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The monograph was written by lecturers and research fellows of the Department of Political Science and Mass Communications of the Financial University under the Government of the Russian Federation. The contents of the monograph cite the results of research. For a wide circle of researchers in the field of social sciences – political scientists, sociologists, economists, cultural scientists, historians, graduate students and students, as well as everyone interested in digitalization. For a wide circle of researchers in the field of social sciences – political scientists, sociologists, economists, cultural scientists, historians, graduate students and students, as well as everyone interested in digitalization.

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Journalism does not create democracy and democracy does not invent journalism, but what is the relationship between them? This question is at the heart of this book by world renowned sociologist and media scholar Michael Schudson. Focusing on the U.S. media but seeing them in a comparative context, Schudson brings his understanding of news as at once a story-telling and fact-centered practice to bear on a variety of controversies about what public knowledge today is and what it should be. Should experts have a role in governing democracies? Is news melodramatic or is it ironic – or is it both at different times? In the title essay, Schudson even suggests that journalism serves the interests of free expression and democracy best when it least lives up to the demands of media critics for deep thought and analysis; passion for the sensational event may be news at its democratically most powerful. Lively, provocative, unconventional, and deeply informed by a rich understanding of journalism’s history, this work collects the best of Schudson’s recent writings, including several pieces published here for the first time.

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Третья, заключительная книга трилогии знакомит читателя с обширной и многообразной кинолетописью Беларуси, созданной в последние десятилетия эпохи кинопленочного кинематографа. Рассматриваются источники пополнения массива национальной кинолетописи в условиях перехода к цифровым медиа, анализируется принципиальная возможность создания исторически достоверного экранного образа современной Беларуси в постпленочную эпоху. Электронное приложение позволит читателю ознакомиться с тематическим и жанрово-стилевым диапазоном неигровых лент и сюжетов кинопериодики, разнообразными творческими подходами к представлению повседневной жизни людей на документальном экране 1970–2000-х годов. Для специалистов сферы экранных искусств, искусствоведов, культурологов, историков, а также широкого круга читателей.