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– Most recent play produced at Lincoln Center Theatre in NY. – Recent feature article in the «New Yorker» (6.28.09) – Originaly premeired at the Woolly Mammoth in Wahshington D.C.
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"A lyrical and understanding chronicler of people who somehow become displaced within their own lives. . . . Mr. Lindsay-Abaire has shown a special affinity for female characters suddenly forced to re-evaluate the roles by which they define themselves."—The New York Times With his latest play Good People, David Lindsay-Abaire returns to Manhattan Theatre Club where four of his previous works were produced, including his 2007 Pulitzer Prize-winning Rabbit Hole. The play premiered there in winter 2011 in a production directed by Daniel Sullivan (who also directed Rabbit Hole), and featuring Frances McDormand in the role of protagonist Margie Walsh. Good People is set in South Boston, the blue-collar neighborhood where Lindsay-Abaire himself grew up: Margie Walsh, let go from yet another job and facing eviction, decides to appeal to an old flame who has made good and left his Southie past behind. Lindsay-Abaire offers us both his «quiet three-dimensional depth» (Los Angeles Times) and his carefully observed humor in this exploration of life in America when you're on your last dollar. David Lindsay-Abaire is the author of Fuddy Meers, Kimberly Akimbo, A Devil Inside, Wonder of the World, and Rabbit Hole, in addition to the book for the musicals High Fidelity and Shrek. His plays have been produced throughout the United States and around the world.
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“The play’s two hours fly by as if you’ve barely taken a breath. . . . Ethical dilemmas arise like exploding mines.”–Variety “Mr. Margulies is a skilled practitioner of fluid dialogue that is naturally funny and sensibly smart.” –The New York Times In his “absorbing intelligent” (Los Angeles Times) and timely new play, Donald Margulies uncovers the layers of a relationship between a photojournalist and foreign correspondent—once addicted to the adrenaline of documenting the atrocities of war, and now grounded in the couple’s Brooklyn loft. Photographer Sarah was seriously injured while covering the war in Iraq; her reporter partner James had left weeks earlier, when the stress and horrors became too much for him. Now James writes online movie reviews while Sarah recovers, mourning for her Iraqi driver (and former lover) killed in the explosion, and itching to get back behind the camera. With this play—coming to Broadway this winter—Margulies revisits themes of being an artist, as characters ask: What does it mean to capture suffering on film, rather than stopping to intervene? Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends, which has been produced throughout the world. Other plays include Sight Unseen (OBIE Award), Brooklyn Boy, and Collected Stories, among many others.
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Naomi Wallace's plays speak the underside of life. Her characters suffer and survive against the enormous weight of the times with a dignity that inspires. Her work challenges the audience and reader to reexamine the conflicts and meaning of our everyday lives through her singular, poetic imagery and language.Includes: One Flea SpareIn the Heart of AmericaSlaughter CityThe War BoysThe Trestle at Pope's Creek
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A major hit on Broadway with James Spader, Richard Thomas, Kerry WashingtonA cinch to be nominated for a Best Play Tony with numerous nominations expected for the actors and productionWill see many regional productions after the Broadway run endsFirst TCG publication of the much lauded American playwright
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Named one of the «Ten Best Plays of 2008» by The New Yorker “Sarah Ruhl’s bold, inventive, and ironic triptych [is] a meditation on devotion and its appropriation by the state. . . . Ruhl is an original; a storyteller with a fine mind evolving her own theatrical idiom.”—John Lahr, The New Yorker “It’s a different kind of morality play . . . an often wondrous work . . . with [Ruhl’s] own special lyrical blend of poetry, humor and grace.”—Frank Rizzo, Variety Passion Play is Sarah Ruhl’s “biggest, most ambitious effort yet” (The New York Times), a three-and-a-half hour intimate epic, plunging the depths of the timely intersection of politics and religion. Ruhl dramatizes a community of players rehearsing their annual staging of the Easter Passion in three different eras: 1575 northern England, just before Queen Elizabeth outlaws the ritual; 1934 Oberammergua, Bavaria, as Hitler is rising to power; and Spearfish, South Dakota, from the time of Vietnam through Reagan’s presidency. In each period, the players grapple in different ways with the transformative nature of art, and politics are never far in the background, as Queen Elizabeth, Hitler, and Reagan each appear, played by a single commanding actor. Sarah Ruhl’s plays include Dead Man’s Cell Phone, Eurydice, and The Clean House, which was nominated for the Pulitzer Prize. Her work has been widely produced both throughout the country and internationally, and she is the recipient of the MacArthur “Genius” Fellowship.
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"Fifty Words has a gimlet eye, providing meticulously chosen, artfully integrated details that let us understand why its characters so love and loathe each other. Like Mr. Albee's Who's Afraid of Virginia Woolf? it understands how closely hate and love can be linked in marriage."—The New York TimesIn Fifty Words, a Brooklyn brownstone becomes a marital battleground for Adam and Jan; Do Not Disturb dramatizes Adam's infidelity at a hotel with former lover Melinda; and in Side Effects, Melinda and her husband Hugh come to terms with their broken relationship.Michael Weller has written over forty dramatic works, including the plays Moonchildren, Fishing, Loose Ends, and Beast, and the screenplays for Hair and Ragtime.
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"Nottage is one of our finest playwrights, a smart, empathetic, and daring storyteller who tells a story an audience won't expect."— Time Out New York "Lynn Nottage's work explores depths of humanness, the overlapping complexities of race, gender, culture and history—and the startling simplicity of desire—with a clear tenderness, with humor, with compassion."—Paula Vogel, Pulitzer Prize–winning playwright In her first new play since the critically acclaimed Ruined , Lynn Nottage examines the legacy of African Americans in Hollywood in a dramatic stylistic departure from her previous work. Fluidly incorporating film and video elements into her writing for the first time, Nottage's comedy tells the story of Vera Stark, an African American maid and budding actress who has a tangled relationship with her boss, a white Hollywood star desperately grasping to hold onto her career. Stirring audiences out of complacency by tackling racial stereotyping in the entertainment industry, Nottage highlights the paradox of black actors in 1930s Hollywood while jumping back and forward in time and location in this uniquely theatrical narrative. By the Way, Meet Vera Stark premiered in New York in 2011 and will receive productions at Los Angeles's Geffen Playhouse in fall 2012 and Chicago's Goodman Theatre and The Lyric Stage Company of Boston in spring 2013. Lynn Nottage 's plays include the Pulitzer Prize–winning Ruined ; Intimate Apparel</em; [i]Fabulation, or the Re-Education of Undine ; Crumbs from the Table of Joy ; Las Meninas ; Mud, River, Stone ; Por'Knockers ; and POOF!
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“The finest new American play I’ve seen in a long while . . . Dying City is a political play and also a psychodrama about what Arthur Miller called the politics of the soul. It’s about public conscience and private grief, and real and symbolic catastrophes.”— The New York Observer “Anyone who doubts that Mr. Shinn is among the most provocative and probing of American playwrights today need only experience the . . . sophisticated welding of form and content that is Dying City .”— The New York Times In Christopher Shinn’s new play Dying City , a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a spare downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s creepy, sophisticated drama—infused with references to 9/11 and the war in Iraq—explores how contemporary politics and recent history have transformed the lives of these three characters. Christopher Shinn was born in Hartford, Connecticut, and lives in New York. His plays include Where Do We Live , Other People , What Didn’t Happen , and On the Mountain , which have been widely produced in New York, across the United States, and in London. He is the recipient of an OBIE Award in Playwriting, as well as the Robert S. Chesney Award. He teaches playwriting at The New School for Drama.
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Winner of the 2010 Pulitzer Prize for Drama “Rock is alive and rolling like thunder in Next to Normal. It’s the best musical of the season by a mile…an emotional powerhouse with a fire in its soul and a wicked wit that burns just as fiercely.”—Rolling Stone “No show on Broadway right now makes as a direct grab for the heart—or wrings it as thoroughly—as Next to Normal does. . . . [It] focuses squarely on the pain that cripples the members of a suburban family, and never for a minute does it let you escape the anguish at the core of their lives. Next to Normal does not, in other words, qualify as your standard feel-good musical. Instead this portrait of a manic-depressive mother and the people she loves and damages is something much more: a feel-everything musical, which asks you, with operatic force, to discover the liberation in knowing where it hurts.”—Ben Brantley, The New York Times Winner of three 2009 Tony Awards, including Best Original Score (Music and/or Lyrics) Written for the Theatre, Next to Normal is also available in an original cast recording. It was named Best Musical of the Season by Rolling Stone, The Washington Post, Los Angeles Times, and The New York Times. Brian Yorkey received the 2009 Tony Award for Best Original Score for his work on Next to Normal and was also nominated for Best Book of a Musical. His other credits include Making Tracks and Time After Time. Tom Kitt received two 2009 Tony Awards for Best Original Score and Best Orchestrations for Next to Normal. He also composed the music for High Fidelity and From Up Here. His string arrangements appear on the new Green Day album 21st Century Breakdown, and he is the leader of the Tom Kitt Band.