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London Wall is a wryly comic look at the life of women office workers in the 1930s. In a solicitor’s office in the City, Brewer, the office manager, sees pretty new 19-year-old typist Pat as fair game. As some of the more experienced secretaries try to warn her, and others leave her to her fate, her steady boyfriend – an idealistic young writer – desperately tries to win her back. Meanwhile, cynical Miss Janus' romantic life seems to be over as she is jilted by her lover at the desperate age of 35… First performed in the West End in 1931 starring a young John Mills, filmed in 1932, televised in 1963, but unseen since then, London Wall is a surprisingly modern look at men's continuing inability to see women as professional equals and colleagues.

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Includes the plays Fanghorn, Edred, the Vampire and Lucifer's FairFanghorn is a darkly-surrealistic comedy, which pokes fun at the Theatre of Cruelty. Fanghorn is a lesbian vampire, who invades the household of Joseph King, who may, or may not, be the First Secretary to the Minister of Defence, and hilarious emasculation and murderous mayhem follow in her wake. Edred, the Vampyre is a thousand-year-old Anglo-Saxon bisexual vampire, who slept with Shakespeare, but never bit him. Breaking all Bram Stoker’s vampire laws, Edred loves garlic and crucifixes, so he lives in the village church where he is confronted by two students who Googled him. But soon the students wish they hadn’t.Lucifer’s Fair is the family Hallowe’en musical play, about a fair run by the Devil to entrap unwary children. Lucifer is aided by Fangs, who is a bovver boy by day, but an incompetent vampire by night. Simultaneously scary and funny, Lucifer’s Fair, with its comic spills, thrills and chills, highlights the unreliability of grownups, both the living and the undead.

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Can you be a hero if you fought for Nazi Germany?The Latvians who fought for the Third Reich and halted the Red Army parade as heroes every year through the streets of Riga. As a growing number of young Russians campaign to halt the 'fascist' march, their Latvian counterparts join the veterans in commemoration. When teenager Anya becomes a political activist, her father's attempts to calm the situation stir up a storm of extremist patriotism. Remembrance Day takes an look at the fight for the political soul of Latvia.

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"This isn't a village. We've got the largest shopping centre in the area. Now there's somewhere people can go to watch movies, have something to eat, spend money to make sense of their lives."When a rumour spreads like wildfire through a Colombian village, a respectable family start to wither in the heat. As long-buried secrets begin to surface, their efforts to discern truth from slander become fused with a desire for justice. A new black comedy of twisted morality set in modern Colombia.

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Contains original illustrations by Jean Cocteau and Andrzej Klimowski.Two of the seven monologues by Jean Cocteau (1889-1963) in this edition were written for Édith Piaf. The other five were written for Cocteau’s friend, the celebrated actor Jean Marais, to perform on radio. Although perhaps a minor part of Cocteau’s output of films, plays, poems and ballet scenarios, these exquisite miniatures remain a fascinating form of his dramatic expression.Georges Feydeau (1862-1921) is best known for his enduring farces, such as A Flea In Her Ear, yet he wrote over 20 monologues for actors to perform at charity concerts and in fashionable drawing rooms. The six included in this volume were written over a period of 16 years from 1882.Peter Meyer’s translations of eleven of these monologues were commissioned by the BBC and performed on radio by leading actors including Eileen Atkins, Jill Bennett, Richard Briers, Judi Dench, Alec McCowan and Timothy West. The Liar and I Lost Her have been newly translated for this volume.

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Tom Jones was Henry Fielding’s greatest work. The first piece of English prose to be considered a novel, Samuel Taylor Coleridge praised it as ‘one of the most perfect plots ever planned’. A hero, a heroine, dead parents, adversity, misadventure, mistakes and then resolution, happy ever after. A story told throughout the ages, part of our collective unconscious. Uproarious and unconventional, Tom Jones was adapted by John Osborne for the 1963 Oscar-winning film. Directed by Tony Richardson and starring Albert Finney, it won Best Picture, Best Director and Best Adapted Screenplay. The novel has been used as a basis for opera and television adaptations as well as Osborne’s much-loved screenplay. Re-published in this new edition, Tom Jones is eminently suitable for stage productions.

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Following their acclaimed shows On Ego, On Religion, On Emotion and On Love the On Theatre now tackle empathy, in an exploration of the expanse and limits of our capacity to understand one another.Bea is lively, naughty and full of life. When she asks something of her mother that no parent would want to be asked, and of her only friend ‘Not Gay Ray’, they are both forced to challenge the boundaries of their own compassion.

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‘And besides, nothing ever happens here. Nothing. Niks.’Outside a South African town a silent woman, Ruth, goes through her self-imposed rituals, a child’s crib strapped to her back. An observer, Simon, who has loved Ruth since childhood, tells her story. Tshepang was inspired by the horrifying rape in 2001 of a nine month-old child. The child, Tshepang, gave her name to Lara Foot Newton’s award-winning play, though it is also ‘based on twenty thousand true stories’ – the number of child rapes estimated to occur in South Africa each year. Having premiered in Amsterdam in June 2003, Tshepang opened at the Gate Theatre, London, in September 2004.Winner of the Fleur du Cap Award for Best New South African Play 2003

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The Wedding is a Polish classic, continually in production in Poland since Stanislaw Wyspianski wrote it nearly a hundred years ago. A witty but ultimately tragic satire about Polish society, this remarkable play is set around the celebrations of a wedding between a poet from the city of Krakov and a peasant girl from a rural village.

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The Games spell eviction for the Romany Gypsies. 17 year-old Pearl Penfold is one of them. As the bulldozers close in, Pearl falls in love with Joe, a boy from the local estate. Can Joe prove himself to Pearl and her family before they are gone forever?

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