LITMIR.BIZ

Here are tales of fabulous advances made in anthropology, archaeology, astronomy, and linguistics, stories of the Anasazi, the «old ones» of the southwestern desert, of the great explorers, eccentrics, dreamers, scientists, cranks, and geniuses. «There's no end to the list, of course,» Connell says, «because gradually it descends from such legendary individuals to ourselves when, as children, obsessed by that same urge, we got permission to sleep in the backyard.»

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"Again and again. . . I find myself being a Mrs. Bridge evangelist, telling them that it’s a perfect novel, and then pressing copies on them. . . What writing! Economical, piquant, beautiful, true." —Meg Wolitzer, The New York Times In Mrs. Bridge , Evan S. Connell, a consummate storyteller, artfully crafts a portrait using the finest of details in everyday events and confrontations. The novel is comprised of vignettes, images, fragments of conversations, events—all building powerfully toward the completed group portrait of a family, closely knit on the surface but deeply divided by loneliness, boredom, misunderstandings, isolation, sexual longing, and terminal isolation. In this special fiftieth anniversary edition, we are reminded once again why Mrs. Bridge has been hailed by readers and critics alike as one of the greatest novels in American literature.

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Capturing the spirit of arcane writing, Evan S. Connell delivers spectacular and esoteric prose as he imagines the journals of seven alchemists. The first is Paracelsus, the famous sixteenth-century alchemist, who is followed by an array of distinct voices: physicians, historians, alchemists, and philosophers. Each employs a unique personality and point of view in a world of pre-scientific thought, of the western world about to step into modernity.Though this historical recreation is medieval in style, Connell succeeds in infusing his diarists with alchemic wisdom, ancient appeal, and felt humanness. A work of rigid art and astute mimicry, Connell’s work is intelligent and remarkable, medieval yet applicable to modernity. Alchymic Journals[/i] is, at its core, a study of humanity from the mind of one of America’s greatest writers.

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Karl Muhlbach, hero of Evan Connell’s previous novel, The Connoisseur, has a new obsession—a beautiful, nubile girl-about-New York named Lambeth Brent, whose puzzling background and swinging activities lead Muhlbach into dark areas, causing new revelations of himself as a man to emerge.The mysterious bonds between opposites come into sharp relief as we follow the course of Muhlbach and Lambeth’s relationship. An uncomfortable visit to the ballet, an abortive country vacation, brief but sparkling happy moments, and Muhlbach’s final, shocking discovery add up to a mosaic of vignettes, rendering the characters startlingly real.Double Honeymoon explores the built-in dangers of a love affair between a cautious, conservative, middle-aged widower and a neurotic, high-strung, self-destructive girl. But far from just another May-September romance, the book is a keen examination of the dilemma posed by two people who are attracted to each other, yet unable to come together because of the profound differences in their backgrounds and outlooks. With a sure hand, Evan Connell demonstrates just how profound those differences can be.

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Another brilliant example of Evan Connell’s art, The Patriot deals with an American boy who grew to maturity with World War II. He had learned his father’s patriotism, and then, through the impact of firsthand experience, formulated his own.Melvin Isaacs, aged seventeen, became a Navy Air Force cadet in 1942. His course of training as a flyer was an education in fear and death, even though it had its wonderfully comic times and a sense of comradeship that was new to him. Perhaps it was in the air—for Melvin loved to fly—that the first feelings of aloneness stirred his mind. Melvin, who queried the whys and wherefores of his regimented training life, became, despite all efforts to conform, a maverick. This portion of the novel is a touching and true mixture of human comedy and tragedy, and it also embodies scenes of flight and danger that are unmatched for pure vividness and sensate realism.The story of Melvin after the war is a continuation of the absurdities that can pursue a man so constituted that he must think for himself. And here the implications of the novel become clear. It is partly the age-old story of a father and son in conflict, of an older generation’s notions that are insupportable to the younger, a human dilemma that has no possible resolution. It is also the story of Melvin’s final rejection of war, of his unshakeable conviction that a man today must think and act for the good of the planet, Stephen Decatur’s slogan notwithstanding. With too many excellences to catalogue and extol, the novel has a total effect of a new voice telling a new story of this old familiar world.

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Praise for Notes from a Bottle Found on the Beach at Carmel“A unique tour de force” —The New York Times Book Review“One of the most remarkable books that I have read in a long time.” —Kenneth Rexroth“Mr. Connell’s NOTES are what one intelligent, sensitive artist has been able to salvage from all experience as testimony to the rather pathetic integrity of the human species in the face of extinction. The book is no manual or tract, however, although its political meaning is unmistakable, but a work of art, even a work of high art.” —Hayden Carruth

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“We have here on the planet with us a man of such courage and strength of spirit that he has not lost what Alfred Adler calls ‘the nerve for excellence.’ He has kept it despite the burden of an awareness not only of the enormity of his project and of the limitations of his own human understanding, but also of the abject ignorance and indifference of his audience…“Somehow Connell makes you care. Many modern poets demand a good deal of work; Connell excites it. Sometimes the note-taker’s [narrator] tone is hectoring, even belligerent; if you have any competitive spirit at all, you seize a thread—any thread—follow it, and lo, it traces a pattern… you understand at last that these notes are not tentative explorations, and far less are they ‘expression:’ they are instead the magnificent artifices of a giant intellect…“These poems are masterpieces. You could bend a lifetime of energy to their study, and have lived well. The fabric of their meaning is seamless, inexhaustible… their language is steely and bladelike; from both of its surfaces flickering lights gleam. Each page sheds insight on every other page; understanding snaps back and forth, tacking like a sloop up the long fjord of mystery.”—Annie Dillard, Harper

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The story begins with the unhappy marriage of junior clerk Earl Summerfield to the much older Bianca. Feeling victimized by his cold wife and mocking superiors at work, Earl decides to keep a diary, a chronicle of his apparently crumbling marital relations, the paranoia and abuses he is seemingly forced to tolerate at work, and the world around him going to pieces in 1960’s San Francisco. What he sees, what he says, what he wants to say – everything swarms his head and consciousness, inciting and fueling fantasies of love, ambition, and avenging the violent crimes with which he was become obsessed. His angry and unstable mind alternates between feelings of apprehension and disgust, and exploring his own violent, sexual fantasies, and Earl takes action first by breaking into other peoples’ houses and then fixating on various women, before settling with utmost and troubling certainty on the local beauty queen, Mara St. John’s.This unnerving work is a contemplation of the middle-class existence in a changing world, narrated by an unstable man held hostage by his deteriorating mental state.

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Acclaimed author Evan S. Connell sends us through the complete experience of a man initially intrigued and then enslaved by art: a curious interest, a rapt fixation, and the becoming of a connoisseur. The Connoisseur trails the evolution of Muhlbach, an insurance executive on a business trip in Taos, New Mexico, who develops an obsession with pre-Columbian figurines after meandering through a curio shop. Entranced yet bewildered by his sudden affinity for a little figurine, Muhlbach succumbs to his intrigue and, thirty dollars later, begins his journey as a connoisseur.With superb delivery and subtle clarity, Connell allows us to see and feel Muhlbach’s emerging mania, with its impending tension and sudden exhilaration. He illustrates how a new fixation alters our lens on life and shapes our actions.

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