LITMIR.BIZ

Tell me, please – is this a dream?'The night before he leads his troops into battle, the prince of Homburg strips off his uniform and goes sleepwalking. Moonstruck, his mind races with a young man's fantasies – love, ambition and victory. But when the morning comes, a single reckless act of disobediance sets in motion a chain of events that leads inexorable to the one thing he never dreamt would happen; his own death.Heinrich von Kleist is one of the most enigmatic figures in theatre history. Driven to suicide at the age of 34, he left behind him seven extraordinary plays. Unperformed during his own lifetime, The Prince of Homburg is now regarded as von Kleist's masterpiece and is one of the most mysterious and beautiful plays of the nineteenth century.Neil Bartlett's production opened at the RSC Stratford in January 2002, and transferred to the Lyric Theatre.

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What will become of us? Four people, the sole survivors of a shipwreck, crawl out of the sea. Two of them are masters, and two of them are servants; and all four are about to discover what life feels like when the boot is on the other foot. Marivaux's potent mix of laughter, emotion and theatrical game-playing makes him one of the most surprising and most modern of all classic playwrights. Neil Bartlett has adapted this brilliant comedy of role-swapping and redemption, which premiered at the Lyric Hammersmith in April 2002.

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I took my tears and turned them into paintings' In the electric calm of a blue-painted room, a dying woman reassembles the images of an extraordinary life. The woman is Mexican painter Frida Kahlo. The life is one of struggle – with love, with the body, with her country, and most of all, with her art.La Casa Azul is a collaboration between Quebeçois playwright Sophie Faucher, who also played Frida Kahlo in this production, and internationally acclaimed director Robert Lepage.

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"All I ever wanted was a man who wouldn't ask me questions"Across the foyer of a crowded theatre, a handsome young man catches sight of the most expensive prostitute in town. When they meet, a mutual obsession is ignited – one that tears both their worlds apart.Set amidst the glittering splendours and miseries of 19th century Paris, Camille has scandalised and fascinated audiences and theatres, cinemas and opera houses for over a hundred and fifty years. Neil Bartlett's new version returns to the original novel for its shockingly frank and emotional portrayal of a woman who can afford anything – except to fall in love.Camille opened at the Lyric Hammersmith on 6th March 2003.

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Paris, 1870. Adultery ought to be a serious business… but it’s hard to keep your dignity when the cleaning lady has a fireman in your kitchen and she suspects that something is up. Not to mention the fact that your lover is not only stuck halfway up a drainpipe but is also your husband’s very best friend. And as for the blackmailing taxi driver – he knows everything!The Threesome is a feast of finely tuned extra-marital mayhem from the master of French farce. This version was produced at the Lyric, Hammersmith in March 2000.

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What if four children had been kept locked away in darkness and complete isolation since birth? What if, tonight, they were to be released? How would bodies and minds reared in darkness respond to the first words, the first lies, the first kisses? What if you got to watch? Cruel, erotic and elegant by turn, The Dispute is rightly regarded as one of Marivaux’s masterpieces.

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Collected for the first time in print, over a decade of texts from one of British theatre’s fiercest and most individual voices, documenting the extraordinary site-specific solo performances which have run parallel to Bartlett’s acclaimed work as a mainstream director.Neil Bartlett was Artistic Director of the Lyric Theatre Hammersmith for a number of years. Many of his adaptations for the stage are published by Oberon Books, including Oliver Twist, The Prince of Homburg and Don Juan.

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"He's a beast I tell you – a real animal" What happens when you've lived only for pleasure, and you finally run out of time? When you've broken every promise, outraged every decency and slept your way through half of Europe – where do you turn as the clock starts to tick towards midnight? Neil Bartlett's new translation brings out all the dark undercurrents of Molière's wickedly black comedy.

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Helen and Danny keep themselves to themselves. But the outside world comes crashing into their lives one day when Helen's brother turns up. Covered in blood.Dennis Kelly's new play is a thrilling contemporary suspense story which takes its audience on a chilling journey into a world just outside the front door. This disturbing urban drama has it's world premiere at the Traverse Theatre on 31st July 2009, reuniting the team that brought Kelly's play After The End to the Traverse Theatre in 2005. After a month's run at the Traverse, it transfers to Birmingham Rep and the Soho Theatre (London).

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Fraser and Dougie are watching a suspect.Sal is learning a new dance.An explosion rips through the city.But you're just getting on with your own life.Aren't you?First performed at the Edinburgh Festival 2007, Man Across the Way is a dazzling, anarchic new play about surveillance, tap-dancing and the new world order. Magpie Park features a Harvey Nics store detective with a dodgy past and a florist with a missing sister. What brings them together in a room at the Queens Hotel?Part mystery, part romance, this tender-hearted thriller follows the two on a trail through Leeds from the bright lights of Briggate to the birds of Hyde Park. Magpie Park was first performed at West Yorkshire Playhouse as part of the Northern Exposure Festival.

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