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Зарубежная драматургия
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Thomas Shadwell (1642-1692) wrote a number of comic plays during his life. His drama featured broadly-based, coarse humor, and is filled with crude-but-vibrant characters drawn from the streets of Restoration London, individuals such as sharpers, whores, and eccentrics. His work is essentially plotless, but reeks with the odor of real people. Frank J. Morlock has created a composite drama (with plot!) from Shadwell's many works, but particularly employing pieces of The Woman Captain, The Squire of Alsatia, The Sullen Lovers, and The Virtuoso. The result is an hilarious masterpiece that's as timeless and as entertaining as the best of modern comedy.
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OLYMPIAS is one of Voltaire's most powerful tragedies. It's based on the suspicion that King Alexander the Great was poisoned, and left an infant daughter, Olympias, by his Persian wife Statira, daughter of the last Persian king. Olympias was raised by Cassander, son of King Antipater of Macedon, who's also tried to murder Statira (although she survived, unbeknownst to him). Now Cassader has succeeded his father as King, but is riddled with guilt over his crimes. Olympias has been raised in ignorance by Cassander, whom she loves. When the real facts of her origin–and her proposed husband's evil deeds–are revealed to her by her mother, she's caught between her genuine affection for the King, and the knowledge of who he really is. Included with this classic play is THE TEMPLE OF GLORY, an opera libretto set in classical times. Two little-known works by one of the greatest French writers.
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The Count of Monte Cristo, one of the greatest adventure novels of all time, has been converted by the author into a series of four plays. In PART TWO, Edmond Dantes has escaped from the dreaded prison island of d'If after 14 years of captivity. He seeks out the fabulous treasure of Monte Cristo described to him by the Abbe Faria, and assumes the identity of the priest Busoni. Then he begins his odyssey of revenge, tracking down Caderousse and his wife, La Carconte, and finding the trail of Villefort, another of his betrayers. He also secretly helps his former employer, Mr. Morel. But he has yet to assume the identity of the avenging Count of Monte Cristo! First-rate action drama!
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The First National Black Playwrights Conference and Workshop held in Canberra in January 1987 was a hectic affair. More than one participant called on Mudrooroo to use the proceedings (in the sense of what was happening) and the stories going around in a book. Doin Wildcat was that book. It has been called his most Aboriginal work and it should be as it stems from that historical conference and what happened there transferred of course to – well – the world of Wildcat.<br /> <br />Wildcat, the prison graduate, drifting through life, making the most of the opportunities that come his way, relishing the pickings of the late 1980s… by the author of Wild Cat Falling.
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Carlo Goldoni (1707 – 1793) was one of the most prolific and versatile playwrights of his century, even though most of his vast output deals with life confined to a few square miles of Northern Italy. This new edition contains two comedies about women surviving precariously in a man's world, but each taking a distinctly different approach to her problems. Mirandolina believes open dealing is essential; Valentina wants to have her cake and eat it, and uses intrigue to further her interests. Both are eager to win some kind of equality in a world in which they have no equality, only certain advantages, and almost come to grief. But these are worldly comedies and Goldoni does not deny us the satisfaction of seeing the women triumph
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“Mr. Kushner’s glorious specialty is in giving theatrical life to internal points of view, in which our thoughts meld with a character’s wayward speculations or fantasies… He makes the personal and the universal, the trivial and the cosmic come simultaneously to life in a single character’s bewilderment.” –Ben Brantley, New York Times“An extraordinary play…a deeply felt, expansively ruminative drama.” –Paul Taylor, Independent (London)“What a feast of a play. No playwright in the English language has a greater passion for language than Kushner. And to this Kushner adds that rare quality in American theater, a yearning to go beyond domestic stories and into the great world of political struggle. Brilliant. It keeps us thinking.” –Richard Christiansen, Chicago Tribune“This eerily timely work about Afghanistan is comparably mesmerizing and mournful, vast and intimate, emotionally generous and stylistically fabulist, wildly verbal, politically progressive and scarily well informed.” –Linda Winer, NewsdayIn Homebody/Kabul, Pulitzer Prize-winning playwright Tony Kushner, author of Angels in America, has turned his penetrating gaze to the arena of global politics to create this suspenseful portrait of a dangerous collision between cultures. Written before 9/11, Homebody/Kabul premiered in New York in December 2001 and has had highly successful productions in London, Providence, Seattle, Chicago and Los Angeles. This version incorporates all the playwright's changes and is now the definitive version of the text.Tony Kushner’s plays include Angels in America; Hydriotaphia, or the Death of Dr. Brown; The Illusion, adapted from the play by Pierre Corneille; Slavs!; A Bright Room Called Day; Homebody/Kabul; Caroline, or Change, a musical with composer Jeanine Tesori; and The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures. He wrote the screenplays for Mike Nichols’s film of Angels in America and for Steven Spielberg’s Munich and Lincoln. His books include The Art of Maurice Sendak: 1980 to the Present; Brundibar, with illustrations by Maurice Sendak; and Wrestling with Zion: Progressive Jewish-American Responses to the Israeli-Palestinian Conflict, co-edited with Alisa Solomon.Among many honors, Kushner is the recipient of a Pulitzer Prize, two Tony Awards, three Obie Awards, two Evening Standard Awards, an Olivier Award, an Emmy Award, two Oscar nominations, and the Steinberg Distinguished Playwright Award. He is a member of the American Academy of Arts and Letters. In 2012, he was awarded a National Medal of Arts by President Barack Obama. He lives in Manhattan with his husband, Mark Harris.
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The acclaimed writer and performer Lisa Kron’s newest work is all about her mom. It explores the dynamics of health, family and community with the story of her mother’s extraordinary ability to heal a changing neighborhood, despite her inability to heal herself. In this solo show with other people in it, Kron asks the provocative question: Are we responsible for our own illness? But the answers she gets are much more complicated than she bargained for when the play spins dangerously out of control into riotously funny and unexpected territory. Lisa Kron has received numerous honors, including several OBIE Awards, the Cal Arts/Alpert Award, the Bessie Award and the GLAAD Media Award. Ms. Kron lives in New York City and Los Angeles.
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“In the appallingly entertaining Dirty Story . . . Mr. Shanley has expanded his focus from the intimate to the international to create one of the liveliest, boldest and—against the odds—funniest studies ever of a subject that even hard-core satirists tend to approach on tiptoe.”—Ben Brantley, The New York Times Three new works by Pulitzer Prize–winning author John Patrick Shanley, one of our country’s most politically current and theatrically elastic playwrights. In Dirty Story a couple of sadomasochistic writers fight over rights to their New York City loft, in this sexy satire of the Israeli-Palestinian conflict that is “astonishing,” says Tony Kushner, “The analysis of the Middle East in this play is dead on, exactly perfectly pitched.” In his dark comedy Where’s My Money? Shanley takes on marriage, infidelity and divorce lawyers in a play that is “so harsh, it’s funny—terrifying, but funny,” ( The New York Times ). And in his Sailor’s Song , love becomes an act of courage, in this seaside romance about the certainty of death, the brevity of youth, and the importance of now . John Patrick Shanley ’s Doubt won the 2005 Pulitzer Prize for Drama and the Tony Award for Best Play, and was chosen as best play of the year by over 10 newspapers and magazines. His other plays include Danny and the Deep Blue Sea , Four Dogs and a Bone , Psychopathia Sexualis and Savage Limbo . He has written extensively for TV and film, including Moonstruck , for which he won an Academy Award for best screenplay.
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“Mr. Eno has established himself as one of the most vital, distinctive voices in the American theater over the past decade. Once encountered, his style is not likely to be forgotten: Wryly humorous and deeply engaged in the odd kinks and quirks of language and its fuzzy relationship to meaning, his plays are also infused with a haunted awareness of, and a sorrowful compassion for, the fundamental solitude of existence.” –New York Times“An anarchic and deliciously clever play.” –Huffington PostThis wildly funny and subversive take on the archetypal family drama is dense with authentic feeling and pain and it ultimately evolves into something haunted and mysterious and grand, even hopeful. The Open House won a Drama Desk Award, the 2014 Obie Award for Playwriting and the 2014 Lucille Lortel Award for Outstanding Play. It was on the Top Ten Plays of 2014 lists of TIME magazine, Time Out New York and the NY Daily News. Will Eno is the author of The Realistic Joneses and Thom Pain (based on nothing) , which was a Pulitzer Prize finalist. Other works include Middletown, The Flu Season, Tragedy: a tragedy, Intermission and Gnit. He is a Residency Five Fellow at Signature Theatre in New York. His many awards include the PEN/Laura Pels Award, the Horton Foote Prize and the first-ever Marian Seldes/Garson Kanin Fellowship by the Theater Hall of Fame.
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“One of the Ten Best Plays of the Year! ‘No longer merely promising, Jon Robin Baitz is now a major playwright.’” – Time Magazine"Jon Robin Baitz is the American theatre's most fascinating playwright of conscience. Three Hotels packs an emotional punch that lingers."–Michael Kuchwara, Associated PressDazzling audiences with the linguistic artistry, keen insights and comprehensive vision of Three Hotels, Jon Robin Baitz enhances his reputation as one of America’s most important playwrights. In three dramatic monologues that progress from intellectual cynicism to heartbreaking honesty, he reveals the emotional and physical wounds sustained by the foot soldiers of the conglomerates operating in Third World countries and, by extension, by all Americans adrift in the seas of international commerce and politics.Also included are several shorter works (Four Monologues, Coq au Vin, It Changes Every Year and Recipe for One, or A Handbook for Travelers), each of which, like Three Hotels, “is the fervent prayer that there will be something in this wrecked world to salvage.” Jon Robin Baitz is the author of The Film Society, Other Desert Cities, The End of the Day, and The Substance of Fire, which he adapted into a major motion picture. He was the showrunner on ABC’s Brothers & Sisters. He also wrote the screenplay for the upcoming film Stonewall directed by Roland Emmerich. He lives in New York.