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""To Build a Fire"" is a short story by American author Jack London. There are two versions of this story, one published in 1902 and the other in 1908. The story written in 1908 has become an often anthologized classic, while the 1902 story is less well known. The 1908 version is about an unnamed protagonist who ventures out in the subzero boreal forest of the Yukon Territory. He is followed by a native dog and is en route to visit his friends—ignoring warnings from an older man about the dangers of hiking alone in extreme cold. The protagonist underestimates the harsh conditions and slowly begins to freeze to death. After building one fire and leaving it to venture on in his journey he later on attempts to build another but fails. He slips into unconsciousness and dies of hypothermia… Famous works of the author Jack London: «„The Cruise of the Dazzler“», «„A Daughter of the Snows“», «„The Call of the Wild“», «„The Kempton-Wace Letters“», «„The Sea-Wolf“», «„The Game“», «„White Fang“», «„The Iron Heel“», «„Martin Eden“», «„Burning Daylight“», «„A Son of the Sun“», «„The Abysmal Brute“», «„The Valley of the Moon“», «„The Mutiny of the Elsinore“», «„The Star Rover“», «„The Little Lady of the Big House“» and many more.

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The Call of the Wild is a short adventure novel by Jack London, published in 1903 and set in Yukon, Canada, during the 1890s Klondike Gold Rush, when strong sled dogs were in high demand. The central character of the novel is a dog named Buck. The story opens at a ranch in Santa Clara Valley, California, when Buck is stolen from his home and sold into service as a sled dog in Alaska. He becomes progressively feral in the harsh environment, where he is forced to fight to survive and dominate other dogs. By the end, he sheds the veneer of civilization, and relies on primordial instinct and learned experience to emerge as a leader in the wild. The Call of the Wild was enormously popular from the moment it was published. H. L. Menken wrote of London's story: «„No other popular writer of his time did any better writing than you will find in The Call of the Wild.“» A reviewer for The New York Times wrote of it in 1903: «„If nothing else makes Mr. London's book popular, it ought to be rendered so by the complete way in which it will satisfy the love of dog fights apparently inherent in every man.“» The reviewer for The Atlantic Monthly wrote that it was a book: «„untouched by bookishness…The making and the achievement of such a hero [Buck] constitute, not a pretty story at all, but a very powerful one.“» After the success of The Call of the Wild London wrote to Macmillan in 1904 proposing a second book (White Fang) in which he wanted to describe the opposite of Buck: a dog that transforms from wild to tame: ""I'm going to reverse the process…Instead of devolution of decivilization … I'm going to give the evolution, the civilization of a dog. Famous works of the author Jack London: «„The Cruise of the Dazzler“», «„A Daughter of the Snows“», «„The Call of the Wild“», «„The Kempton-Wace Letters“», «„The Sea-Wolf“», «„The Game“», «„White Fang“», «„The Iron Heel“», «„Martin Eden“», «„Burning Daylight“», «„A Son of the Sun“», «„The Abysmal Brute“», «„The Valley of the Moon“», «„The Mutiny of the Elsinore“», «„The Star Rover“», «„The Little Lady of the Big House“».

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A woman must emerge from the virtual world she’s created to confront her flesh-and-blood past and family. Growing up with a menacing drunk for a father and a grief-stricken mother, a girl spends her 1980s childhood staring at the television to escape the tension, depression, and looming violence that fill her suburban home. After winning a modelling competition, she dedicates herself to becoming a placid image onto which anything can be projected, a blank slate with a blank stare. Earning enough in Paris to retire in her twenties, she buys a studio in Montreal and retreats from the world and its perceived threats, cultivating her existence as an image through her virtual reality avatar. But when her mother develops cancer and nears the end of her life, she is forced to leave her cocoon – surrounded by her posse of augmented reality superheroes – and interact with the world and her parents without the mask of her perfect, virtual self.Georges offers up an alienated childhood with shifting pop culture obsessions, a woman’s awakening to the role of the image in culture, and her eventual isolation in her apartment and the world online. It is a catalogue of the anxieties of an age, from nuclear war to terrorism, climate change to biological warfare. Set in the past and not-too-distant future of Montreal, The Imago Stage is an ominous tale of oppression, suppression, and disembodiment. "A thought-provoking meditation on our relationships with images and digital life." — The Kirkus Review "Here is an intoxicating novel, enigmatic and deeply troubling… a brilliant book, on our relationships to art, to bodies, and to contemporary technology, which assures us that images do indeed hold the power of seduction." — Dominique Janelle, Le Vif / L'express

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