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Зарубежная драматургия
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Аннотация
TRIFLES<br>First performed by the Provincetown Players at the Wharf Theatre, Provincetown, Mass., August 8, 1916.<br>GEORGE HENDERSON (County Attorney)<br>HENRY PETERS (Sheriff)<br>LEWIS HALE, A neighboring farmer<br>MRS PETERS<br>MRS HALE<br>SCENE: The kitchen is the now abandoned farmhouse of JOHN WRIGHT, a gloomy kitchen, and left without having been put in order—unwashed pans under the sink, a loaf of bread outside the bread-box, a dish-towel on the table—other signs of incompleted work. At the rear the outer door opens and the SHERIFF comes in followed by the COUNTY ATTORNEY and HALE. The SHERIFF and HALE are men in middle life, the COUNTY ATTORNEY is a young man; all are much bundled up and go at once to the stove. They are followed by the two women—the SHERIFF's wife first; she is a slight wiry woman, a thin nervous face. MRS HALE is larger and would ordinarily be called more comfortable looking, but she is disturbed now and looks fearfully about as she enters.
Аннотация
This novel set in the North Country of New York State explores gay adoption in an entertaining way for both gay and general audiences. Ean is a young gay man who works as a Forensic Case Manager at a social services agency, who has been married to Stacy, an Assistant District Attorney, for three years. Stacy feels compelled to adopt a child Ean names Tur (Rut spelled backwards), who is about to be placed in foster care. As their journey with Tur begins, Ean almost loses Stacy in a car accident with a male bull moose. Stacy dies suddenly after years of disability. Ean tries to start a new life with Tur without Stacy; however, he encounters many impediments ranging from suicidal thoughts to the Cinderella complex. Ean must overcome the final conflict of allowing Mark, a moose-obsessed Department of Conservation (DEC) worker, to fully enter his life or perish in loneliness. In the end, Ean triumphs as he allows Mark, a new male "bull", into his life.
Аннотация
Hulle het deur die woesteny geswerwe op soek na nuwe weiveld vir hul skaap en bees. Ná baie jare het hulle gekom in die land wat deur die Asem op die Water aan hulle gebelowe is. Maar die Vuur onder die Aarde het die versoeking oor hulle pad gebring. Hulle het ’n goue kalf gebou en hulle wette het gedwaal van dié van die Asem op die Water. Daarom het die Asem op die Water het dit laat reent en reent, sodat daar ’n groot see tussen hulle en ander volke gekom lê het. Maar toe raak die Fabelberg te klein vir al die volk. In Tertius Kapp se jongste drama bevind herkenbare vreemdelinge hulle op ’n onwaarskynlike skip. Die skeurbuik knaag, maar daar is darem nog af en toe iets om te braai, en algmampoer vir koerasie.
Аннотация
Slave Play received its world premiere Off-Broadway at New York Theatre Workshop in the fall of 2018 in a sold-out, extended run. The production was directed by Robert O’Hara. The NYTW production will transfer to Broadway’s Golden Theatre in the fall of 2019, marking the Broadway debut for both Harris and O’Hara. Slave Play was a New York Times Critic’s Pick. Harris is a swiftly rising young star in the theatre world. Slave Play premiered while he was still a student at the Yale School of Drama. Slave Play is the recipient of the Rosa Parks Playwriting Award, the Lorraine Hansberry Playwriting Award, The Lotos Foundation Prize in the Arts and Sciences and the 2018 Paula Vogel Award. TCG first published Slave Play in American Theatre magazine in the July/August 2019 issue. Harris’s play “Daddy” received its world premiere Off-Broadway at the Vineyard Theatre in the winter of 2019, starring Alan Cumming. In June 2019, to mark the 50th anniversary of the Stonewall Riots, Queerty named Harris one of the Pride50 “trailblazing individuals who actively ensure society remains moving towards equality, acceptance and dignity for all queer people.”
Аннотация
The Sound Inside received its world premiere at the Williamstown Theatre Festival in the summer of 2018. The production starred Mary-Louise Parker and was directed by David Cromer. The Williamstown production will transfer to Broadway in the fall of 2019 at Studio 54, with the same cast. The play was commissioned by Lincoln Center Theater. The Sound Inside was a New York Times Critic’s Pick. NYT critic Jesse Green named the play one of his top 10 shows of 2018. Rapp’s play Red Light Winter was a finalist for the Pulitzer Prize for Drama in 2006. The play also earned him an Obie Award as well as Outer Critics Circle and Lortel nominations. Rapp’s other plays include The Purple Lights of Joppa Illinois, Wolf in the River , The Metal Children. His playwriting honors include Boston’s Elliot Norton Award, The Helen Merrill Prize, The 2006 Princess Grace Statue, a Lucille Lortel Playwright’s Fellowship, The Benjamin H. Danks Award from the American Academy of Arts and Letters, and the PEN/Laura Pels International Foundation Award. In addition to writing plays, Rapp is also a director. He directed the world premiere of Karen O’s psycho opera, Stop The Virgens , for The Creators Project at St. Ann’s Warehouse, which was then selected for The Vivid Live Festival, where it sold out the Sydney Opera House for six performances. He also directed Sam Shepard’s True West at Actors Theatre of Louisville, which went on to be named one of the 2012 Best Moments in Culture by Louisville’s N.P.R. Affiliate, WFPL. His production of Finer Noble Gases garnered a Fringe First Award at the 2006 Edinburgh Fringe Festival, where he received The List’s Best Newcomer Prize. Rapp has taught at the Yale School of Drama.
Аннотация
“ Gloria: A Life is a unique, deeply moving performance created in the hopeful, conversational spirit of its extraordinary subject.” —Sara Holdren, New York Magazine’s Vulture “One part theater, one part consciousness-raising group therapy session, Gloria: A Life offers an experience that promises to be a more intimate recollection of Steinem’s journey, not only because it’s been singularly shaped by the hands of women.” —Noor Brara, Vogue Five decades after Gloria Steinem began raising her voice for equality and championing the voices of others, she remains a leader of the American feminist movement. Emily Mann’s new play traces the progress of Steinem’s extraordinary life, from her undercover Playboy Bunny exposé in the 1960s, through her founding of Ms. Magazine in the 1970s, to her activism in today’s women’s movement.
![Thom Pain (based on nothing) [Revised TCG Edition] - Will Eno](/img/sp747837.jpg "Thom Pain (based on nothing) [Revised TCG Edition] - Will Eno")
Аннотация
– Thom Pain (based on nothing) will run at Signature Theatre in New York from October 23 – November 25, 2018. Will Eno was the first writer to complete Signature's Residency 5 program, and this will be his first Legacy production at the theater. The production will feature Golden Globe Award-winner Michael C. Hall (“Dexter,” “Six Feet Under,” The Realistic Joneses ). – Thom Pain was a finalist for the 2005 Pulitzer Prize for Drama and received the coveted Fringe First Award at the Edinburgh Festival. – The play has been translated into over a dozen languages, and since 2005 has been produced regularly around the U.S. and the world. – Eno has also won the 2012 PEN/Laura Pels International Foundation for Theater Award, the 2004 Oppenheimer Award for best debut by an American playwright ( The Flu Season ), and the Horton Foote Prize for Middletown.
Аннотация
Winner of the 2019 Pulitzer Prize for Drama “Dazzling and ruthless…One of the most exquisitely and systematically arranged ambushes of an unsuspecting audience in years…A glorious, scary reminder of the unmatched power of live theater to rattle, roil and shake us wide awake.” — Ben Brantley, New York Times Grandma’s birthday approaches. Beverly is organizing the perfect dinner, but everything seems doomed from the start: the silverware is all wrong, the carrots need chopping and the radio is on the fritz. What at first appears to be a family comedy takes a sharp, sly turn into a startling examination of deep-seated paradigms about race in America.
Аннотация
Winner, Pulitzer Prize for Drama, 2018 Winner, Edgerton New Play Prize, 2016 Winner, Jean Kennedy Smith Prize, The John F. Kennedy Center for the Performing Arts, 2016 Winner, Women's Invitational, Ashland New Plays Festival, 2016 NYTimes' Critics' Pick
Аннотация
Until the Flood is a New York Times Critic’s Pick Important and timely piece of documentary theatre written in response to Michael Brown’s death Orlandersmith won the prestigious Susan Smith Blackburn Prize for her play The Gimmick in 1999 She was a Pulitzer Prize finalist for her play Yellowman She also received a Drama Desk Award nominee for Outstanding Play and Outstanding Actress in a Play for Yellowman Other honors include a New York Foundation for the Arts Grant, The Helen Merrill Award for Emerging Playwrights, a Guggenheim and the 2005 PEN/Laura Pels Foundation Award for a playwright in mid-career Orlandersmith has toured extensively with the Nuyorican Poets Café (Real Live Poetry) throughout the United States, Europe and Australia.