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After his most klutzy move ever, falling into a pool of sharks, things for Tristan Hunt begin to look up. Tristan is invited to an ocean-themed summer camp in the Florida Keys where he discovers that he and the other young teens there have very special and rare talents when it comes to the ocean. After the camp receives a distress call from ocean animals, Tristan and his new friends get pulled into a daring rescue in the Bahamas. With the help of sharks, dolphins, a quick-escape artist octopus, and some seabird bombers, the campers must use their young talents in an attempt to outwit an evil shark-finning, reef-blasting billionaire.
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Malcom and Dandy are best friends. But these two boys aren’t your average ten-year-olds. When the boys get their hands on an Ecto-Handheld-Automatic-Heat-Sensitive-Laser-Enhanced Specter Detector, their adventures as Ghost Detectors begin. In this first volume of three stories, Malcom and Dandy thwart a practical-joking poltergeist, rid the Miller house of a ghost, and get to the bottom of some unusual paranormal activity in their elementary school. It may sound strange, but it’s just the everyday work of a Ghost Detector! Readers love the humorous detective adventures and learn a number of ghost-detecting tips!
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Standing in absolute opposition to each other are two distinct groups. One side, who proclaim that he can do nothing right. The other side, who believe he has been particularly selected by God, with a host of unusual skills, for just such a time as this. Both can not be right! And so, a political, moral and spiritual battle is raging in America and around the world about President Donald J. Trump. Quite unknown by most of the general public is the fact that Christian prophets have been claiming for over a decade that Donald Trump is the chosen one, that he is God’s man for the White House for this particular hour. In this book, God’s Man in the White House, Professor James A. Beverley documents the hundreds of prophecies about Donald Trump that started over 10 years ago, and provides the political and religious context for the ongoing prophecies and controversies about the 45th president. Here is the most complete collection of over 500 prophesies and statements made by more than 100 prophets and top Christian leaders, including: Kim Clement, Mark Taylor, Lance Wallnau, Lana Vawser, Lou Engle, Jeremiah Johnson, Michael Brown, Frank Amedia, Franklin Graham, Jerry Falwell, Jr., Paula White, Stephen Strang, Robert Jeffress, Rodney Howard-Browne, Jim Garlow, and James Dobson. Whatever your view- you will benefit greatly from this collection.
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Maximilian Sacheverell Hollingsworth is a counterfeiter, sculptor, filmmaker, sound artist, mystic, and terminal recluse, and over the course of fifty years, making use of a vast stockpile of illegitimate currency, he funds a great range of secret, large-scale art projects throughout London—from explorations of the far reaches of the imagination to more civic-minded schemes of an equally radical nature. At once a strikingly original satire of the ways in which art and currency conspire to favor certain voices and forms over others, and a story of surreal anti-capitalist machinations reminiscent of the works of B. S. Johnson and Georges Perec, The Currency of Paper announces the arrival of a great new voice in contemporary fiction.
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There is no doubt that Desmond Hogan is one of most remarkable literary talents to have come out of Ireland in the past half-century, and perhaps the best introduction to his work is through his magnificent short stories, widely anthologized and praised throughout the world. Focusing as always on the downtrodden and the eccentric, the misplaced and the dispossessed, Hogan's stories merge past with present, landscape with mindscape—distinctly Irish and burdened by history, while exhilaratingly and wholly universal and modern.
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Following a crippling depression and institutionalization, the writer «Desmond» wanders from his native Dublin around an increasingly unrecognizable Europe, and as far as the southern United States, assembling a patchwork of small stories, conversations, love affairs, memories, regrets, and confrontations: «the labyrinth of stories of people whose lives you touch . . . so that your mind becomes like a polychromatic Irish pub.» Whether a series of tragic postcards, a cubist novel, or a memoir shorn of its connective tissue, A Farewell to Prague stands as Desmond Hogan's greatest achievement: a catalog of the moments that justify a life «or shine a light on its emptiness.»
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When Quentin's lover announces that she's leaving him for his brother and moving to America, he replies spontaneously that he too is leaving the country: but going where? To Tahas, he improvises: «a city whose very name sounded exotic.» Following through on this impulse, Quentin soon finds a job exactly where he claimed to be going . . . and with his departure from familiar Europe, finds himself aimless in a desert country equal parts dull and dreamlike, enclosed in «the Ring» to which the wealthy expatriate community is confined by its own xenophobia. Stifled within this community and alienated without, Quentin must decide what sort of life is worth living—safe and aloof, or engaged with the deprivation and even danger of what lies beyond the Ring.
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The long-awaited final work and magnum opus of one of the United States’s greatest authors, critics, and tastemakers, In Partial Disgrace is a sprawling self-contained trilogy chronicling the troubled history of a small Central European nation bearing certain similarities to Hungary—and whose rise and fall might be said to parallel the strange contortions taken by Western political and literary thought over the course of the twentieth century. More than twenty years in the making, and containing a cast of characters, breadth of insight, and degree of stylistic legerdemain to rival such staggering achievements as William H. Gass's The Tunnel, Carlos Fuentes's Terra Nostra, Robert Coover's The Public Burning, or Péter Nádas's Parallel Lives, In Partial Disgrace may be the last great work to issue from the generation that changed American letters in the '60s and '70s.
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On the eve of a coup d'etat, the wife of a diplomat newly returned to Turkey from the United States finds that the new Minister of Foreign Affairs, Fuat, is in fact a childhood friend. Having married more for status than love, and quizzically unmoored from the reality of day-to-day existence in the capital, she begins to nurse an impossible love for her husband's superior, and in the process of telling us of her Bovary-like, novelistic infatuation, she confesses innumerable details of her life: her tomboyish school years, her independence and ambitions as a young woman, her surprise at her own willingness to set aside her aspirations to enter the comfortable world represented by her husband. Set against the backdrop of the great cultural changes occurring in Turkey during the 1960s, Music by My Bedside is a compelling and often playful journey through one woman's off-kilter view of herself, the world, and the conventions by which she is constrained.
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When Vic meets Lali, they stumble into a dysfunctional ten-year relationship that leaves him in ruins and raising a child on his own. As Vic strives to protect their daughter from the cruel truths of his relationship with her mother, he finds himself hopelessly submerged in Lali's seemingly inexplicable contradictions, and their implications concerning his own inability to move on. Huddleston Road is an honest, often brutal examination of the loneliness that results from our inability to truly know the people who share our lives—and about our need to reach out and try nonetheless.