LITMIR.BIZ

When an ill-fated, young prostitute and her lover are killed in a gruesome double murder, seasoned investigator Detective Hanash is called in. The case draws him and his team into the poverty of Casablanca's slums, blighted by criminality, religious extremism, and despair. Hanash's years on the job have made him intimately familiar with the city's seedy underbelly, but this time he harbors a personal connection to one of the victims, one he must conceal at all costs.

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In October 1999 during a trip to Cairo, Cyrus Kadivar, an exiled Iranian living in London, visited the tomb of the last shah and opened a Pandora's box. Haunted by nostalgia for a bygone era, he recalled a protected and idyllic childhood in the fabled city of Shiraz and his coming of age during the 1979 Iranian revolution. Back in London, he reflected on what had happened to him and his family after their uprooting and decided to conduct his own investigation into why he lost his country. He spent the next ten years seeking out witnesses who would shed light on the last days of Pahlavi rule. Among those he met were a former empress, ex-courtiers, disaffected revolutionaries, and the bereaved relatives of those who perished in the cataclysm. In <em>Farewell Shiraz,</em> Kadivar tells the story of his family and childhood against the tumultuous backdrop of twentieth-century Iran, from the 1905-1907 Constitutional Revolution to the fall of Mohammad Reza Shah Pahlavi, before presenting accounts of his meetings with key witnesses to the Shah's fall and the rise of Khomeini. Each of the people interviewed provides a richly detailed picture of the momentous events that took place and the human drama behind them. Combining exquisite vignettes with rare testimonials and first-hand interviews, Farewell Shiraz draws us into a sweeping yet often intimate account of a vanished world and offers a compelling investigation into a political earthquake whose reverberations still live with us today.

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Marcus Pasha Simaika (1864-1944) was born to a prominent Coptic family on the eve of the inauguration of the Suez Canal and the British occupation of Egypt. From a young age, he developed a passion for Coptic heritage and devoted his life to shedding light on centuries of Christian Egyptian history that had been neglected by ignorance or otherwise belittled and despised. He was not a professional archaeologist, an excavator, or a specialist scholar of Coptic language and literature. Rather, his achievement lies in his role as a visionary administrator who used his status to pursue relentlessly his dream of founding a Coptic Museum and preserving endangered monuments. During his lengthy career, first as a civil servant, then as a legislator and member of the Coptic community council, he maneuvered endlessly between the patriarch and the church hierarchy, the Coptic community council, the British authorities, and the government to bring them together in his fight to save Coptic heritage.This fascinating biography draws upon Simaika's unpublished memoirs as well as on other documents and photographs from the Simaika family archive to deepen our understanding of several important themes of modern Egyptian history: the development of Coptic archaeology and heritage studies, Egyptian-British interactions during the colonial and semi-colonial eras, shifting balances in the interaction of clergymen and the lay Coptic community, and the ever-sensitive evolution of relations between Copts and their Muslim countrymen.

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Khaled transcribes testimonies at the Palace of Confessions, a shadowy state-run agency situated in a respectable Cairo suburb. There he encounters Mustafa Ismail: a university professor turned master thief, who breaks into the homes of the great and the good and then blackmails them into silence. Mustafa has dedicated his existence to the perfection of his trade and authored <em>The Book of Safety</em>, the ultimate guide to successful thievery. With cool and incisive prose, Yasser Abdel Hafez follows Khaled into obsession with this mysterious book and its author.

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Displaced by the sectarian violence in the city, Maha and her husband are taken in by a distant cousin, Youssef. As the growing turmoil around them seeps into their household, a rare argument breaks out between the elderly Youssef and his young guest. Born into sanctions and war, Maha knows nothing of Iraq's good years that Youssef holds dear. Set over a single day, The Baghdad Eucharist is an intimate story of love, memory, and anguish in one Christian family.

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In a small Lebanese village a disillusioned imam, diagnosed with terminal cancer, must face his demons. Having consented to an arranged marriage, he has found himself in a loveless union and lusts after another. To please his family, he took up the robe and turban of his forefathers but the expected path to fulfillment did not unfold before him. Meticulous, sparse prose quietly evokes the essence of rural life and the burden of tradition. Hassan Daoud's masterful novel plumbs the depths of a man's struggle with religion and his place in the world.

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Gabriel Sherlock arrives in Oman in 1982, fleeing shame and disaster back home in Ireland, and begins an intense affair with a woman whom no one else has seen. Locals insist she must be one of the jinn-a supernatural being-but Gabriel refuses to buy into the folklore, despite her sudden, unexplained disappearance. Twenty-six years later, Irishwoman Thea Kerrigan lands in Muscat, chasing her own ghosts from the past, and is approached by Gabriel, who believes she is his lost lover. Certain that they have never met before, Thea is nonetheless drawn to this deluded, and perhaps dangerous, stranger and the rumors that surround him. "Sometimes, the sunniest settings have the darkest shadows. <em>Of Sea and Sand </em>takes you to such a place, plays tricks with light and time-and leaves you not knowing who is real: Us, or Them? Fictional angels and vampires have had their time. Now it's the turn of the jinn."–Tim Mackintosh-Smith

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In 1980, Syrian filmmaker Mohammad Malas traveled to Lebanon to film a documentary about the country's Palestinian refugee camps, during which time he kept a diary of his impressions. <em>The Dream: A Diary of a Film </em>is Malas's haunting chronicle of his immersion in the life of the camps, including Shatila, Burj al-Barajneh, Nahr al-Bared, and Ein al-Helweh. It also describes the filmmaking process, from the research stage to the film's unofficial release, in Shatila Camp, before it reached a global audience. In vivid and poetic detail, Malas provides a snapshot of Palestinian refugees at a critical juncture of Lebanon's bloody civil war, and at the height of the PLO's power in Lebanon before the 1982 Israeli invasion and the PLO's subsequent expulsion. Malas probes his subjects' dreams and existential fears with an artist's acute sensitivity, revealing the extent to which the wounds and contingencies of Palestinian statelessness are woven into the tapestry of a fragmented Arab nationalism. Although he halted his work on the film in 1982, following the massacres of Sabra and Shatila, he completed it in 1987, turning 400 interviews into 23 dreams and 45 minutes of screen time. Both diary and film present these people somewhere between present and past tense, but they are preserved forever in the word, magnetic tape, and now in digital code. <em>The Dream</em> is essential reading for anyone interested in the history of the Palestinians in the modern Middle East, and for students and scholars of Arab filmmaking, politics, and literature.

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In Egypt's modern history, reform of personal status laws has often formed an integral part of political, cultural, and religious contestations among different factions of society. From the beginning of the twenty-first century, two significant reforms were introduced in Egyptian personal status laws: women's right to petition for no-fault judicial divorce law (khul') and the new mediation-based family courts. <em>Legal Reform and Gender Justice</em> examines the interplay between legal reform and gender norms and practices. It examines the processes of advocating for, and contesting the khul' and new family courts laws, shedding light on the agendas and strategies of the various actors involved. It also examines the ways in which women and men have made use of these legal reforms; how judges and other court personnel have interpreted and implemented them; and how the reforms may have impacted women and men's understandings, expectations, and strategies when navigating marriage and spousal roles. Drawing on an extensive four-year field study, Al-Sharmani highlights the complexities and mixed impacts of legal reform, not only as a mechanism of claiming gender rights but also as a system of meanings that shape, destabilize, or transform gender norms and practices.

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Wahhabism is often understood as a radical version of Islam responsible for inspiring and motivating Islamic terrorism. <em>Western Imaginings: The Intellectual Contest to Define Wahhabism </em>is an inquiry into how Wahhabism has been understood and represented by Western intellectuals, particularly those belonging to the neo-conservative and liberal traditions. In contrast to the existing literature that treats Wahhabism as a historical phenomenon or a monolithic theological ideology, a literature often written by authors keen to promote geopolitical interests or with ideological axes to grind, Davis's work considers Wahhabism as a discursive construct crafted and popularized by a Western intellectual elite. This comprehensive study speaks to how and why Western intellectuals have chosen to represent Wahhabism in specific ways, ranging from an analysis of the particular rhetorical techniques employed by these intellectuals to a consideration of the religious and political beliefs that inspire and motivate their decisions. <em>Western Imaginings </em>is aimed at students of political philosophy, intellectual traditions, and sociology; media and policy professionals; and anyone interested in how Islamic doctrines like Wahhabism have been represented in an international context framed by a heightened anxiety about radical Islam.

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