in exchange for becoming his live-in servant, Robert agrees to allow his young protégé to inherit his prodigious memory upon his death. While this might seem a fair if absurd exchange, Robert's demands become progressively more macabre, until the narrator is forced to decide what he is truly willing to sacrifice for the ability to remember. The debut novel of Bernard Comment, acclaimed author and editor, now available in English for the first time, The Shadow of Memory brings a fairy-tale premise into the modern world, where information—and its loss—can be a matter of life and death.

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Part prophecy and part erotic fantasy, this classic tale of otherworldly depravity features New York itself—or a foreigner's nightmare of New York—as its true protagonist. Set in the towers and tunnels of the quintessential American city, Alain Robbe-Grillet's novel turns this urban space into a maze where politics bleeds into perversion, revolution into sadism, activist into criminal, vice into art—and back again. Following the logic of a movie half-glimpsed through a haze of drugs and alcohol, Project for a Revolution in New York is a Sadean reverie that bears an alarming resemblance to the New York, and the United States, that have actually come into being.

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Poetic, comic, obsessed with minutiae, My Beautiful Bus is a welcome dose of serious frivolity at the expense of the contemporary novel. Based on an actual bus trip across France taken by Oulipo-member Jacques Jouet in the late '80s, his fictional reconstruction of the experience twenty years later focuses not so much on the scenery as on the possibilities offered an author by the eponymous vehicle and its occupants. With detours through everything from Puss in Boots to Pascal's maxims, we are introduced to each eccentric passenger as they climb aboard (one, for example, claims to have a corpse in his luggage), every character bringing us one step further into Jouet's imaginative universe: their conversations, preoccupations, reactions, and possibilities taking their places as elements of a fiction in the narrator's mind. In the final pages it becomes clear that the book itself is a sort of bus, boarded impulsively and with no fixed destination in mind, and that it has carried its readers to places they could not have imagined.

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One of the unheralded masterpieces of twentieth-century American fiction, Light While There Is Light is acclaimed poet Keith Waldrop's autobiographical novel about the myriad ghosts left behind by his family. Born to a deeply religious mother, the narrator and his siblings are led across the US as she searches for the «right» religious sect—a trip that ends with her speaking in tongues, and finally her total isolation. But no synopsis can do justice to the beauty of Keith Waldrop's measured, wise, and unembroidered prose, illuminating the fear, madness, and destruction within hearth and home—though never repudiating his love for same. In a tradition that stretches back through Flannery O'Connor and William Faulkner to Hawthorne, Melville, and Poe, Keith Waldrop and Light While There Is Light are American treasures.

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Now recognized as one of the giants of postwar American fiction, William Gaddis (1922–98) shunned the spotlight during his life, which makes this collection of his letters a revelation. Beginning in 1930 when Gaddis was at boarding-school and ending in September 1998, a few months before his death, these letters function as a kind of autobiography, and are all the more valuable because Gaddis was not an autobiographical writer. Here we see him forging his first novel The Recognitions (1955) while living in Mexico, fighting in a revolution in Costa Rica, and working in Spain, France, and North Africa. Over the next twenty years he struggles to find time to write the National Book Award-winning J R (1975) amid the complications of work and family; deals with divorce and disillusionment before reviving his career with Carpenter's Gothic (1985); then teaches himself enough about the law to indite A Frolic of His Own (1994), which earned him another NBA. Returning to a topic he first wrote about in the 1940s, he finishes his last novel Agape Agape as he lay dying.

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One of the loveliest riddles of Austrian literature is finally available in English translation: Gert Jonke's 1982 novel, Awakening to the Great Sleep War, is an expedition through a world in constant nervous motion, where reality is rapidly fraying—flags refuse to stick to their poles, lids sidle off of their pots, tram tracks shake their stops away like fleas, and books abandon libraries in droves. Our cicerone on this journey through the possible (and impossible) is an «acoustical decorator» by the name of Burgmüller—a poetical gentleman, the lover of three women, able to communicate with birds, and at least as philosophically minded as his author: «Everything has suddenly become so transparent that one can't see through anything anymore.» This enormously comic—and equally melancholic—tale is perhaps Jonke's masterwork.

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Theo Fales is a one-time historian turned book editor who specializes in ghostwriting the memoirs of leading American policy-makers. For over twenty-five years, Theo has been helping retired generals and CIA directors justify their decisions in the first-person. One day, however, hearing a song at a colleague's memorial service, Theo has a vision: he senses, in the music, a completely different way to live. He becomes obsessed by a need to align musical time with the metre of his own life and prose. Theo's method opens onto two seemingly contradictory interior landscapes: one, a rage of identification with a college classmate who has written and signed the legal document justifying the use of torture by the US; the other, a love for the singer best known for her interpretations of the composer who wrote that vital song. Theo commits himself to the idea that only through his method will he be able to save himself. Is he mad, or has history itself lost its way?

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