LITMIR.BIZ

      Apparition on the Rigi-Kulm. Who is it? What was said around

       a table of six hundred covers. Rice and Prunes, An

       improvised ball. The Unknown signs his name on the hotel

       register, P. C. A.

      On the 10th of August, 1880, at that fabled hour of the setting sun so vaunted by the guide-books Joanne and Baedeker, an hermetic yellow fog, complicated with a flurry of snow in white spirals, enveloped the summit of the Rigi (Regina monhum) and its gigantic hotel, extraordinary to behold on the arid waste of those heights—that Rigi-Kulm, glassed-in like a conservatory, massive as a citadel, where alight for a night and a day a flock of tourists, worshippers of the sun.

      While awaiting the second dinner-gong, the transient inmates of the vast and gorgeous caravansary, half frozen in their chambers above, or gasping on the divans of the reading-rooms in the damp heat of lighted furnaces, were gazing, in default of the promised splendours, at the whirling white atoms and the lighting of the great lamps on the portico, the double glasses of which were creaking in the wind.

      To climb so high, to come from all four corners of the earth to see that … Oh, Baedeker!..

      Suddenly, something emerged from the fog and advanced toward the hotel with a rattling of metal, an exaggeration of motions, caused by strange accessories.

      At a distance of twenty feet through the fog the torpid tourists, their noses against the panes, the misses with curious little heads trimmed like those of boys, took this apparition for a cow, and then for a tinker bearing his utensils.

      Ten feet nearer the apparition changed again, showing a crossbow on the shoulder, and the visored cap of an archer of the middle ages, with the visor lowered, an object even more unlikely to meet with on these heights than a strayed cow or an ambulating tinker.

      On the portico the archer was no longer anything but a fat, squat, broad-backed man, who stopped to get breath and to shake the snow from his leggings, made like his cap of yellow cloth, and from his knitted comforter, which allowed scarcely more of his face to be seen than a few tufts of grizzling beard and a pair of enormous green spectacles made as convex as the glass of a stereoscope. An alpenstock, knapsack, coil of rope worn in saltire, crampons and iron hooks hanging to the belt of an English blouse with broad pleats, completed the accoutrement of this perfect Alpinist.

      On the desolate summits of Mont Blanc or the Finsteraarhorn this clambering apparel would have seemed very natural, but on the Rigi-Kulm ten feet from a railway track!—

      The Alpinist, it is true, came from the side opposite to the station, and the state of his leggings testified to a long march through snow and mud.

      For a moment he gazed at the hotel and its surrounding buildings, seemingly stupefied at finding, two thousand and more yards above the sea, a building of such importance, glazed galleries, colonnades, seven storeys of windows, and a broad portico stretching away between two rows of globe-lamps which gave to this mountain-summit the aspect of the Place de l’Opéra of a winter’s evening.

      But, surprised as he may have been, the people in the hotel were more surprised still, and when he entered the immense antechamber an inquisitive hustling took place in the doorways of all the salons: gentlemen armed with billiard-cues, others with open newspapers, ladies still holding their book or their work pressed forward, while in the background, on the landing of the staircase, heads leaned over the baluster and between the chains of the lift.

      The man said aloud, in a powerful deep bass voice, the chest voice of the South, resounding like cymbals:—

      “Coquin de bon sort! what an atmosphere!”

      Then he stopped short, to take off his cap and his spectacles.

      He was suffocating.

      The dazzle of the lights, the heat of the gas and furnace, in contrast with the cold darkness without, and this sumptuous display, these lofty ceilings, these porters bedizened with Regina Montium in letters of gold on their naval caps, the white cravats of the waiters and the battalion of Swiss girls in their native costumes coming forward at sound of the gong, all these things bewildered him for a second—but only one.

      He felt himself looked at and instantly recovered his self-possession, like a comedian facing a full house.

      “Monsieur desires..?”

      This was the manager of the hotel, making the inquiry with the tips of his teeth, a very dashing manager, striped jacket, silken whiskers, the head of a lady’s dressmaker.

      The Alpinist, not disturbed, asked for a room, “A good little room, au mouain?” perfectly at ease with that majestic manager, as if with a former schoolmate.

      But he came near being angry when a Bernese servant-girl, advancing, candle in hand, and stiff in her gilt stomacher and puffed muslin sleeves, inquired if Monsieur would be pleased to take the lift. The proposal to commit a crime would not have made him more indignant.

      “A lift! he!.. for him!..” And his cry, his gesture, set all his metals rattling.

      Quickly appeased, however, he said to the maiden, in an amiable tone: “Pedibusse cum jambisse, my pretty little cat …” And he went up behind her, his broad back filling the stairway, parting the persons he met on his way, while throughout the hotel the clamorous questions ran: “Who is he? What’s this?” muttered in the divers languages of all four quarters of the globe. Then the second dinner-gong sounded, and nobody thought any longer of this extraordinary personage.

      A sight to behold, that dining-room of the Rigi-Kulm.

      Six

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