Аннотация

Am I a virgin? I think I am. I mean it went in her but it was floppy and it wasn’t very nice so I think I am a virgin. I’m going to say I am. Will look better on me uni applications. Liverpool, 1989. Greg is thirteen. He has just started secondary school. He earns pocket money sweeping up hair in a barbers. Girls are aliens. Liverpool FC are everything. Greg has an extraordinary story to tell you. [i]Bottleneck is a vibrant coming-of-age story about becoming a man hrough adventures both big and small. It is about a notorious ity; Liverpool. How the outside world views it and how it views the outside world.

Аннотация

Mr Modernsky[/i] tells a story about two heavyweights of twentieth-century classical music: Igor Stravinsky and Arnold Schoenberg.It traces the gradual change there has been in the way these two great rivals are perceived, looks in their music for the reasons and reflects on the nature of modernity in art and the sometimes pernicious effects of ideology. Meredith Oakes explores the tension between futuristic and historical elements in the work of these parallel artists and asks: is modernity merely about technical innovation? Must progress always mean exclusion of the past?'…a personal reflection on Oakes’s own changing attitude to music…the discussion of Wagner’s technique and its relevance to Schoenberg in the same section is so absorbing that the reader is carried along. It’s notoriously difficult to write about what music sounds like, but Oakes has some delightful turns of phrase.' Classical Music Magazine

Аннотация

‘None of this is the truth. It’s just people saying things. It’s all subjective. There’s the truth, and there’s what people think is the truth, and it all depends on how you slant it…’ Taking Care of Baby tackles the complex case of Donna McAuliffe, a young mother convicted of the murder of her two infant children. In a series of probing interviews the people in this extraordinary story, including Donna herself and her bewildered mother Lynn, reveal how they may have harmed those they sought to protect.Dennis Kelly’s ambitious play uses the popular techniques of drama-documentary and verbatim theatre to explore how truth is compromised by today’s information culture.

Аннотация

Cornish conspiracy theorist Virgil Ploy is paranoid. He thinks that everyone is out to get him – that includes his mother and her new husband, Dusty. He might well be right. It’s hard to know who to trust these days. But then, living on top of a secret M.O.D. chemical weapons plant can do strange things to you. Very strange things indeed… Horse Piss for Blood is a bizarre and darkly funny new play about family, madness and Cornwall’s darkest secret… Are you ready for the truth?‘Grose does again what he is so good at – bringing to life a story which feeds on local lore… A fun 90 minutes’ – What’s On Stage

Аннотация

Shortlisted for the Writers' Guild of Great Britain Best Theatre Play 2011Young New Yorker Michael Doyle decides to live up to his Irish heritage by joining the IRA. He’s recruited by Costello, the charismatic ‘Big Fellah’, who wants to use Doyle’s brownstone apartment in The Bronx as a safe house for an escaped killer. But it soon becomes clear that someone is leaking information to the FBI… Set among Irish Americans in New York, Richard Bean’s dark, glinting, funny play spans three turbulent decades. A boisterous and witty story of loyalty, disillusionment and betrayal.‘This is the funniest play about Irish troublemakers since Bill Morrison’s ‘Flying Blind’… The West End surely beckons.’– Michael Coveney, What's On Theatre ‘Bean’s play is very funny, full of sharp contrasts between grim hilarity and gut-wrenching reversals.’ – The Stage ‘One moment you’re exploding with mirth at its sly abrasive wit, the next its choking the laughter out of your throat. Directed with thrilling energy and searing precision by Max Stafford-Clark’ CRITICS CHOICE 4 STARS- Time Out

Аннотация

One evening, Mr Ido arrives home from work to find his house surrounded by police and TV cameras. Inside, his wife and child are being held hostage by an escaped murderer. An otherwise normal day in an otherwise comfortable life is not ending how it should. But rather than play the victim and accept this terrible fate, Ido decides to take control and embarks upon an extraordinary mission of revenge. Set in Tokyo in 1974, this dark and unconventional satire asks what happens when the victim becomes the aggressor, the weak become powerful and the watcher becomes the watched.‘As its supple mood shifts – from comedy, to tragedy, to eroticism – it exposes the sharp edge of cruelty that all these aesthetic modes share. It satirises the enjoyment of violence [and] walks that fetishistic line between pain and pleasure.’ – Time Out

Аннотация

The Government has so far refused a Public Inquiry into the riots that shook our cities in the Summer of 2011, so the Tricycle is mounting its own. This verbatim play builds a real-time picture of the riots as they unfolded. And then, from interviews with politicians, police, teachers, lawyers, community leaders, as well as victims and on-lookers, The Riots analyses what happened, why it happened, and what we should do towards making a better future for ourselves and our city. Astonishing stories and equally astonishing conclusions told by the many voices that have been stirred up by the riots.

Аннотация

A man boards a train: the confined space of the carriage triggers potent memories. Soon he is confessing to a terrible crime, one for which he holds Beethoven’s Kreutzer Sonata responsible.‘Nancy Harris’s English adaptation combines icy precision with mordant wit…’ – Charles Spencer, Daily Telegraph ‘Nancy Harris’s crisp and emotionally intelligent adaptation conveys the power of the Tolstoy original….. The experience of Harris’s play is a jolt to the system, a journey into the pathology of suspicion and self-loathing’ – Henry Hitchings, Evening Standard ‘An extraordinarily compelling adaptation of Tolstoy’s great, warped novella.’ – Paul Taylor, Independent[/i] ‘Tolstoy’s sensational 1889 novella has been dashingly adapted by Nancy Harris – she can wield a knife as precisely as Pozdynyshev.’ – Kate Kellaway, Observer Though this ‘Kreutzer Sonata’ hews to the shape and plot of the original, Ms. Harris has given it a wry, worldly, distinctly British flavor” – <I.New York[/i]

Аннотация

‘There is only one thing I fear in life, my friend… One day the black will swallow the red.’Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting.A moving and compelling account of one of the greatest artists of the 20th century whose struggle to accept his growing riches and praise became his ultimate undoing..Nominated for 7 Olivier Awards (2009) and winner of six Tony Awards 2010 including Best New Play.

Аннотация

Three writers. Two plays. One vital tale of power, sex and infighting at the top of the Washington establishment, and its far-reaching repercussions. This Tuesday by Ron Hutchinson and Christina Lamb It’s 5a.m. A CIA director learns her daughter has been injured in a car crash, a White House security adviser is sleeping with an intern, a Pentagon General is working out in the gym. This Tuesday, in an hour, they have a vital decision to make. The Kid by David Greig Wednesday. A missile hits a wedding in Pakistan. 7,500 miles away, two drone operators begin their celebration. Pushing the button was the start. If only it were the end… Drones, Baby, Drones premiered at Arcola Theatre in November 2016, directed by Nicolas Kent and Mehmet Ergen.